AustLit
3718135588035941862.jpg
Is part of
Jack Irish
1996
series - author
novel
(number
4
in series)
Issue Details:
First known date:
2003...
2003
White Dog
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AbstractHistoryArchive Description
'Jack Irish—gambler, cook, and cabinet maker, finder of people who don't want to be found—has a new job, hunting for evidence that might save the beautiful sculptor Sarah Longmore from a murder rap.
'White Dog is the final installment in the Jack Irish series, featuring Peter Temple's best-loved protagonist.' (Publication summary)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Braille.
- Sound recording.
Works about this Work
-
The Representation of Aboriginality in the Novels of Peter Temple
2016
single work
criticism
— Appears in: Coolabah , no. 20 2016; (p. 9-21) 'Identity politics is fraught with difficulties. Of few places is this truer than in Australia when it comes to the representation of Aboriginality. On the one hand the absence or invisibility of Aboriginality in Australian life and culture maybe interpreted as a deliberate exclusion of a people whose presence is uncomfortable or inconvenient for many Australians of immigrant origin. Equally, the representation of Aboriginality by non-Aboriginals may be seen as an appropriation of identity, an inexcusable commercial exploitation or an act of neocolonialism. Best-selling and prize-winning South African-born author Peter Temple appears to be very much aware of these pitfalls. In his crime novels, written between 1996 and 2009, he has obviously made the decision to grasp the nettle and attempt to represent Aboriginality in a way that would be as acceptable as possible. This paper traces the evolution of Temple's representation of Aboriginality through the three major Aboriginal characters present in his novels: Cameron Delray (Bad Debts, 1996; Black Tide, 1999; Dead Point, 2000; and White Dog, 2003), Ned Lowey (An Iron Rose, 1998) and Detective Sergeant Paul Dove (The Broken Shore, 2005 and Truth, 2009).' (Publication abstract) -
Gritty View of Melbourne
2003
single work
review
— Appears in: The West Australian , 12 July 2003; (p. 16)
— Review of White Dog 2003 single work novel -
Circle of Friends
2003
single work
review
— Appears in: The Bulletin , 27 May vol. 121 no. 6374 2003; (p. 53)
— Review of White Dog 2003 single work novel -
Jack's Back, and the Flak's Thick and Fast
2003
single work
review
— Appears in: The Sunday Age , 11 May 2003; (p. 10)
— Review of White Dog 2003 single work novel -
Crime File
2003
single work
review
— Appears in: The Advertiser , 26 April 2003; (p. 13)
— Review of White Dog 2003 single work novel ; KittyHawk Down 2003 single work novel
-
Downmarket Derring-Do
2003
single work
review
— Appears in: Australian Book Review , March no. 249 2003; (p. 60)
— Review of White Dog 2003 single work novel -
A Man Alone with Clues to Times Past
2003
single work
review
— Appears in: The Sydney Morning Herald , 18-20 April 2003; (p. 20)
— Review of White Dog 2003 single work novel -
Conspiracy Thriller Full of Fascinating Detail
2003
single work
review
— Appears in: Canberra Sunday Times , 27 April 2003; (p. 18)
— Review of White Dog 2003 single work novel -
Crime File
2003
single work
review
— Appears in: The Advertiser , 26 April 2003; (p. 13)
— Review of White Dog 2003 single work novel ; KittyHawk Down 2003 single work novel -
Jack's Back, and the Flak's Thick and Fast
2003
single work
review
— Appears in: The Sunday Age , 11 May 2003; (p. 10)
— Review of White Dog 2003 single work novel -
Crimefiles
2003
single work
column
— Appears in: The Courier-Mail , 29 March 2003; (p. 6) -
A Real Character of Crime
2003
single work
column
— Appears in: The Age , 12 April 2003; (p. 8) -
The Representation of Aboriginality in the Novels of Peter Temple
2016
single work
criticism
— Appears in: Coolabah , no. 20 2016; (p. 9-21) 'Identity politics is fraught with difficulties. Of few places is this truer than in Australia when it comes to the representation of Aboriginality. On the one hand the absence or invisibility of Aboriginality in Australian life and culture maybe interpreted as a deliberate exclusion of a people whose presence is uncomfortable or inconvenient for many Australians of immigrant origin. Equally, the representation of Aboriginality by non-Aboriginals may be seen as an appropriation of identity, an inexcusable commercial exploitation or an act of neocolonialism. Best-selling and prize-winning South African-born author Peter Temple appears to be very much aware of these pitfalls. In his crime novels, written between 1996 and 2009, he has obviously made the decision to grasp the nettle and attempt to represent Aboriginality in a way that would be as acceptable as possible. This paper traces the evolution of Temple's representation of Aboriginality through the three major Aboriginal characters present in his novels: Cameron Delray (Bad Debts, 1996; Black Tide, 1999; Dead Point, 2000; and White Dog, 2003), Ned Lowey (An Iron Rose, 1998) and Detective Sergeant Paul Dove (The Broken Shore, 2005 and Truth, 2009).' (Publication abstract)
Awards
Last amended 29 Sep 2020 13:46:56
Settings:
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