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AbstractHistoryArchive Description
'An adaptation of a physical theatre show that tells the story of performer/writer Anna Yen's grandmother, mother and herself. Blending storytelling, performance, archival footage, and poetic cinematography, Chinese Take Away reveals the story of three generations. The stories are anchored by Anna's desire to understand her mother's life and death.'
Source: Documentary Australia Foundation.
Adaptations
-
form
y
Chinese Take Away
Australia
:
Looking Glass Pictures
SBS Independent
,
2002
Z1031848
2002
single work
film/TV
An adaptation of a physical theatre show that tells the story of performer/writer Anna Yen's grandmother, mother and herself. Blending storytelling, performance, archival footage, and poetic cinematography, Chinese Take Away reveals the story of three generations. The stories are anchored by Anna's desire to understand her mother's life and death.
Source: 'Synopsis' Documentary Australia Foundation
Production Details
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First performed at the Cremorne Theatre, Queensland Performing Arts Centre, Brisbane 26-30 August 1997, as part of the Stage X Festival.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Writing Chinese Diaspora : After the 'White Australia Policy'
2009
single work
criticism
— Appears in: Reading Down Under : Australian Literary Studies Reader 2009; (p. 263-270) Australian Made : A Multicultural Reader 2010; (p. 158-172) An overview of Chinese-Australian writing. -
Multicultural Vistas : Dramatic Re-Inventions of the Ethnic Minority Other
2003
single work
criticism
— Appears in: Transgressive Itineraries : Postcolonial Hybridizations of Dramatic Realism 2003; (p. 85-146) Section II of this chapter is entitles 'Visions of the Australian Multicultural Landscape.' -
Playing the Yellow Lady : Performing Gender and Race
2001
single work
criticism
— Appears in: Siting the Other : Re-Visions of Marginality in Australian and English-Canadian Drama 2001; (p. 69-83) -
Beyond Happy Hybridity : Performing Asian-Australian Identities
2000
single work
criticism
— Appears in: Alter/Asians : Asian-Australian Identities in Art, Media and Popular Culture 2000; (p. 152-168) -
'The Role of the Dramaturg' : River of Silk - A Dramaturg's Reflections on the Script Development Process of 'Chinese Take Away'
2000
single work
criticism
— Appears in: Three Plays by Asian Australians 2000; (p. 3-7)
-
Multicultural Vistas : Dramatic Re-Inventions of the Ethnic Minority Other
2003
single work
criticism
— Appears in: Transgressive Itineraries : Postcolonial Hybridizations of Dramatic Realism 2003; (p. 85-146) Section II of this chapter is entitles 'Visions of the Australian Multicultural Landscape.' -
Beyond Happy Hybridity : Performing Asian-Australian Identities
2000
single work
criticism
— Appears in: Alter/Asians : Asian-Australian Identities in Art, Media and Popular Culture 2000; (p. 152-168) -
Writing Chinese Diaspora : After the 'White Australia Policy'
2009
single work
criticism
— Appears in: Reading Down Under : Australian Literary Studies Reader 2009; (p. 263-270) Australian Made : A Multicultural Reader 2010; (p. 158-172) An overview of Chinese-Australian writing. -
Peeling Skin
Maryanne Lynch
,
Anna Yen
,
1998
single work
criticism
— Appears in: Meanjin , vol. 57 no. 4 1998; (p. 666-682) -
Playing the Yellow Lady : Performing Gender and Race
2001
single work
criticism
— Appears in: Siting the Other : Re-Visions of Marginality in Australian and English-Canadian Drama 2001; (p. 69-83)
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cChina,cEast Asia, South and East Asia, Asia,
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Hong Kong,
cChina,cEast Asia, South and East Asia, Asia,
- Sydney, New South Wales,
- ca. 1930-1969