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AbstractHistoryArchive Description
Contents
- Introduction, single work criticism
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Also sound recording.
Works about this Work
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Guide to the Classics : Christina Stead’s The Beauties and Furies
2016
single work
column
— Appears in: The Conversation , 26 September 2016; 'From the beginning Christina Stead’s fiction divided critical opinion, and reactions to The Beauties and Furies, her second novel, were no exception. Where some saw “garrulous pretentiousness”, Clifton Fadiman in the New Yorker found “such streaming imagination, such tireless wit, such intellectual virtuosity” that Stead must be recognised as “the most extraordinary woman novelist produced by the English-speaking race since Virginia Woolf”. ...' -
Dreaming of the Middle Ages : The Place of 'mitterlalterlich' and Socialist Awareness in Christina Stead's Early Fiction
2011
single work
criticism
— Appears in: Australian Literary Studies , October - November vol. 26 no. 3-4 2011; (p. 54-68) -
'All That Glitters': Illusory Worlds in Christina Stead's 'The Beauties and Furies' (1936) and 'House of All Nations' (1938)
2008
single work
biography
— Appears in: Je Suis Australienne: Remarkable Women in France, 1880-1945 2008; (p. 124-150) - y Christina Stead : Satirist Altona : Common Ground Publishing , 2002 Z960254 2002 single work criticism Reviews Stead's novels as inheritors of the tradition of Roman satire, arguing that Stead's satirical fiction presents a contemporary view of her own historical period from 1930 until the Cold War. Drawing on Stead's notes, diaries and manuscripts, Pender examines several of Stead's novels and her English short stories and puts forward an argument about the centrality of satire to Stead's discourse about culture and history. She also draws attention to the intellectual rigour and encyclopaedic breadth and vision evident in Stead's fiction and demonstrates Stead's significant contribution to the radical novel in the twentieth century.
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'Monster of Indecision': Abortion , Choice and Commodity Culture in Christina Stead's The Beauties and Furies
2001
single work
criticism
— Appears in: Southerly , vol. 61 no. 2 2001; (p. 142-157)
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Fretworks
1983
single work
review
— Appears in: The CRNLE Reviews Journal , July no. 1 1983; (p. 66-69)
— Review of The Beauties and Furies 1936 single work novel ; Honour, and, Other People's Children : Two Stories 1980 selected work novella -
Amongst English Reviewers: Australian Novelists
1936
single work
review
— Appears in: All About Books , 12 August vol. 8 no. 8 1936; (p. 128-129)
— Review of The Beauties and Furies 1936 single work novel ; Earth's Quality 1935 single work novel ; Saturdee 1933 single work novel ; Under the Pepper Trees : A South Australian Anthology of Children's Poetry and Prose 1987 anthology poetry children's fiction Reprints of reviews attributed to T.L.S., The Observer and John o' Londons. -
Australian Literary Society [Meeting Report]
1936
single work
review
— Appears in: All About Books , 12 November vol. 8 no. 11 1936; (p. 183)
— Review of The Little Wench 1935 single work novel ; The Beauties and Furies 1936 single work novel ; The Dark Thread 1936 single work novelReport of the October meeting includes three books reviews and a tribute to Davidson.
It was noted that the economic textbook Money by Mills and Walker had recently become the first Australian textbook to be used in an English University (Cambridge).
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Unhappy Families - Angela Carter on the Scope of Christina Stead's Achievement
1982
single work
review
— Appears in: London Review of Books , 16 September vol. 4 no. 17 1982; (p. 11-13) The Magic Phrase : Critical Essays on Christina Stead 2000; (p. 251-292, notes 284)
— Review of The Beauties and Furies 1936 single work novel -
A Satchel of Books
1936
single work
review
— Appears in: The Bulletin , 7 October vol. 57 no. 2956 1936; (p. 4)
— Review of The Beauties and Furies 1936 single work novel -
Love Stories
1992
single work
criticism
— Appears in: From Commonwealth to Post-Colonial 1992; (p. 399-406) -
The Beauties and Furies
1987
single work
criticism
— Appears in: Southerly , September vol. 47 no. 3 1987; (p. 324-337) -
'All That Glitters': Illusory Worlds in Christina Stead's 'The Beauties and Furies' (1936) and 'House of All Nations' (1938)
2008
single work
biography
— Appears in: Je Suis Australienne: Remarkable Women in France, 1880-1945 2008; (p. 124-150) -
Dreaming of the Middle Ages : The Place of 'mitterlalterlich' and Socialist Awareness in Christina Stead's Early Fiction
2011
single work
criticism
— Appears in: Australian Literary Studies , October - November vol. 26 no. 3-4 2011; (p. 54-68) -
Christina Stead
1938
single work
criticism
— Appears in: Essays in Australian Fiction 1938; (p. 158-181) M. Barnard Eldershaw : Plaque with Laurel, Essays, Reviews and Correspondence 1995; (p. 233-237) The Magic Phrase : Critical Essays on Christina Stead 2000; (p. 23-38, notes 267)'In three years Christina Stead has written three books—The Salzburg Tales, 1934, Seven Poor Men of Sydney, 1935, and The Beauties and Furies, 1936—and they bring a new note into Australian fiction. The first is a collection of stories, told by pilgrims to the Mozart festival in Salzburg and held together by a slight and purely formal framework. The stories are set in many places, real and mythical, in this world and the next, and some are Australian. Seven Poor Men of Sydney is a novel, a pattern of lives, of thoughts and emotions, shown against a curiously patterned backcloth of Sydney. The Beauties and Furies is the first volume of a proposed picture in three volumes of student love, and is set in Paris. (Introduction)
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cFrance,cWestern Europe, Europe,
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cEngland,ccUnited Kingdom (UK),cWestern Europe, Europe,