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Cover image courtesy of publisher.
Issue Details: First known date: 1987... 1987 One Crowded Hour : Neil Davis, Combat Cameraman, 1934-1985
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AbstractHistoryArchive Description

'For over twenty years, from the early 1960s, Neil Davis brought enduring images of the full horror of modern war directly from the battlefront to the world's television screens. Davis's former colleague, Tim Bowden, tells the life story of this remarkable and complex cinecameramen and journalist - a cool, utterly dedicated professional, a legendary gambler who often relied on his intuitive sixth sense to stay alive, and a man who was equally at home with presidents and street beggars. It is for Davis' eleven years' coverage of the conflict in Indo-China that he is best remembered. He was the only western cameraman to film with the South Vietnamese army and once actually managed to cross over battle lines to film with the Viet Cong. Davis also covered the war in Cambodia and Laos. And in 1975 he scooped the world's press by filming the taking of Saigon's Presidential Palace - the moment that symbolised the American defeat. Ironically in September 1985, having survived so much war, Neil Davis was killed while filming an attempted coup in the streets of Bangkok. Incredibly his still-running camera captured his own death. ' (Publication summary)

Adaptations

One Crowded Hour Terence O'Connell , 2021 single work drama

'Inspired by Tim Bowden’s bestselling biography

'Documentary footage and live performance paint a portrait of this frontline cameraman.

'The enduring legacy of Tasmania’s frontline cameraman Neil Davis will be showcased in One Crowded Hour – a dramatic unfolding of his life story.

'After a childhood in the peaceful town of Sorell, Davis embarked on a journey to the world’s most dangerous regions of unrest. From the battlefields of South East Asia he captured horrific images of warfare and for more than 20 years his footage was broadcast into homes around the world.

'This story of the combat cameraman features documentary footage, live performance and striking imagery wrapped in an atmospheric soundtrack.' (Production summary)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Fact vs Fiction Luke Slattery , Evan McHugh , 1996 single work criticism
— Appears in: The Weekend Australian , 6-7 July 1996; (p. 25)
Fact vs Fiction Luke Slattery , Evan McHugh , 1996 single work criticism
— Appears in: The Weekend Australian , 6-7 July 1996; (p. 25)
Last amended 3 Jun 2014 09:30:48
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