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AbstractHistoryArchive Description
'Undoubtedly one of Australia's favourite plays, the One Day of the Year explores the universal theme of father-son conflict against the background of the beery haze and the heady, nostalgic sentimentality of Anzac Day. It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.'
(Description from publishers website)
Adaptations
-
form
y
The One Day of the Year
( dir. Rod Kinnear
)
Australia
:
Seven Network
,
1962
7190729
1962
single work
film/TV
A television adaptation of Alan Seymour's play.
-
form
y
The One Day of the Year
United Kingdom (UK)
:
British Broadcasting Corporation (BBC)
Anzac Day-A
,
1962
7950956
1962
single work
film/TV
'Anzac Day–a great national day of honour, a day of salute to the fallen, a day of grief ... or just a great meaningless booze-up?'
Source: Radio Times, 6 December 1962, p.47.
- form y The One Day of the Year Australia : Australian Broadcasting Commission , 1968 22903082 1968 single work radio play
-
form
y
Die ene dag
The One Day of the Year
Meia Albarda
(translator),
( dir. Dré Poppe
)
Belgium
:
Belgische Radio en Televisie
,
1969
7951285
1969
single work
film/TV
An adaptation of Alan Seymour's The One Day of the Year for Belgian television.
-
form
y
The Last of the Australians
( dir. Ian Crawford
et. al. )agent
Melbourne
:
Crawford Productions
,
1975
Z1814874
1975
series - publisher
film/TV
humour
The Last of the Australians was Crawford Productions' first attempt at a sit-com since Take That in the 1950s, and one of the few Australian sit-coms filmed in front of a live studio audience.
The script was based on Alan Seymour's play The One Day of the Year, which explores the clashing attitudes of a father and son towards Anzac Day. As Don Storey notes in his Classic Australian Television:
Seymour has been approached several times for the TV rights to the play, and he refused all offers, including one from an American film company. However, when scriptwriter Terry Stapleton approached him on Crawford's behalf, Seymour agreed to sell the rights. This was because scripts that Stapleton had prepared were given to Seymour, and he was pleased with the way Terry had handled the character interpretations.
The sit-com is centred around the characters of Ted Cook, his wife Dot, and his son Gary. Ted is a World War II veteran of strong conservative principles, frustrated by the direction in which modern Australian society is moving. Gary is a teenaged university student of strong liberal principles, his father's antithesis. Despite the fact that the show drew its tension from the clash between father and son, it preserved a strong degree of affection between the family members.
Storey emphasises that Terry Stapleton wrote all episodes himself (barring one collaboration with his brother Jim), and concludes 'The Last of the Australians is cleverly written, very funny, and, being made during the tenure of the Whitlam Government, contains many interesting political references. The acting and direction is superb, and there is no irritating canned laughter'. Similarly, Moran, in his Guide to Australian Television Series, describes the sit-com as 'a very likeable and funny comic inversion of the Seymour play'.
Reading Australia
Notes
-
Seymour revised the play in the 1980s.
Production Details
-
First amateur production performed by the Adelaide Theatre Group, 20 July 1960. The first professional production was by the Australian Elizabethan Theatre Trust at the Palace Theatre, Sydney, 26 April 1961. The One Day of the Year has since been produced regularly around Australia and in numerous other countries.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Also braille, sound recording.
Works about this Work
-
Films Hollywood Almost Made about Australia
2019
single work
essay
— Appears in: FilmInk , 14 February 2019; -
戦争の記憶とオーストラリア先住民演劇 : 『年に一度のあの日』The One Day of the Yearから『ブラック・ディッガーズ』Black Diggersへ 佐和田 敬司
War Memories and Australian Indigenous Theatre : From The One Day of the Year to Black Diggers
2016
single work
criticism
— Appears in: 人文論集 , vol. 54 no. 1-18 2016; (p. 1-18) -
The Narrow Road to the Deep North and the De-Sacralisation of the Nation
2016
single work
criticism
— Appears in: Le Simplegadi , no. 16 2016; (p. 74-85)Richard Flanagan’s novel The Narrow Road to the Deep North represents yet another addition to the catalogue of Australian war experience literature. The awards and accompanying praise the novel has earned since its release in 2013 reflects a widespread appreciation of its ability to reimagine Australia in a saturated terrain. Flanagan’s novel can be read as a critique of the rise of militant nationalism emerging in the wake of Australia’s backing of Bush’s ‘war on terror’ and the idea that the arrival of boat refugees requires a military and militant response. This article discusses how the novel’s shift from battle heroics to the ordeal of POWs in the Thai jungle represents a reimagining – away from the preoccupation with epic battles – but not necessarily a challenge to the overriding emphasis on baptism of fire narratives as the only truly national narratives.
-
[Essay] : The One Day of the Year
2014
2014
single work
essay
— Appears in: Reading Australia 2013-;Written for the Copyright Agency's Reading Australia project, this essay serves as an introduction to Alan Seymour's play.
-
The 'Deficit of Remembrance' : The Great War Revival in Australia and Ireland
2012
single work
criticism
— Appears in: Exhuming Passions : The Pressure of the Past in Ireland and Australia 2012; (p. 163-186)
-
The One Day of the Year
1964
single work
review
— Appears in: The Realist , June no. 15 1964; (p. 18)
— Review of The One Day of the Year 1960 single work drama -
Homefront Battlefireld
2003
single work
review
— Appears in: The Australian , 11 April 2003; (p. 14)
— Review of The One Day of the Year 1960 single work drama -
Dynamic Take on Timeless Classic of Failed Dreams
2008
single work
review
— Appears in: The Canberra Times , 15 April 2008; (p. 9)
— Review of The One Day of the Year 1960 single work drama -
Anzacs and Angries
1960
single work
review
— Appears in: Nation , 30 July 1960; (p. 19)
— Review of The One Day of the Year 1960 single work drama -
"The One Day of the Year" : a Discussion
1961
single work
review
— Appears in: Melbourne University Magazine , Spring 1961; (p. 68-69)
— Review of The One Day of the Year 1960 single work drama -
Tiny Voice Amid Giants' Din
2003
single work
column
— Appears in: The Australian , 28 March 2003; (p. 19) -
Stirring Struggle Endures to This Day
2003
single work
column
— Appears in: The Sydney Morning Herald , 2 April 2003; (p. 20) Jinman discusses with Seymour his inspiration for writing The One Day of the Year and highlights the changes (and similiarities) in Australian society during the forty-plus years since the play's original production. -
An Old War Horse Returns to the Fray
2003
single work
criticism
— Appears in: Newswrite : The Newsletter of the New South Wales Writers' Centre , April no. 125 2003; (p. 7, 32) Alan Seymour discusses the 2003 Sydney Theatre Company Production of The One Day of the Year, retraces its turbulent beginnings at the Adelaide Festival of 1960 and comments on the currency of the play 43 years after it was first written. -
y
The One Day
Collingwood
:
Black Inc.
,
2015
Z1101325
2003
single work
essay
''Silence was a deeply established tradition. Men used it as a form of self-protection; it saved those who had experienced the horrors of war from the emotional trauma of experiencing it all over again in the telling. And it saved women and children, back home, from the terrible knowledge of what they had seen and walked away from … One result of this was that the men who had actually lived through Gallipoli and the trenches did not write about it.'
'In the century since the Gallipoli landing, Anzac Day has taken on a different tenor for each succeeding generation. Perceptively and evocatively, David Malouf traces the meaning of this 'one day' when Australians stop to reflect on endurance, service and the folly of war. He shows how what was once history has now passed into legend, and how we have found in Anzac Day 'a truly national occasion.'' (Publication summary)
-
Remembering Masculinities in the Theatre of War
2005
single work
criticism
— Appears in: Australasian Drama Studies , April no. 46 2005; (p. 3-19) Surveys post-war theatrical productions of plays which articulate men's experiences at war and back home. '...this article explores the propagation of gender anxieties in performance during the post-war period of suburban expansion. In contrast with more recent productions which have sought to celebrate the survival, ingenuity and achievements of Australian men at war, productions from the post-war period were less overtly nationalistic and less assertively masculinist. ... post-war productions celebrated less the heroism of men at war than the nostalgia of their returning home' (3).
- Sydney, New South Wales,
- 1950s