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Regarded as one of Australia's most successful and affectionately remembered documentaries, The Back of Beyond follows mailman Tom Kruse as he makes his fortnightly deliveries along the Birdsville Track. The theme explored is very much that of the ability of Australians to adapt to the harshness of the central Australian outback.
Instead of the typical documentary film's 'single voice of authority,' Back of Beyond's narration is provided by several storytellers representative of the voices of the outback. These people include Kruse, the women on the two-way radio, Malcolm (an Aboriginal man), and the Birdsville policeman.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
y
The Back of Beyond
Strawberry Hills
:
Currency Press
,
2013
Z1924352
2013
single work
criticism
'The Back of Beyond celebrates the life and times of Australia’s best known outback mail man Tom Kruse MBE. Every fortnight he battled isolation, heat, sand dunes and floods to deliver mail and supplies to the families along the 517 kilometre Birdsville Track in central Australia.
'Representing the complex interrelations of the multicultural community and their environs, the film is considered by many to be one of Australia’s premier films, and is an exemplary representation of 1950s Australian transformational culture.' (Publication blurb)
-
Reconciliation and the History Wars in Australian Cinema
2012
single work
criticism
— Appears in: Exhuming Passions : The Pressure of the Past in Ireland and Australia 2012; (p. 207-222) 'When The Proposition ( a UK/Australia co-production, directed by John Hillcoat and scripted by Nick Cave) was released in 2005, film reviewers had no qualms about claiming this spectacular saga of colonial violence on the Queensland frontier as a 'history' film. A reviewer on BBC Radio 4 described The Proposition as 'a bushranger Western...set in violent 1880s Australian outback exposing the bitter racial tensions between English and Irish settlers. A Sunday Times review declared that 'Australia's brutal post-colonial history is stripped of all the lies in a bloody clash of cultures between the British police, the Irish bushrangers and the Aborigines.' Foregrounding the film's revisionist spectacle of colonial violence, an Australian reviewer predicted that, despite 'scenes of throat-cutting torture, rape and exploding heads...The Proposition could be the most accurate look at our national history yet'. (Author's introduction, 207)
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Beyond Good/Should/Bad : Teaching Australian Indigenous Film and Television
2010
single work
criticism
— Appears in: Continuum : Journal of Media & Cultural Studies , vol. 24 no. 5 2010; (p. 799 - 804) -
The Back of Beyond
2009
single work
review
— Appears in: Senses of Cinema , no. 50 2009;
— Review of The Back of Beyond 1954 single work film/TV biography -
y
Australian Post-War Documentary Film : An Arc of Mirrors
Bristol
:
Intellect
,
2008
11372306
2008
multi chapter work
criticism
'The post-war period in Australian cultural history sparked critical debate over notions of nation-building, multiculturalism and internationalization. Australian Post-War Documentary Film tackles all these issues in a considered and wide-ranging analysis of government, institutional and also radical documentaries.
'On one level, the book is a selective history of Australian documentary film in the immediate post-war years. It also charts the rise of a progressive film culture. As a whole it is a thorough study of the international flows of film culture. Williams illustrates these themes by critiquing the key films of the era, including the seminal
'The Back of Beyond, often cited as the greatest Australian film of all time. Australian Post-War Documentary Film retells film history by reading these documentaries as part of a nexus of international, and particularly Australian filmic, written and dramatic texts, with close attention to textual analysis. The book will appeal to anyone interested in international cinema, the way that it theorizes the period and offers a host of international comparisons, widening its ideas to the fabric of cultural production that surrounds all art works.'
Source: Publisher's blurb.
-
The Back of Beyond
2009
single work
review
— Appears in: Senses of Cinema , no. 50 2009;
— Review of The Back of Beyond 1954 single work film/TV biography - y Australian Film in the 1950s 1987 Perth : Centre for Research in Culture and Communication (Murdoch University) , 1995 Z1611522 1987 single work criticism Tom O'Regan notes that 'historiographically, the Australian film industry of the 1950s is known for both the restrictive circumstances of production and its location films.' In this essay he examines both the development of particular frameworks for the appreciation of films (including Australian cinema) and the interrelationship between film and cultural spheres (particularly theatre and arts policy) across the decade. O'Regan also demonstrates how events and discourses of the 1950s formed an important conceptual and institutional pre-history for subsequent developments in the 1960s leading towards the 1970s Australian film industry revival.
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On 'The Back Of Beyond' : Interview with Ross Gibson
Tom O'Regan
(interviewer),
Brian Shoesmith
(interviewer),
Albert Moran
(interviewer),
1987
single work
interview
— Appears in: Continuum : Journal of Media and Cultural Studies , vol. 1 no. 1 1987; -
To Go Back and Beyond
1987
single work
criticism
— Appears in: Continuum: The Australian Journal of Media & Culture , vol. 2 no. 1 1987; -
Beyond Good/Should/Bad : Teaching Australian Indigenous Film and Television
2010
single work
criticism
— Appears in: Continuum : Journal of Media & Cultural Studies , vol. 24 no. 5 2010; (p. 799 - 804) -
Reconciliation and the History Wars in Australian Cinema
2012
single work
criticism
— Appears in: Exhuming Passions : The Pressure of the Past in Ireland and Australia 2012; (p. 207-222) 'When The Proposition ( a UK/Australia co-production, directed by John Hillcoat and scripted by Nick Cave) was released in 2005, film reviewers had no qualms about claiming this spectacular saga of colonial violence on the Queensland frontier as a 'history' film. A reviewer on BBC Radio 4 described The Proposition as 'a bushranger Western...set in violent 1880s Australian outback exposing the bitter racial tensions between English and Irish settlers. A Sunday Times review declared that 'Australia's brutal post-colonial history is stripped of all the lies in a bloody clash of cultures between the British police, the Irish bushrangers and the Aborigines.' Foregrounding the film's revisionist spectacle of colonial violence, an Australian reviewer predicted that, despite 'scenes of throat-cutting torture, rape and exploding heads...The Proposition could be the most accurate look at our national history yet'. (Author's introduction, 207)
- Birdsville Track SA / Qld, North East South Australia, Far North South Australia, South Australia,
- Australian Outback, Central Australia,
- 1952