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AbstractHistoryArchive Description
Notes
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Dedication: for Dmetri Kakmi
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Included on the United States Board on Books for Young People and the Children's Book Council (US) 2006 Outstanding International Booklist.
Affiliation Notes
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This work is affiliated with the AustLit subset Asian-Australian Children's Literature and Publishing because it has a Japanese translation.
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Writing Disability in Australia
Type of disability Intellectual disabilities. Type of character Tertiary. Point of view First person.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Sound recording.
Works about this Work
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“Beyond the Boundaries :” Negotiations of Space, Place, Body and Subjectivity in YA Fiction
2021
single work
criticism
— Appears in: Children's Literature in Education , September vol. 52 no. 3 2021; (p. 307-325) 'Where and how do I belong? As Erin Spring (2016a) notes in her examination of space, place, and youth engagement with literature, “young adult fiction is fraught with implications for identity, of which place often takes center stage” (p. 432). Yet despite the ubiquity of adolescent characters’ negotiations within and across physical and cultural spaces in contemporary texts for young people, few scholars address the interconnectedness of those spheres with perceptions of subjectivity and the material body. Drawing on the theoretical framework of feminist cultural geography (Massey, 1994; Rose, 1993) and relevant scholarship on conceptualizations of the body (i.e., Butler, 1990; Longhurst, 2001), I aim to uncover some of the ways in which young protagonists respond to the perceived barriers, boundaries, and borders of their bodies, subjectivities, and worlds—including the subtle ways in which they actively shape and redefine them (Bavidge, 2006). In addition to examining the experiences of displaced or somehow othered protagonists in three works of youth fiction—Sonya Harnett’s Surrender, Jacqueline Woodson’s Brown Girl Dreaming, and Thanhha Lai’s Inside Out & Back Again—I consider how literary spatial analyses of subjectivity and body might enable readers to critically reflect on the real world constraints and freedoms encountered by young people across the spaces and places of their everyday lives.' (Publication abstract) -
Escaping Adolescence : Sonya Hartnett's Surrender as a Gothic Bildungsroman for the Twenty-first Century
2017
single work
criticism
— Appears in: Children's Literature in Education , December vol. 48 no. 4 2017; (p. 295-307)'This paper explores the subversion of the bildungsroman in the young adult novel, Surrender (Penguin, Camberwell, 2005), by the Australian author, Sonya Hartnett. It is suggested that, in reinscribing the traditional bildungsroman within a Gothic discourse, this novel reveals the effect on subjectivity that the horrors of postmodernity pose for the contemporary adolescent. The employment of Gothic tropes to depict the journey of the narrator, Anwell, highlights the trauma of locating an agentic subject position in a context where authoritative social institutions have been revealed as corrupt. In such a world, typical pathways to agency are problematised. Traditional bildungsroman novels suggest agency is attained by finding one’s place in the world, most often in accordance with socially prescribed schemata, although some contemporary examples confer agency through rebellion or resistance instead. Surrender posits a controversial alternative, suggesting that embracing abjection and, ultimately, death, may be considered a legitimate—if transgressive—form of agency for the othered adolescent. Rather than finding a place in the world that Anwell sees as having failed him, he demonstrates a subversive form of agency in choosing to escape from this world entirely.'
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From The Secret Garden to Thirteen Reasons Why, Death Is Getting Darker in Children’s Books
2017
single work
essay
— Appears in: The Conversation , 12 July 2017;'The inevitable and universal nature of death has made it a popular topic of children’s literature. While death has appeared in these stories for centuries, death in young adult novels has become much darker and more complex.' (Introduction)
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Disrupted Narrative Voices and the Representation of Trauma in Sonya Hartnett’s Surrender and Kalinda Ashton’s The Danger Game
2015
single work
criticism
— Appears in: Language and Semiotic Studies , Winter vol. 1 no. 4 2015; (p. 108-120)'In this paper [the author] will consider the intersection between family tragedy, trauma, and affective uses of narration in two Australian novels: Surrender (Hartnett, 2005) and The Danger Game (Ashton, 2009). In both of these novels, narratological techniques are utilised to represent a grief beyond words—the tragic loss of a close family member, specifically, a sibling. Both novels use disruptions in narrative forms—particularly in the inherent expectations readers bring to the forms of first, second and third person narration. These narrative disruptions mirror the disruptions of identity experienced by the characters in these texts. Moreover, as we engage with the traumatic content through a fractured subjectivity presented by these texts, our identities as readers, too, become fractured and disrupted. These disruptions of identity echo that which is experienced by the characters themselves through their loss. By analysing the link between these disruptions and the content of these novels, we get a better understanding of the ways in which fictive worlds can represent psychological issues. The narration of these novels and their engagement with childhood sibling loss enable us to begin to create and understand a broader aesthetic of representational trauma.'
Source: Abstract.
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What I’m Reading
2014
single work
column
— Appears in: Meanjin Online 2014;
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Submit to the Intrigue
2005
single work
review
— Appears in: The Advertiser , 12 February 2005; (p. 9)
— Review of Surrender 2005 single work novel -
A Risky Venture Done with Style
2005
single work
review
— Appears in: The Sydney Morning Herald , 12-13 February 2005; (p. 9)
— Review of Surrender 2005 single work novel -
Surrender to Success
2005
single work
review
— Appears in: The Weekend Australian , 12-13 February 2005; (p. 8-9)
— Review of Surrender 2005 single work novel -
A Blighted Life in Finnigan's Wake
2005
single work
review
— Appears in: The Age , 19 February 2005; (p. 5)
— Review of Surrender 2005 single work novel -
Domestic Darkness
2005
single work
review
— Appears in: The Courier-Mail , 12 February 2005; (p. 7)
— Review of Surrender 2005 single work novel -
Growing Up With a Heart of Darkness
2005
single work
criticism
— Appears in: The Canberra Times , 29 January 2005; (p. 13) -
Know the Author : Sonya Hartnett
2005
single work
column
— Appears in: Magpies : Talking About Books for Children , May vol. 20 no. 2 2005; (p. 14-16) -
YA Lit and the Deathly Fellows
2008
single work
criticism
— Appears in: The Horn Book Magazine , May/June vol. 84 no. 3 2008; (p. 357-361) Discusses recent young adult novels and short stories that have a narrator that is dead or dying, or other speaking characters that are dead. -
A Printz Retrospective
2009
single work
criticism
— Appears in: The Horn Book Magazine , July/August vol. 85 no. 4 2009; (p. 395-403) Discusses the winners of the Michael L. Printz Award from 2000 to 2009. -
Looking between the Lines
2011
single work
column
— Appears in: The Saturday Age , 14 May 2011; (p. 24-25)
Awards
- 2007 honour book Michael L. Printz Award for Excellence in Young Adult Literature
- 2007 longlisted International IMPAC Dublin Literary Award
- 2006 shortlisted South East Asia and South Pacific Region — Best Book
- 2006 finalist Melbourne Prize — Best Writing Award
- 2005 shortlisted Queensland Premier's Literary Awards — Best Young Adult Book
- Country towns,