AustLit
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Contents
- Seven Points for an Imperilled Star, sequence poetry (p. 1-28)
- Toward the Imminent Daysi"Midmorning, September, and red tractors climb", single work poetry (p. 3-9)
- Lament for the Country Soldiersi"The king of honour, louder than of England", single work poetry (p. 10-11)
- The Conquesti"Phillip was a kindly, rational man:", single work poetry (p. 12-14)
- The Ballad of Jimmy Governor : H.M. Prison, Darlinghurst, 18th January 1901i"You can send for my breakfast now, Governor.", single work poetry (p. 15-17)
- SMLEi"January, heat. Raw saplings stand like cattle", single work poetry (p. 18-23)
- Vindaloo in Merthyr Tydfili"The first night of my second voyage to Wales,", single work poetry (p. 24)
- A Helicopter View of Terrestrial Stars (for Dick and Mary Hall)i"Turn slowly in fields", single work poetry (p. 25-28)
- Juggernaut's Little Scrapbook, sequence poetry (p. 29-35)
- In Australia they Spare Only the Kulaksi"All night I talked to the treetops", single work poetry (p. 31)
- The ASIO Bugi"Bug, little bug, you are eating", single work poetry (p. 32)
- Sonnet Against the Intellectuals Sunday, Having Read My Sheetsi"Face-brick in please and thank you streets,", single work poetry (p. 33)
- Dependencei"The needle is", single work poetry (p. 34)
- Incorrigible Gracei"Saint Vincent de Paul, old friend,", single work poetry humour (p. 35)
-
Walking to the Cattle Place : A Meditation,
sequence
poetry
Described by Peter Alexander as 'a complex and learned series of meditations on the significance of the cow-culture in which Murray [was]... raised, and which [draws]... on his curious and varied knowledge about other cattle-cultures ranging from Celt to Sanskrit to Zulu.' (Les Murray : A Life in Progress.)
- Sanskriti"Upasara, the heifer after first mating,", single work poetry (p. 39)
- Birds in Their Title Work Freeholds of Strawi"At the hour I slept", single work poetry (p. 40-41)
- The Names of the Humblei"Fence beyond fence from breakfast", single work poetry (p. 42-44)
- The Arteryi"It is patience and stalks in the wide house of cattle", single work poetry (p. 45-46)
- Death Wordsi"Beasts, cattle, have words, neither minor nor many.", single work poetry (p. 47)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
The Stump : Looking Back on the Republic of Murray
2019
single work
column
— Appears in: Overland [Online] , June 2019;'When monuments fall, they create ripples, shockwaves, fragments, pyroclastic flow – pick your metaphor. Les Murray was definitely that. Over his long career, he produced more poetry, more critically well-regarded poetry, and – stranger still – more commercially profitable poetry than pretty much anyone else in the Australian landscape. Unlike the famous expatriate coterie of his peers (Peter Porter, Germaine Greer, Robert Hughes, Clive James and so forth), he did it mostly from his own paddock, without modulating his principles to fashion or his prejudices to progress. You could think of Murray as the problematic old bastard grandad some of us had, if he’d been an internationally renowned poet. Structurally rarer, Murray’s work created and sustained an entire idea or moment or myth of Australia pretty much on its own. Let’s be blunt, there just aren’t that many writers who can pull off a feat of that magnitude.' (Introduction)
-
Reading the Road a Little with Personal History
1973
single work
review
— Appears in: Poetry Australia , no. 47 1973; (p. 71-73)
— Review of Poems against Economics 1972 selected work poetry -
New Poetry
1973
single work
review
— Appears in: Southerly , June vol. 33 no. 2 1973; (p. 231-240)
— Review of Red Movie and Other Poems 1972 selected work poetry ; Head-Waters 1972 selected work poetry ; Slade's Anatomy of the Horse 1972 selected work poetry ; Condolences of the Season : Selected Poems 1971 selected work poetry ; Conversation with a Rider 1972 selected work poetry ; Poems against Economics 1972 selected work poetry ; Soft Riots 1972 selected work poetry ; Black Swans at Berrima 1972 selected work poetry -
[Review] Poems Against Economics [and] Poems 1961-1971
1972
single work
review
— Appears in: The Sydney Morning Herald , 26 August 1972; (p. 20)
— Review of Poems against Economics 1972 selected work poetry ; Poems 1961-1971 1972 selected work poetry -
[Review] Poems Against Economics
1972
single work
review
— Appears in: The Canberra Times , 14 October 1972; (p. 10)
— Review of Poems against Economics 1972 selected work poetry
-
New Poetry
1973
single work
review
— Appears in: Southerly , June vol. 33 no. 2 1973; (p. 231-240)
— Review of Red Movie and Other Poems 1972 selected work poetry ; Head-Waters 1972 selected work poetry ; Slade's Anatomy of the Horse 1972 selected work poetry ; Condolences of the Season : Selected Poems 1971 selected work poetry ; Conversation with a Rider 1972 selected work poetry ; Poems against Economics 1972 selected work poetry ; Soft Riots 1972 selected work poetry ; Black Swans at Berrima 1972 selected work poetry -
[Review] Poems Against Economics
1972
single work
review
— Appears in: New Poetry , vol. 20 no. 3 1972; (p. 40-41)
— Review of Poems against Economics 1972 selected work poetry -
Accustomed, Ceremonious
1972
single work
review
— Appears in: Makar , September vol. 8 no. 2 1972; (p. 43-45)
— Review of Poems against Economics 1972 selected work poetry -
Country Strengths
1972
single work
review
— Appears in: The Bulletin , 5 August vol. 94 no. 4815 1972; (p. 38-39)
— Review of Poems against Economics 1972 selected work poetry -
Current Poetry
1972
single work
review
— Appears in: Australian Book Review , December vol. 11 no. 1972; (p. 42)
— Review of Poems against Economics 1972 selected work poetry -
The Stump : Looking Back on the Republic of Murray
2019
single work
column
— Appears in: Overland [Online] , June 2019;'When monuments fall, they create ripples, shockwaves, fragments, pyroclastic flow – pick your metaphor. Les Murray was definitely that. Over his long career, he produced more poetry, more critically well-regarded poetry, and – stranger still – more commercially profitable poetry than pretty much anyone else in the Australian landscape. Unlike the famous expatriate coterie of his peers (Peter Porter, Germaine Greer, Robert Hughes, Clive James and so forth), he did it mostly from his own paddock, without modulating his principles to fashion or his prejudices to progress. You could think of Murray as the problematic old bastard grandad some of us had, if he’d been an internationally renowned poet. Structurally rarer, Murray’s work created and sustained an entire idea or moment or myth of Australia pretty much on its own. Let’s be blunt, there just aren’t that many writers who can pull off a feat of that magnitude.' (Introduction)