AustLit

'From Australia's most exciting and original crime writer comes another electrifying thriller, set in Los Angeles, introducing a new – and decidedly unconventional – team of 'detectives'.

'A convicted killer. A gifted thief. A vicious crime boss. A disillusioned cop.
Together they’re a missing girl's only hope.

'Blair Harbour, once a wealthy, respected surgeon in Los Angeles, is now an ex-con down on her luck. She’s determined to keep her nose clean to win back custody of her son.

'But when her former cellmate, Sneak Lawlor, begs for help to find her missing daughter, Blair is compelled to put her new-found freedom on the line. Joined by LA’s most feared underworld figure, Ada Maverick, the crew of criminals bring outlaw tactics to the search for Dayly.

'Detective Jessica Sanchez has always had a difficult relationship with the LAPD. And her inheritance of a $7 million mansion as a reward for catching a killer has just made her police enemy number one.

'It’s been ten years since Jessica arrested Blair for the cold-blooded murder of her neighbour. So when Jessica opens the door to the disgraced doctor and her friends early one morning she expects abuse, maybe even violence.

'What comes instead is a plea for help.' (Publication summary)

'12.46: Thirteen-year-old Claire Bingley stands alone at a bus stop

12.47: Ted Conkaffey parks his car beside her

12.52: The girl is missing . . .

'Six minutes – that’s all it took to ruin Detective Ted Conkaffey’s life. Accused but not convicted of Claire’s abduction, he escapes north, to the steamy, croc-infested wetlands of Crimson Lake.

'Amanda Pharrell knows what it’s like to be public enemy number one. Maybe it’s her murderous past that makes her so good as a private investigator, tracking lost souls in the wilderness. Her latest target, missing author Jake Scully, has a life more shrouded in secrets than her own – so she enlists help from the one person in town more hated than she is: Ted Conkaffey.

'But the residents of Crimson Lake are watching the pair’s every move. And for Ted, a man already at breaking point, this town is offering no place to hide . . .' (Publication summary)

'Ex-detective Frank Swann is now on the outside of the police force – the only way to get justice done in Perth. In 1979 the city is a place of celebration and corruption. There are street parties, official glad-handing – even a royal visit – to commemorate a century and a half since colonisation. But behind the festivities a new kind of land grab is going on, this time for mining leases. The price of gold is up and very few, it seems, are incorruptible before its lure.

When Swann is hired to probe the suicide of a respected geologist, he's drawn into a mire of vice and fraud, at the centre of which sit the directors of a gold-lease consortium. They're an unlikely collection of the seemingly respectable and the clearly not, with one thing in common: a lust for wealth that verges on a disease.

For an old-school tough guy like Swann, that's a gauntlet he just has to pick up . . .' (Publisher's blurb)

'#1 New York Times bestselling author Candice Fox delivers a compulsive new crime thriller, which sees Ted Conkaffey once again teaming up with an unlikely partner – this time the father of the girl he was accused of abducting . . .

'When former police detective Ted Conkaffey was wrongly accused of abducting thirteen-year-old Claire Bingley, he hoped the Queensland rainforest town of Crimson Lake would be a good place to disappear. But nowhere is safe from Claire’s devastated father.

'Dale Bingley has a brutal revenge plan all worked out – and if Ted doesn’t help find the real abductor, he’ll be its first casualty.

'Meanwhile, in a dark roadside hovel called the Barking Frog Inn, the bodies of two young bartenders lie on the beer-sodden floor. It’s Detective Inspector Pip Sweeney’s first homicide investigation – complicated by the arrival of private detective Amanda Pharrell to ‘assist’ on the case. Amanda’s conviction for murder a decade ago has left her with some odd behavioural traits, top-to-toe tatts – and a keen eye for killers.

'For Ted and Amanda, the hunt for the truth will draw them into a violent dance with evil. Redemption is certainly on the cards – but it may well cost them their lives . . .' (Publication summary)

'Conceived as Gerald Murnane’s last work of fiction, Border Districts was written after the author moved from Melbourne to a small town on the western edge of the Wimmera plains, near the border with South Australia. The narrator of this fiction has made a similar move, from a capital city to a remote town in the border country, where he intends to spend the last years of his life. It is a time for exploring the enduring elements of his experience, as these exist in his mind, images whose persistence is assured, but whose significance needs to be rediscovered. Readers of Murnane’s earlier work will recognise some of these images: the dark-haired young woman at a window; the ancestral house set in grasslands; coloured glass, marbles, goldfish, the outfits of jockeys. Murnane’s images often draw their power from the light that falls upon them from a distant or mysterious source. But he also considers the possibility that the mind casts its own light, imbuing the images in the observer’s mind with the colours of his soul.

'As Murnane’s narrator declares, ‘the mind is a place best viewed from borderlands’. In this work, Border Districts also refers to the border country between life and death; and there is another meaning, in the narrator’s discovery of others who might share his world, even though they enter it from a different direction, across the border districts which separate, or unite, two human beings.' (Publication summary)

'Belfast 1988: a man has been shot in the back with an arrow. It ain't Injuns and it isn't Robin Hood. But uncovering exactly who has done it will take Detective Inspector Sean Duffy down his most dangerous road yet, a road that leads to a lonely clearing on the high bog where three masked gunmen will force Duffy to dig his own grave. Hunted by forces unknown, threatened by Internal Affairs and with his relationship on the rocks, Duffy will need all his wits to get out of this investigation in one piece.' (Publication summary)

When Brigitte and her family moved from the city, they were supposed to be happier. And safer. But soon her crime-writer ex-boyfriend turns up in town to promote his new novel, in which a woman is found dead - murdered - in a country lake. Hours later, Brigitte watches the police pull a body from the water near her Gippsland home. Her husband, a country cop now, is at the scene, though it's not his investigation; he's only helping the Melbourne Homicide Squad. But there's something he's not telling Brigitte. With her personal life spiralling out of control once more, and fearing her family is in danger, who can Brigitte turn to? And what if she makes the wrong choice? Dead in the Water is about trying to escape the cycle of trauma. It delves into the darkness beneath the surface of fear, betrayal, and revenge, to find a glimmer of hope.

Source: Publisher's blurb

'When a brothel madam is shot on a Perth golf course in 1975 it should be a routine murder enquiry. But it isn't. In fact there's barely an investigation at all, and Superintendent Swann thinks he knows why. Heroin is the new drug in town and the money is finding its way into some very respectable hands.

'It's the brave or the foolish who accuse their fellow cops of corruption, and sometimes not even Swann is sure which he is. Especially when those he's pointing the finger at have mates in every stronghold of power in the state - big business, organised crime, the government. He might have won the first round by forcing a royal commission, but the judge is an ailing patsy and the outcome seems predetermined. If that's not enough to contend with, Swann's teenage daughter has disappeared, he doesn't know whether she's alive or not, and the word on the street is he's a dead man walking.

'Line of Sight is classic crime noir, a tale of dark corruption set in a city of sun and heat.'

'Twenty years ago, when I first arrived on the plains, I kept my eyes open. I looked for anything in the landscape that seemed to hint at some elaborate meaning behind appearances.

'There is no book in Australian literature like The Plains. In the two decades since its first publication, this haunting novel has earned its status as a classic. A nameless young man arrives on the plains and begins to document the strange and rich culture of the plains families. As his story unfolds, the novel becomes, in the words of Murray Bail, ‘a mirage of landscape, memory, love and literature itself’.' (Publication summary : Text Classics)

'A chilling, exhilarating new thriller from the award-winning Candice Fox, described by the Sydney Morning Herald as 'an important new voice in crime fiction'. 'I'm sure every day Eden looked in the mirror and wondered if she should kill me . . .'

'If Detective Frank Bennett tries hard enough, he can sometimes forget that Eden Archer, his partner in the Homicide Department, is also a moonlighting serial killer ...

'Thankfully their latest case is proving a good distraction. Someone is angry at Sydney's beautiful people – and the results are anything but pretty. On the rain-soaked running tracks of Sydney's parks, a predator is lurking, and it's not long before night-time jogs become a race to stay alive.

'While Frank and Eden chase shadows, a different kind of danger grows closer to home. Frank's new girlfriend Imogen Stone is fascinated by cold cases, and her latest project – the disappearance of the two Tanner children more than twenty years ago – is leading her straight to Eden's door.

'And, as Frank knows all too well, asking too many questions about Eden Archer can get you buried as deep as her past … ' (Publication summary)

'Is Brigitte a loving wife and mother, or a cold-blooded killer?

Nobody knows why she was in the east of the city so early on the morning she was left for dead by a hit-and-run driver. It was the Friday before Christmas 1994 - the same day police discovered the body of a man beaten to death in her apartment.

Fourteen years later, Brigitte is married to the detective who investigated the murder, which she claims to have lost her memory of in the car accident. They have young twins, and seem to be a happy family. Until the reopening of the cold case.

Please Don't Leave Me Here is about loss, love and lies. It is about pain, fear, and memory. And, above all, it is about letting go.' (Scribe)

'The breaktaking new thriller from the author of Hades, winner of the Ned Kelly award for Best Debut Crime Novel. 'I fool myself that Eden has a heart – that she would at least have trouble killing me...'

'Most police duos run on trust, loyalty, and the desire to see killers in court. But Detective Frank Bennett's partner, the enigmatic Eden Archer, has nothing to offer him but darkness and danger. She doesn't mind catching killers – but it's not the courthouse where her justice is served.

'And now Eden is about to head undercover to find three missing girls. The only link between the victims is a remote farm where the desperate go to hide and blood falls more often than rain. For Frank, the priority is to keep his partner monitored 24/7 while she's there – but is it for Eden's protection, or to protect their suspects from her?

Across the city at the Utulla Tip, someone is watching Hades Archer, a man whose criminal reputation is the stuff of legend. Unmasking the stalker for him might be just what Frank needs to stay out of trouble while Eden's away.

'But it's going to take a trip into Hades's past to discover the answers - and what Frank uncovers may well put everyone in danger . . .' (Publication summary)

'A dark, compelling and original thriller that will have you spellbound from its atmospheric opening pages to its shocking climax. Hades is the debut of a stunning new talent in crime fiction.

'Hades Archer, the man they call the Lord of the Underworld, surrounds himself with the things others leave behind. Their trash becomes the twisted sculptures that line his junkyard. The bodies they want disposed of become his problem – for a fee.

'Then one night a man arrives on his doorstep, clutching a small bundle that he wants ‘lost'. And Hades makes a decision that will change everything...

'Twenty years later, homicide detective Frank Bennett feels like the luckiest man on the force when he meets his new partner, the dark and beautiful Eden Archer. But there's something strange about Eden and her brother, Eric. Something he can't quite put his finger on.

'When the two detectives are called to the scene of an attempted drowning, they find a traumatised victim telling a story that's hard to believe - until the divers start bringing up bodies.

'Frank is now on the hunt for a very different kind of serial killer: one who offers the sick and dying hope at murderous cost. At first, his partner's sharp instincts come in handy. Soon, he's wondering if she's as dangerous as the man they hunt.' (Publisher's blurb)

'Lola Bensky is a nineteen-year-old rock journalist who irons her hair straight and asks a lot of questions. A high-school dropout, she's not sure how she got this job - but she's been sent by her Australian newspaper right to the heart of the London music scene at the most exciting time in music history: 1967.

'Drawing on her own experience as a young journalist, the bestselling author of 'Too Many Men' has created an unforgettable character in the unconventional and couragous Lola. Genuinely funny and deeply moving, 'Lola Bensky' shows why Lily Brett is one of Australia's most distinctive and internationally acclaimed authors. ' (Publication summary)

'Belfast, 1985. Gunrunners on the borders, riots in the cities, The Power of Love on the radio. And somehow, in the middle, Detective Inspector Sean Duffy is hanging on, a Catholic policeman in the hostile Royal Ulster Constabulary.

'Duffy is initially left cold by the murder of a wealthy couple, shot dead while watching TV. And when their troubled son commits suicide, leaving a note that appears to take responsibility for the deaths, it seems the case is closed. But something doesn't add up, and people keep dying. Soon Duffy is on the trail of a mystery that will pit him against shadowy US intelligence forces, and take him into the white-hot heart of the biggest political scandal of the decade. ' (Publication summary)

'New York is a walker's city. You can walk for hours. The streets slip by. There is so much to look at, so much to take in. I walk a lot. Especially when I am not writing . . .

'Lily Brett's love affair with New York began as an outsider in her late teens when she was posted on assignment there as a young Australian rock journalist. In her early forties she returned, together with her soul mate and three children, to start a new life, and for the last twenty-five years she has called New York home.

'This witty, candid and moving collection of short pieces celebrates the city that's now part of her heartbeat. A compulsive walker, Brett takes us to her favourite places and introduces us to the characters of the city that has nurtured, perplexed and inspired her. She brings to life the delights of Chinatown, the majesty of Grand Central Station, the lure of spandex and sequins in the Garment District, and the peculiarity of canine couture. And she muses on the miracle of love in the Lodz ghetto, the possibility of loneliness amidst skyscrapers, and the joy and redemption in a child's curiosity.

'Full of wisdom, humour and grace, Only in New York is a human portrait of a city much loved – and of a woman in step with herself.' (Publication summary)

'Sean Duffy knows there's no such thing as a perfect crime. But a torso in a suitcase is pretty close.

'Still, one tiny clue is all it takes, and there it is. A tattoo. So Duffy, fully fit and back at work after the severe trauma of his last case, is ready to follow the trail of blood - however faint - that always, always connects a body to its killer.

'A legendarily stubborn man, Duffy becomes obsessed with this mystery as a distraction from the ruins of his love life, and to push down the seed of self-doubt that he seems to have traded for his youthful arrogance.

'So from country lanes to city streets, Duffy works every angle. And wherever he goes, he smells a rat ...' (Publisher's blurb)