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Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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The Sheep’s Face : Figuration, Empathy, Ethics
2016
single work
criticism
— Appears in: JASAL , vol. 16 no. 1 2016; 'The word ‘species’ is etymologically related to looking. Although its primary biological definition is that of beings that can interbreed,species can refer to things of like kind: thisrelates to the term’s Latin derivation, specere, meaning to look. Describing how things look and conveying this appearance to others (whether in writing, or in relaying a memory) typically involves the use of metaphor. This article reads a number of Australian texts in terms of interspecies relations between humans and sheep, and considers the use of metaphor—and metonymy—and the place of ethics in this relation, with a particular emphasis on the face of both human and sheep: how sheep and humans look, in both senses of the word.' (Author's introduction) -
Fear and Loathing in the Australian Bush : Gothic Landscapes in Bush Studies and Picnic at Hanging Rock
2010
single work
criticism
— Appears in: Colloquy : Text Theory Critique , December no. 20 2010; This work is an 'analysis of two texts in which the representations of landscape have been overlooked in favour of feminist or classical readings: Barbara Baynton‟s Bush Studies and Joan Lindsay‟s Picnic at Hanging Rock. If "landscape'. (Author's introduction)
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Structure against Place, Fate and Cruelty : Deplorable State of Bush Women from the Works of Barbara Baynton
2008
single work
criticism
— Appears in: Women's Writing in English : India and Australia 2008; (p. 149-156) -
The Uncanny in Barbara Bayton's "Scrammy 'And" and Christina Stead's "The Triskelion"
2008
single work
criticism
— Appears in: Southerly , vol. 68 no. 2 2008; (p. 144-152) Lane examines how 'the uncanny is a powerful literary tool, revealing "what was meant to remain secret and hidden"'. -
What Kind of Truth? : Fiction from the 1890s
1993
single work
criticism
— Appears in: Australian Literature Today 1993; (p. 40-51)
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A Note On Barbara Baynton
1949
single work
review
— Appears in: Arts Quarterly , Summer 1949; (p. 8-13)
— Review of The Chosen Vessel 1896 single work short story ; Bush Studies 1902 selected work short story ; Squeaker's Mate 1902 single work short story ; Scrammy 'And 1902 single work short story ; Billy Skywonkie 1902 single work short story ; Bush Church 1902 single work short story ; Human Toll 1907 single work novel Discusses Barbara Baynton's 'bare objectivity' and 'treatment of subject matter' which, in Peter Cowan's view, 'tends to exclude the writer's personality'. -
The Uncanny in Barbara Bayton's "Scrammy 'And" and Christina Stead's "The Triskelion"
2008
single work
criticism
— Appears in: Southerly , vol. 68 no. 2 2008; (p. 144-152) Lane examines how 'the uncanny is a powerful literary tool, revealing "what was meant to remain secret and hidden"'. -
Structure against Place, Fate and Cruelty : Deplorable State of Bush Women from the Works of Barbara Baynton
2008
single work
criticism
— Appears in: Women's Writing in English : India and Australia 2008; (p. 149-156) -
Fear and Loathing in the Australian Bush : Gothic Landscapes in Bush Studies and Picnic at Hanging Rock
2010
single work
criticism
— Appears in: Colloquy : Text Theory Critique , December no. 20 2010; This work is an 'analysis of two texts in which the representations of landscape have been overlooked in favour of feminist or classical readings: Barbara Baynton‟s Bush Studies and Joan Lindsay‟s Picnic at Hanging Rock. If "landscape'. (Author's introduction)
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Inside the Deserted Hut : The Representation of Motherhood in Bush Mythology
1989
single work
criticism
— Appears in: Westerly , December vol. 34 no. 4 1989; (p. 76-95) Rowley argues that the idea of motherhood expressed in the texts of bush mythology is ambivalent and unresolved. The presentation of domestic space has a pronounced influence on the idea of motherhood constructed in the stories under discussion. But, the representation of motherhood in bush mythology has been excluded "from the myths by which Australians have sought to construct an identity". -
The Teeth Father Naked at Last : The Short Stories of Barbara Baynton
1979
single work
criticism
— Appears in: Three Australian Writers : Essays On Bruce Dawe, Barbara Baynton and Patrick White 1979; (p. 12-22)
Last amended 12 Nov 2010 16:50:13
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