AustLit
Alternative title:
AHR
Issue Details:
First known date:
2006...
no.
39/40
September
2006
of
Australian Humanities Review
est. 1996
Australian Humanities Review
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Notes
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Contents indexed selectively.
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Includes 'Ecopoetics and the Ecological Humanities in Australia', a special section edited by Deborah Bird Rose. Contents of this section meeting AustLit's selection criteria indexed separately.
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Includes 'New Urgencies in Australian Studies', edited by Nicole Moore and Michelle Arrow. This section presents four essays that identify and engage with pressing questions in Australian culture and history. The essays originated in the 2005 one-day symposium 'New Urgencies in Australian Studies'. Contents of this section meeting AustLit's selection criteria have been indexed.
Contents
* Contents derived from the 2006 version. Please note that other versions/publications may contain different contents. See the Publication Details.
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Untitled,
single work
review
— Review of Dispossession, Dreams & Diversity: Issues in Australian Studies 2006 multi chapter work criticism ; -
When They Write What We Read : Unsettling Indigenous Australian Life-Writing,
single work
criticism
Michele Grossman argues that life writing 'has proved a particularly attractive genre for Indigenous Australians wishing to re-vision and re-write historical accounts of invasion, settlement and cross-cultural relationships from individual, family and community-based Indigenous Australian memories, perspectives and experiences'. Grossman draws particularly on Gladys Gilligan's writing of her time at the Moore River Settlement in Susan Maushart's Sort of a Place Like Home: The Moore River Native Settlement (1993).
- Whatever Becomes Itselfi"'Every level has its own irrigation of blood', every level possesses a shudder, sway, sweet", single work poetry
- The Law of the Minimumi"After climbing a thirty metre high cone", single work poetry
- The Corporation and the Parroti"Which tree is it", single work poetry
- The Question of Obi Obi Creeki"And so we should be struck dumb", single work poetry
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Writing after Nature,
single work
criticism
Opening paragraph: 'However the craft of nature writing might be conceived, there is a sense in which the nature writer is necessarily called to be a follower. Such writing, that is to say, necessarily follows nature: temporally, in that the natural world to which it refers is presumed to pre-exist the written text; normatively, in that this pre-existing natural world is implicitly valued more highly than the text which celebrates it; and mimetically, in that the text is expected to re-present this pre-existing and highly regarded natural world in some guise. Let me stress at the outset, that I am all for the kind of writing (which comes in a wide variety of literary and non-literary genres) that calls upon its readers to revalue more-than-human beings, places and histories. In defence of such writing, along with the more-than-human beings, places and histories to which it bids us turn our concern, I am nonetheless going to argue here that the relation between nature and writing, especially in the literary mode, might best be thought otherwise.'Note: Includes list of works cited.
- Travelling in a Caravan? (from The Apocrypha, a work-in-progress), extract prose
- What the Cassawary does Not Need to Know, single work essay
- What Bird was That?, single work prose
- Pinchgut Creek, single work essay
- Heroni"Among the rusty metal", single work poetry
- Chant of Lost Water, single work essay
- Mound Springi"after a moonscape of salty overflows", single work poetry
- On Nature Writing, single work prose
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Antipodean Automobility and Crash : Treachery, Trespass and Transformation of the Open Road,
single work
criticism
An examination of the function of car accidents in Australian film and in the Australian landscape (through roadside memorials).
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Last amended 12 Jun 2015 14:50:49
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