'Pirate Rain builds on the highly acclaimed George Jefferies poems, exploring themes of power, violence, politics and love across Paris, Baghdad, New York and the waters of the Gulf.
The poems discuss the US Presidential campaign, the War on Terror, economic crises and celebrity meltdowns on the one hand, and intensely personal themes of anger, privacy, family, art and love on the other, bringing each into sharp and often biting relief against the other.
Pirate Rain is a vigorous, rich and witty collection, from one of the most individual voices of contemporary Australian poetry.' (From the publisher's website.)Artarmon : Giramondo Publishing , 2009
'Goad Omen is Corey Wakeling's first full-length collection of poems, a vibrant and witty interplay of depths and resurfacings, portraying a world littered with grim foreshadowings and kitschy memorabilia alike.' (Publisher's blurb)Artarmon : Giramondo Publishing , 2013
'John Mateer’s previous poetry book Southern Barbarians traced the influence of the Portuguese empire in the Indian Ocean – it was shortlisted for the PM’s Award for Poetry and the NSW and Victorian Premiers’ Literary Awards. Unbelievers, or The Moor takes this exploration one step further, to recover its Arabic and Islamic origins in Al-Andalus, the Moorish state which occupied much of present-day Spain and Portugal from the eighth to the fifteenth centuries. A seat of learning and culture, which combined Muslim, Christian and Jewish influences, it provides a model for Mateer’s own mixed background as a South African Australian, and for his nomadic identity as a poet. The collection is much concerned with influential but invisible histories; with the poem as a moment of connection between languages and cultures, so that it seems already to exist in translation; with doubles and hauntings, friends in far places, and above all, what Mateer calls ‘the irony of Elsewhere’.' (Publisher's blurb)Artarmon : Giramondo Publishing , 2013
'Devadatta’s Poems complements the sequence ‘Between the Palace and the Bodhi Tree’, published in Beveridge’s earlier collection Wolf Notes, which followed the travels of Siddhatta Gotama before he became the Buddha, and portrayed the world from his disciplined and ascetic point of view. These new poems are written from the viewpoint of Devadatta, Siddhatta’s jealous and ambitious cousin, who attempted to murder him three times. They are marked by an extraordinary richness of language and detail, and a dedication to sensation, which is in contrast to Siddhatta’s purity, and caused at least in part by Devadatta’s desire for Yasodahra, his cousin’s wife.' (Publisher's blurb)Artarmon : Giramondo Publishing , 2014
'Maria Takolander is a poet of uncompromising vision and imaginative power. She strips the world of easy sentiment, restoring experience to the realm of the body and the materiality of history. Her work is characterised by gothic beauty, but it can also be marked by deadpan wit. This collection is divided into three parts, focusing on the alienating event of childbirth; those places of the poet’s imaginative landscape haunted by the past (Finland, South America, and Australia); and the cruelties suffered and inflicted by the human animal. The End of the World, Takolander’s second full-length poetry collection, reveals the strangeness of our lives in verse that is often provocative and always striking.' (Publisher's blurb)Artarmon : Giramondo Publishing , 2014
'Final Theory is a long poem told in episodes, combining two fragmentary story lines – the one following a couple as they travel through landscapes which are at different times pristine and ravaged by progress; the other portraying the sensations of a child tumbling through the ocean, encountering evidence of lost worlds. Researched and composed in countries that were once part of the ancient supercontinent Gondwana – New Zealand, Australia and Antarctica – the poem places its figures within vast scales of time and space. The focus on two generations, the near-future and the far-off future, raises questions about the development of consciousness, and what place we as humans have in the unfinished process of chance and change.' (Publication summary)Artarmon : Giramondo Publishing , 2014
The title of Joanne Burns’ new collection brush highlights the reader’s first experience of a poem, its initial electricity; and the way the poem offers a surface of words that proceeds to reveal their possibilities or intentions. The central sequence ‘road’ is an animated display of the fashions of being in contemporary life – these poems are cheeky, playful, mercurial, surreal. Then there is the sequence called ‘bluff’, which excoriates twenty-first century financial culture with bite, hilarity and a sense of the absurd. There is a section devoted to personal memoir, including a five-part poem featuring Bondi beach, and a suite of memory fragments depicting twentieth-century modes of travel. The final group of poems, ‘wooing the owl (or the great sleep forward)’, explores the night, sleep and dreams, with their strange tones and surprising perspectives. There are 80 poems in the collection, most of them short, stressing the compressed pleasure that only poetry can offer. [From the publisher's website]Artarmon : Giramondo Publishing , 2014
'Winner of the Victorian Premier's Literature Award, the richest literary prize in Australia Shortlisted for the international Griffin Poetry Prize Drones and Phantoms is a powerful successor to Maiden's prize-winning collection Liquid Nitrogen, and again features her unique interweaving of the personal and the political, in the use of intimate and public poetic modes within each poem and within the collection as a whole. The poems are in fact conversations, not only between the poet and the reader, but between historical and political figures, such as Princess Diana and Mother Teresa, Tanya Pliberesek and Jane Austen, Mandela and Obama, Queen Victoria and Tony Abbott, Kevin Rudd and Dietrich Bonhoeffer, who come to life in Maiden's poems to discuss their anxieties and ethical insecurities. There are also poems on the Cypriot financial crisis, Jimmy Hoffa, Judith Wright, Julia Gillard, the Copenhagen giraffe killing and Russian power in the Crimea. Maiden is unique both for the interrogative power of her poems, and the sense of vulnerability they express, in their subjects, and in the poet herself.' (Publication summary)Artarmon : Giramondo Publishing , 2014
'Antigone Kefala is one of the elders of Australian poetry, highly regarded for the intensity of her vision, yet not widely known, on account of the small number of poems she has published, each carefully worked, each magical or menacing in its effects. Fragments is her first collection of new poems in almost twenty years, since the publication of New and Selected Poems in 1998, and possibly her last. It follows her prose work Sydney Journals (Giramondo, 2008) of which one critic wrote, 'Kefala can render the music of the moment so perfectly, she leaves one almost singing with the pleasure of it'. This skill in capturing the moment is just as evident in Fragments, though the territory is often darker now, as the poet patrols the liminal spaces between life and death, alert to the energies which lie in wait there. And such energies! "Up, in the blue depth / a bird cut with its wings / the light / such silk, that fell / and rose, heavily, / singing through the air.' (Publication summary)Artarmon : Giramondo Publishing , 2016
'A hoarding Chinese grandmother fills her home with objects, unable to distinguish between the value of things. Meanwhile, her Asian-Australian grandson travels to China for the first time, wary of the revelations that the trip might offer, as he tries to make sense of his own Chinese and Anglo-Australian background. In Guangzhou, Kaiping, Shanghai, and Beijing, amidst the incessant construction and consumption of twenty-first-century China, a shadowy heritage reveals and withholds itself, while the suburbs he knows from back home are threaded into the cities he visits, forming an intricately braided Chinese-Australian inheritance.' (Publication Summary)Artarmon : Giramondo Publishing , 2017
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