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Production Details
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First performed by the Sydney Theatre Company at Walsh Bay 10 January - 21 February 2004. Season directed by Robin Nevin.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Writing for Performance : Privilege, Politics and Goose Bumps
2008
single work
criticism
— Appears in: Just Words? : Australian Authors Writing for Justice 2008; (p. 118-136) -
Pockets of Rebellion : Katherine Thomson
2005
single work
criticism
— Appears in: The Dolls' Revolution : Australian Theatre and Cultural Imagination 2005; (p. 157-198)'This chapter focuses on Katherine Thomson as a playwright who utilises the conventions of social realism and naturalism to write plays that dramatise the effects of social and economic change on the lives of fictional but realistically-based characters.' (p.158)
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Unconventional Muse
2004
single work
column
— Appears in: The Australian , 26 January 2004; (p. 15) -
Rich Work in Dockside Brawls
2004
single work
review
— Appears in: The Canberra Times , 13 January 2004; (p. 9)
— Review of Harbour 2004 single work drama -
A Community Stirs
2004
single work
review
— Appears in: The Australian , 12 January 2004; (p. 16)
— Review of Harbour 2004 single work drama ; Run Rabbit Run! 2004 single work drama ; The Republic of Myopia 2004 single work musical theatre
-
A Community Stirs
2004
single work
review
— Appears in: The Australian , 12 January 2004; (p. 16)
— Review of Harbour 2004 single work drama ; Run Rabbit Run! 2004 single work drama ; The Republic of Myopia 2004 single work musical theatre -
Rich Work in Dockside Brawls
2004
single work
review
— Appears in: The Canberra Times , 13 January 2004; (p. 9)
— Review of Harbour 2004 single work drama -
Locked Out of Love
2003
single work
criticism
— Appears in: The Australian , 29 December 2003; (p. 9) -
Unconventional Muse
2004
single work
column
— Appears in: The Australian , 26 January 2004; (p. 15) -
Pockets of Rebellion : Katherine Thomson
2005
single work
criticism
— Appears in: The Dolls' Revolution : Australian Theatre and Cultural Imagination 2005; (p. 157-198)'This chapter focuses on Katherine Thomson as a playwright who utilises the conventions of social realism and naturalism to write plays that dramatise the effects of social and economic change on the lives of fictional but realistically-based characters.' (p.158)
-
Writing for Performance : Privilege, Politics and Goose Bumps
2008
single work
criticism
— Appears in: Just Words? : Australian Authors Writing for Justice 2008; (p. 118-136)
Awards
Last amended 23 Oct 2005 12:35:11
Settings:
- Sydney, New South Wales,
- 1998
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