AustLit
Issue Details:
First known date:
1992...
vol.
25
no.
1
March
1992
of
Southern Review
est. 1963
Southern Review
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Contents
* Contents derived from the 1992 version. Please note that other versions/publications may contain different contents. See the Publication Details.
- Millionsi"Green and cream, trams", single work poetry (p. 39-40)
- Herei"I stay here", single work poetry (p. 40)
- Glenelgi"The carpark is crammed", single work poetry (p. 41)
- Limboi"You try to make yourself smaller,", single work poetry (p. 42-43)
- Blue Angeli"Down on the farm", single work poetry (p. 44)
- The Sound of Bellsi"The opposite of you", single work poetry (p. 44)
- Amor, "De Mentiritas" ("Make-Believe" Love)i"Hey, imagine that I fall in love with you", single work poetry (p. 45)
- El Immigrante (The Immigrant)i"He sought the sun and flavour", single work poetry (p. 45)
- Ichneumon Waspi""Le rouge et le noir-"", single work poetry (p. 46)
- Hazel Next Doori"Hazel next door irons", single work poetry (p. 47)
- he- Night-We i"the night we swallowed", single work poetry (p. 48)
- Home Video, single work short story (p. 61-67)
-
Why Do All These Women Have Moustaches? : Gender, Boundary and Frontier in "Such is Life" and "Monsieur Caloche",
single work
criticism
Martin examines the relationship between the geographical boundaries and the boundaries of the body that enable Tom Collins to make sense of the world. Martin argues that the male-like females threaten the boundaries and simple binary divisions by which Tom Collins navigates the world. Any male/female partnerships such as Tom and Jim or the two Alfs do not create neat binary structures, but form ambiguous cross-gender doubling. This ambiguity indicates the permeability of supposed gender boundaries, leading Martin to argue that if women are read as a metaphor for land in Such is Life, the land suffers the same ambiguity.
- The Self-Made Man : Narrative and National Character in Post-War Australia, single work criticism (p. 78-106)
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