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AbstractHistoryArchive Description
Robyn Davidson tells the story of her 1977 journey across the desert, from Alice Springs to Western Australia. She and a Pitjantjara elder completed their crossing on camel's back. Tracks is the story of her adventure, not only across the desert, but also into self-discovery, and the discovery of the beauty, nobility, and history of the country and its people. (Source: Trove)
Adaptations
-
form
y
Tracks
( dir. John Curran
)
Australia
:
See Saw Films
,
2013
Z1910218
2013
single work
film/TV
(taught in 2 units)
'The inspirational true story of Robyn Davidson's solo camel trek through the harsh centre of Australia, aided only by her faithful canine companion Diggity and the National Geographic photographer who chronicled this epic modern adventure.' (Source: Screen Australia website)
Reading Australia
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Also braille, sound recording.
- Also available as an eBook
Works about this Work
-
y
Packing Death in Australian Literature : Ecocides and Eco-Sides
London
:
Routledge
,
2020
19932417
2020
multi chapter work
criticism
'Packing Death in Australian Literature: Ecocides and Eco-Sides addresses Australian Literature from ecocritical, animal studies, plant studies, indigenous studies, and posthumanist critical perspectives. The book’s main purpose is twofold: to bring more sustained attention to environmental, vegetal, and animal rights issues, past and present, and to do that from within the discipline of literary studies. Literary studies in Australia continue to reflect disinterest or not enough interest in critical engagements with the subjects of Australia’s oldest extant environments and other beings beside humans.
'Packing Death in Australian Literature: Ecocides and Eco-Sides foregrounds the vegetal and nonhuman animal populations and contours of Australian Literature. Critical studies relied on in Packing Death in Australian Literature: Ecocides and Eco-Sides include books by Simon C. Estok, Bill Gammage, Timothy Morton, Bruce Pascoe, Val Plumwood, Kate Rigby, John Ryan, Wendy Wheeler, Cary Wolfe, and Robert Zeller. The selected literary texts include work by Merlinda Bobis, Eric Yoshiaki Dando, Nugi Garimara, Francesca Rendle-Short, Patrick White, and Evie Wyld.'
Source: Publisher's blurb.
-
Lost and Found in Translation : Who Can Talk to Country?
2019
single work
essay
— Appears in: Griffith Review , January no. 63 2019; (p. 29-46)'Unlike many city-dwelling Australians, the desert holds no terrors for me. Instead, like DH Lawrence, I find the cathedral forests of the coastal regions oppressive and disquieting. Lawrence brought to his descriptions of the Australian bush the same overwrought sensitivity that created the claustrophobic emotional landscape of 'Sons and Lovers', and the appalling, majestic insularity of the Italian mountain village in 'The Lost Girl'. He was the writer who made explicit the sense of some non-human presence in the Antipodean landscape, and while I have a different interpretation of the 'speechless, aimless solitariness' he attributes to the country, his instincts were good.' (Publication abstract)
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Travel Memoir and Australia : From Twain to Tracks and the Present Day
2017
single work
criticism
— Appears in: Mediating Memory : Tracing the Limits of Memoir 2017; (p. 192-204)'Ben Stubbs' chapter demonstrates the new depths possible within hy-brid travel memoir. He looks at its evolution from works by Mark Twain to Robyn Davidson and Don Watson, tracing the progression of the genre from Twain's self-centered imperialism to Davidson and Watson's cultural self-awareness.'
Source: Introduction, p.7
-
Animal Affinity
2016
single work
review
— Appears in: Good Reading , May 2016; (p. 18-21)
— Review of Horses Who Heal 2016 single work autobiography ; Tracks 1980 single work autobiography'Dogs, cats, birds, horses, chimpanzees and even donkeys have played a huge role in the lives of many humans. Angus Dalton investigates memoirs that
celebrate the human–animal connection.'
-
Adaptation and Authorial Celebrity : Robyn Davidson and the Context of John Curran’s Tracks (2013)
2016
single work
criticism
— Appears in: Adaptation , March vol. 9 no. 1 2016; (p. 12-21) 'This article explores the discursive context surrounding John Curran’s recent adaptation of Robyn Davidson’s Tracks (1980), suggesting that the mutual imbrication of the film and its source texts works against the grain of recent trends in adaptation studies that seek to distance them, and to consider screen adaptations as independent creations. At the centre of the red carpet at international film festival premiers as well as the broader publicity campaign promoting Tracks stands author Robyn Davidson, whose nuanced understanding of the adaptation process and savvy relationship to the media have enabled her to retain a firm grip on her original material, at the same time as establishing for herself a pivotal role in enunciating the film’s greater significance and authentic ‘Australianness’ for both local and global audiences. Davidson’s role impacts, ultimately, on the positioning of the film in terms of genre, character, nationality, history, race, and gender politics and ecology—as well as making the adaptation process an explicit subject for discussion in Tracks’ wider articulation and framing.' (Publication summary)
-
Queen of the Desert
2014
single work
review
— Appears in: The Sydney Morning Herald , 1-2 March 2014; (p. 8-9) The Canberra Times , 1 March 2014; (p. 20)
— Review of Tracks 1980 single work autobiography 'A woman's trek across Australia inspired the world, but it took 40 years for the story to make it to the screen.' -
Animal Affinity
2016
single work
review
— Appears in: Good Reading , May 2016; (p. 18-21)
— Review of Horses Who Heal 2016 single work autobiography ; Tracks 1980 single work autobiography'Dogs, cats, birds, horses, chimpanzees and even donkeys have played a huge role in the lives of many humans. Angus Dalton investigates memoirs that
celebrate the human–animal connection.'
-
Loosing and Following 'Tracks' in the Australian Desert
2001
single work
criticism
— Appears in: Travel Writing and the Female Imaginary 2001; (p. 109-118) -
Return of the Nomad
2005
single work
biography
— Appears in: The Weekend Australian , 30 April-1 May 2005; (p. R6) -
Making Places Out of Spaces: Reading the Spatial in Robyn Davidson's "Tracks"
2006
single work
criticism
— Appears in: Sharing Spaces : Indigenous and Non-Indigenous Responses to Story, Country and Rights 2006; (p. 100-112) -
Literature in the Arid Zone
2007
single work
criticism
— Appears in: The Littoral Zone : Australian Contexts and Their Writers 2007; (p. 70-92) This chapter surveys and assesses from an ecocentric perspective some representative literary portrayals of the Australian deserts. Generally, it contrasts works that portray the desert as an alien, hostile, and undifferentiated void with works that recognise and value the biological particularities of specific desert places. It explores the literature of three dominant cultural orientations to the deserts: pastoralism, mining, and traversal. It concludes with a consideration of several multi-voiced and/or multi-genred bioregionally informed works that suggests fruitful directions for more ecocentric literary approaches. (abstract taken from The Littoral Zone) -
Cinematic Failures : Scene I, You've Seen Them All
2010
single work
column
— Appears in: The Age , 22 May 2010; (p. 3) Robert Drewe, hopeful that his book The Drowner will be adapted for film, recalls three previous failed attempts (each with director Ray Lawrence) to bring books to the screen. The titles in question were Drewe's stories 'Sweetlips' and 'Machete' and Robyn Davidson's autobiograpy Tracks.