AustLit logo

AustLit

Home on the Range single work   short story   crime  
Issue Details: First known date: 1993... 1993 Home on the Range
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Latest Issues

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Murder at Home : A Crimes for a Summer Christmas Anthology Stephen Knight (editor), St Leonards : Allen and Unwin , 1993 Z492241 1993 anthology short story crime humour St Leonards : Allen and Unwin , 1993 pg. 3-12
  • Appears in:
    y separately published work icon Investigating Arthur Upfield : A Centenary Collection of Critical Essays Kees De Hoog (editor), Carol Hetherington (editor), Newcastle upon Tyne : Cambridge Scholars Press , 2012 Z1832688 2012 anthology criticism 'Arthur Upfield created Detective Inspector Napoleon Bonaparte (Bony) who features in twenty-nine novels written from the 1920s to the the 1960s, mostly set in the Australian Outback. He was the first Australian professional writer of crime detection novels. Upfield arrived in Australia from England on 4 November 1911, and this collection of twenty-two critical essays by academics and scholars has been published to celebrate the centenary of his arrival. The essays were all written after Upfield’s death in 1964 and provide a wide range of responses to his fiction. The contributors, from Australia, Europe and the United States, include journalist Pamela Ruskin who was Upfield’s agent for fifteen years, anthropologists, literary scholars, pioneers in the academic study of popular culture such as John G. Cawelti and Ray B. Browne, and novelists Tony Hillerman and Mudrooroo whose own works have been inspired by Upfield’s. The collection sheds light on the extent and nature of critical responses to Upfield over time, demonstrates the type of recognition he has received and highlights the way in which different preoccupations and critical trends have dealt with his work. The essays provide the basis for an assessment of Upfield’s place not only in the international annals of crime fiction but also in the literary and cultural history of Australia' (Publisher website sighted 15/12/2011). Newcastle upon Tyne : Cambridge Scholars Press , 2012 pg. 82-91
Newspapers:
    Powered by Trove
    X