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Nandi Chinna Nandi Chinna i(A99660 works by)
Born: Established: 1964 Adelaide, South Australia, ;
Gender: Female
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Works By

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1 The Thief Nandi Chinna , 2021 single work essay
— Appears in: Women of a Certain Rage 2021; (p. 120-131)
1 Anatomy of a Lignotuber i "Stacked on the back of a truck,", Nandi Chinna , 2019 single work poetry
— Appears in: Westerly , vol. 64 no. 1 2019; (p. 36-37)
1 1 y separately published work icon The Future Keepers Nandi Chinna , Fremantle : Fremantle Press , 2019 15634981 2019 selected work poetry

'The poems in The Future Keepers honour ecosystems and the custodians of future ecologies. They navigate the poet’s own embodied experiences of change and succession – of family, community and place. From the research scientists, gardeners, birds and plants of Kings Park, to the activism and ecosystems of the Beeliar Wetlands, to the poet’s own inherited landscapes, these poems evoke mutuality and exchange in speaking of the gifts we receive from being open to encounters with other species, and the reciprocity that these gifts imply.'

Source: Publisher's blurb.

1 White Birds i "The aging monk is wearing his white", Nandi Chinna , 2018 single work poetry
— Appears in: Australian Poetry Anthology 2018; (p. 87)
1 Highways, Activism and Solastalgia : Poetic Responses to Roe 8 Alison Bartlett , Nandi Chinna , 2018 single work criticism
— Appears in: TEXT : Journal of Writing and Writing Courses , April vol. 22 no. 1 2018;

'This paper is a response to activism in the summer of 2016/17 when bulldozers pushed a 5km highway footprint, known as the Roe 8 extension, through urban wetlands and woodlands in Perth’s southern suburbs. We argue that the impact of the community campaign to halt Roe 8, and the clearing of this land evoked a form of cultural mourning and loss that can be thought of as solastalgia (Albrecht 2008).  As an increasingly common experience in the Anthropocene, we are interested in how solastalgia can be expressed. In our need to comprehend and articulate solastalgia, we propose that a poetic response to the Roe 8 bulldozing offers a complex and intense a form of mourning which is not restricted to that summer of activism but connects with broader experiences of environmental loss.  Poetry has long been a form of writing that unsettles, that gives voice to the un-namable, to the currents and sinews that run beneath the surface of an often alienating and incomprehensible society. As part of a tradition of activist poetics, this article includes poetry written in response to the physical affect of witnessing radical ecological destruction.'  (Publication abstract)

1 Poetry of Roe 8 i "Because silver hair shines in the moonlight", Nandi Chinna , 2018 single work poetry
— Appears in: Landscapes , vol. 8 no. 1 2018;
1 Hydrology i "Only the wading birds remember", Nandi Chinna , 2017 single work poetry
— Appears in: The Fremantle Press Anthology of Western Australian Poetry 2017;
1 Review of Border Crossing Nandi Chinna , 2017 single work essay
— Appears in: Westerly , vol. 62 no. 1 2017; (p. 244-246)

'Caitlin Maling's second poetry collection Border Crossing (2017) departs from the home terrain of childhood and growing up in Western Australia that Maling so searingly interrogated on her first book Conversations I've Never Had (Fremantle Press 2015), shortlisted for the Western Australian Premier's Book Awards, Judith Wright Poetry Prize, and the Dame Mary Gilmore Prize. As the name suggests, Border Crossing moves away from Perth where the author grew up and turns its gaze to the self in exile...' (Introduction)

1 Immolation i "That algorithm when heat", Nandi Chinna , 2017 single work correspondence
— Appears in: Westerly , vol. 62 no. 1 2017; (p. 52-53)
1 The Swamp i "When the first rains have percolated", Nandi Chinna , 2016 single work poetry
— Appears in: Westerly : Walking with the Flaneur 2016; (p. 55)
1 Offsets i "Outside the scout bird circles and wee-loo’s", Nandi Chinna , 2016 single work poetry
— Appears in: Westerly : Walking with the Flaneur 2016; (p. 54)
1 The Law i "So this is it:", Nandi Chinna , 2016 single work poetry
— Appears in: Westerly : Walking with the Flaneur 2016; (p. 53)
1 Every Sunday i "we meet at the lake;", Nandi Chinna , 2016 single work poetry
— Appears in: Westerly : Walking with the Flaneur 2016; (p. 52)
1 Ngoorlark (Carnaby’s Cockatoo) i "Early in the morning", Nandi Chinna , 2016 single work poetry
— Appears in: Westerly : Walking with the Flaneur 2016; (p. 51)
1 The Appeal i "The hydrologist fears that he will lose his job", Nandi Chinna , 2016 single work poetry
— Appears in: Westerly : Walking with the Flaneur 2016; (p. 50)
1 At the Office of the EPA i "Where we stood to throw our heads back to the sky,", Nandi Chinna , 2016 single work poetry
— Appears in: Westerly : Walking with the Flaneur 2016; (p. 49)
1 Kitchen Meeting i "The fluorescent light globes", Nandi Chinna , 2016 single work poetry
— Appears in: Westerly : Walking with the Flaneur 2016; (p. 48)
1 Direct Address : The Belliar Wetlands, a Place of Many Skins Nandi Chinna , 2016 sequence poetry
— Appears in: Westerly : Walking with the Flaneur 2016; (p. 48-55)

A sequence of poems following plans to drain a local wetland, and the community protests against it.

1 Poepatetics : Walking and Writing in the Anthropocene Nandi Chinna , 2015 single work criticism
— Appears in: Westerly , vol. 60 no. 1 2015; (p. 50-61)
'Chinna discusses : 'the embodied act of walking as a research methodology for the writer, and contextualise walking and writing in the era of the Anthropocene, the current human-dominated period of earth's history.'
1 Swamp Nandi Chinna , 2015 single work prose
— Appears in: Griffith Review , no. 47 2015;
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