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form y separately published work icon Waterfront series - publisher   film/TV  
Issue Details: First known date: 1984... 1984 Waterfront
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AbstractHistoryArchive Description

Set in the late 1920s, Waterfront begins with the Waterside Workers' Union refusing to abide by the award conditions handed down with the Court of Conciliation and Arbitration. The waterfronts of all major cities are subsequently shut down, forcing Nationalist Party Prime Minister Stanley Bruce to authorise legislation that permits the employment of non-union labour on the wharves. When the shipping companies take advantage of this law and hire newly arrived Italian immigrants desperate for work, the 'scabs' face bitter resentment from the union as well as shameful and overt racial intimidation and abuse. The ruse of 'free labourers' ultimately works in all the capital cities except Melbourne, where the union executive is strong and determined. Not only are the bosses determined to ride the storm out, but the union comes under increasing hostility from other sections of the community: the strike's consequences extend into neighbouring industries, which, starved of raw materials and export passages, are forced to make redundancies.

The mini-series delves deeply into the issues of eviction, poverty, and racism, while also exploring the political fall-out, where the Victorian State Labor Government (which has a paper-thin majority) is put in the unenviable position of having to support the unions, its political base. Taking advantage of this dilemma, the opposition party eventually introduces a motion of no-confidence in the government and courts the patrician Governor-General. This ultimately leads to the dismissal of the incumbent government.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

The Petrov Affair : An Ambivalent Migrant Narrative Greg Dolgopolov , 2011 single work criticism
— Appears in: Studies in Australasian Cinema , 24 August vol. 5 no. 2 2011; (p. 121-130)
'Well after the end of the Culture Wars, the televisual representations of The Petrov Affair continue to flourish. `The Petrov Affair' profoundly changed the Australian ideals of modernity and conception of Communism, political espionage and migration in the 1950s. The 1987 miniseries The Petrov Affair (Michael Carson) was released at the height of the 1980s promotion of multiculturalism and the historical miniseries boom. It is not a spy thriller, nor a courtroom drama about the Royal Commission. The Petrov Affair is a delicate character study of the difficulties of deciding to immigrate and the ambivalence that lies at the nexus between modernity and migration. This article seeks to rehabilitate this forgotten docudrama and examine the relationship between modernity, mobility and migration in the cultural production that explored emerging multicultural policies. (Editor's abstract)
The Petrov Affair : An Ambivalent Migrant Narrative Greg Dolgopolov , 2011 single work criticism
— Appears in: Studies in Australasian Cinema , 24 August vol. 5 no. 2 2011; (p. 121-130)
'Well after the end of the Culture Wars, the televisual representations of The Petrov Affair continue to flourish. `The Petrov Affair' profoundly changed the Australian ideals of modernity and conception of Communism, political espionage and migration in the 1950s. The 1987 miniseries The Petrov Affair (Michael Carson) was released at the height of the 1980s promotion of multiculturalism and the historical miniseries boom. It is not a spy thriller, nor a courtroom drama about the Royal Commission. The Petrov Affair is a delicate character study of the difficulties of deciding to immigrate and the ambivalence that lies at the nexus between modernity and migration. This article seeks to rehabilitate this forgotten docudrama and examine the relationship between modernity, mobility and migration in the cultural production that explored emerging multicultural policies. (Editor's abstract)
Last amended 4 Apr 2014 10:35:10
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