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Notes
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Also published in sound recording format.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Untitled
single work
review
— Review of Prince of the Lilies 1991 single work novel -
Crete : Dorothy Porter, Exuberance, and the Limits of Art
2014
single work
criticism
— Appears in: Journal of Australian Studies , September vol. 38 no. 3 2014; (p. 271-280) 'This essay argues that the poetry of Australian poet Dorothy Porter, exemplified in her collection,Crete, operates along contrapuntal lines. The poet's daemonic energy celebrates the ancient island culture, expressed variously in outbursts of democratic irreverence or pagan sensuousness or hierophantic exuberance or queer subversiveness. However, this celebration is met by what reaches out beyond the celebration of aesthetic energy, towards a sifting, self-questioning ethics. This ethics questions the limits of the aesthetic and gives Porter'sCreteits richest, most disturbing depths. This double action of Porter's poetry puts aesthetics—its powers and its limits—into question. (Publication abstract) -
One Hit Wonder Books
1995
single work
criticism
— Appears in: The Independent Monthly , June vol. 6 no. 11 1995; (p. 78-80) -
Writing That Refuses to Recognise Frontiers
1995
single work
criticism
— Appears in: The Age , 27 May 1995; (p. 8) -
"Sightings on Recent Australian Prose"
1993
single work
review
— Appears in: LiNQ , vol. 20 no. 1 1993; (p. 106-109)
— Review of The Best Picture 1988 single work novel ; Prince of the Lilies 1991 single work novel
-
Untitled
1992
single work
review
— Appears in: Fremantle Arts Review , February/March vol. 7 no. 2 & 3 1992; (p. 14)
— Review of Prince of the Lilies 1991 single work novel -
Sublety and Delicacy from Janet [sic] Turner Hospital
1991
single work
review
— Appears in: Australian Society , July 1991; (p. 43-44)
— Review of Prince of the Lilies 1991 single work novel ; The Ivory Swing 1982 single work novel -
Exotic Settings Avoid Australian Self-Centredness
1991
single work
review
— Appears in: The Canberra Times , 15 December 1991; (p. 25)
— Review of Women and Horses 1990 single work novel ; Prince of the Lilies 1991 single work novel -
Plotting 7, An Account of Some Recent Australian Fiction
1991
single work
review
— Appears in: Overland , Winter no. 123 1991; (p. 72-77)
— Review of Velvet Waters 1990 selected work short story ; Struggle of Memory 1991 single work novel ; Crush 1991 single work novel ; The Hole Through the Centre of the World : A Novel 1991 single work novel ; Lower Latitudes 1990 selected work short story ; Prince of the Lilies 1991 single work novel ; Still Murder 1990 single work novel ; Master of the Ghost Dreaming 1991 single work novel ; Revival House 1991 single work novel ; Cloudstreet 1991 single work novel -
Untitled
1992
single work
review
— Appears in: Span , [Double Issue] November -May no. 34-35 1992-1993; (p. 384-391)
— Review of Velvet Waters 1990 selected work short story ; Prince of the Lilies 1991 single work novel -
Writing That Refuses to Recognise Frontiers
1995
single work
criticism
— Appears in: The Age , 27 May 1995; (p. 8) -
One Hit Wonder Books
1995
single work
criticism
— Appears in: The Independent Monthly , June vol. 6 no. 11 1995; (p. 78-80) -
Head Over Heart Into the Golden Age
1991
single work
criticism
biography
— Appears in: The Age , 4 May 1991; (p. 6) -
Cringing Bunyip Stalks Littoral
1991
single work
criticism
— Appears in: The Sydney Morning Herald , 18 May 1991; (p. 48) Real Opinions : Polemical and Popular Writings 1992; (p. 142-144) -
Crete : Dorothy Porter, Exuberance, and the Limits of Art
2014
single work
criticism
— Appears in: Journal of Australian Studies , September vol. 38 no. 3 2014; (p. 271-280) 'This essay argues that the poetry of Australian poet Dorothy Porter, exemplified in her collection,Crete, operates along contrapuntal lines. The poet's daemonic energy celebrates the ancient island culture, expressed variously in outbursts of democratic irreverence or pagan sensuousness or hierophantic exuberance or queer subversiveness. However, this celebration is met by what reaches out beyond the celebration of aesthetic energy, towards a sifting, self-questioning ethics. This ethics questions the limits of the aesthetic and gives Porter'sCreteits richest, most disturbing depths. This double action of Porter's poetry puts aesthetics—its powers and its limits—into question. (Publication abstract)
Last amended 19 Jul 2004 15:01:44
Settings:
-
Crete,
cGreece,cWestern Europe, Europe,
- 1960s
- 1970s
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