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Contents
* Contents derived from the
Wollongong,
Wollongong area,
Illawarra,
South Coast,
New South Wales,:Five Islands Press
, 2001 version. Please note that other versions/publications may contain different contents. See the Publication Details.
- In the Small Hoursi"It's three a.m. in the morning", single work poetry
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
The Orphic Strain in Australian Poetry
2011
single work
criticism
— Appears in: Refashioning Myth : Poetic Transformations and Metamorphoses 2011; (p. 9-27) 'Andrew Johnson argues that "[w]hile poetry in Australia might broadly be read under the aegis of Romanticism, the various Orphic poems could be used as an index of different styles and schools," and claims that "the different approaches and interests of various poets could be measured by their varied responses to the Orphic material." Johnson applies this framework to a close reading of several key Australian poets, including A. D. Hope and the notorious "mythical" poet, Ern Malley.' (Source: Introduction p. 2)
-
Peter Boyle and the Art of Poetry
2006
single work
criticism
— Appears in: Antipodes , June vol. 20 no. 1 2006; (p. 72-79) -
Untitled
2003
single work
review
— Appears in: Studio : A Journal of Christians Writing , Spring no. 92 2003; (p. 33-34)
— Review of What the Painter Saw in Our Faces 2001 selected work poetry -
Mid-career Poets Still Produce the Goods
2003
single work
review
— Appears in: Social Alternatives , Second Quarter vol. 22 no. 2 2003; (p. 66-67)
— Review of What the Painter Saw in Our Faces 2001 selected work poetry ; A Calendar of Flowers : Selected Poems 1975-2000 2001 selected work poetry -
Fear of the Dark
2002
single work
review
— Appears in: Southerly , vol. 62 no. 3 2002; (p. 200-210)
— Review of What the Painter Saw in Our Faces 2001 selected work poetry ; Going Feral 2002 selected work poetry ; Hothouse 2002 selected work poetry ; Darkness Disguised 2002 selected work poetry
-
'I Find a Space for it Somehow' : New Poetry
2002
single work
review
— Appears in: Westerly , November vol. 47 no. 2002; (p. 177-192)
— Review of What the Painter Saw in Our Faces 2001 selected work poetry ; Bestseller 2001 selected work poetry ; The Learning Curve 2002 selected work poetry ; Afterimages 2002 selected work poetry prose ; The Clothes-Prop Man : Poems from the South Para Reservoir 2002 selected work poetry ; Poems the Size of Photographs 2002 selected work poetry ; Darker and Lighter 2001 selected work poetry ; Other Worlds : Poems 1997-2001 2001 selected work poetry ; Fiery Waters 2001 selected work poetry ; Hothouse 2002 selected work poetry ; Flying Blind 2002 selected work poetry -
Fear of the Dark
2002
single work
review
— Appears in: Southerly , vol. 62 no. 3 2002; (p. 200-210)
— Review of What the Painter Saw in Our Faces 2001 selected work poetry ; Going Feral 2002 selected work poetry ; Hothouse 2002 selected work poetry ; Darkness Disguised 2002 selected work poetry -
Mid-career Poets Still Produce the Goods
2003
single work
review
— Appears in: Social Alternatives , Second Quarter vol. 22 no. 2 2003; (p. 66-67)
— Review of What the Painter Saw in Our Faces 2001 selected work poetry ; A Calendar of Flowers : Selected Poems 1975-2000 2001 selected work poetry -
Untitled
2003
single work
review
— Appears in: Studio : A Journal of Christians Writing , Spring no. 92 2003; (p. 33-34)
— Review of What the Painter Saw in Our Faces 2001 selected work poetry -
Poetry at Its Best When Lightest
2001
single work
review
— Appears in: The Canberra Times , 3 November 2001; (p. 19)
— Review of What the Painter Saw in Our Faces 2001 selected work poetry ; Heroes of the Twentieth Century and Other Poems 2001 selected work poetry ; To Life : Verses of Love and Hope Jose Marques (translator), 2001 selected work poetry ; From Here 2001 selected work poetry -
Peter Boyle and the Art of Poetry
2006
single work
criticism
— Appears in: Antipodes , June vol. 20 no. 1 2006; (p. 72-79) -
The Orphic Strain in Australian Poetry
2011
single work
criticism
— Appears in: Refashioning Myth : Poetic Transformations and Metamorphoses 2011; (p. 9-27) 'Andrew Johnson argues that "[w]hile poetry in Australia might broadly be read under the aegis of Romanticism, the various Orphic poems could be used as an index of different styles and schools," and claims that "the different approaches and interests of various poets could be measured by their varied responses to the Orphic material." Johnson applies this framework to a close reading of several key Australian poets, including A. D. Hope and the notorious "mythical" poet, Ern Malley.' (Source: Introduction p. 2)
Last amended 5 Nov 2001 10:49:17