AustLit
Latest Issues
AbstractHistoryArchive Description
'Abandoned in a big city at the onset of winter, a hungry four-year-old boy follows a stray dog to her lair. There in the rich smelly darkness, in the rub of hair, claws and teeth, he joins four puppies suckling at their mother's teats. And so begins Romochka's life as a dog.
Weak and hairless, with his useless nose and blunt little teeth, Romochka is ashamed of what a poor dog he makes. But learning how to be something else...that's a skill a human can master. Fortunately - because one day Romochka will have to learn how to be a boy.' (Publisher's Blurb)
Notes
-
Dedication: For Philip Waldron
-
Reading Group Guide available through the Text Publishing website.
Contents
-
Introduction,
essay
'We are a lonely species, dwelling on an isolated ridge; aspiring to be with gods, resigned to living with animals.
'We live with animals in many ways, in a blend of fact and fiction. A number of them, livestock, the chickens and cows of the world, we exploit mercilessly in their millions, milking them, killing them, stealing their eggs. This happens furtively, in industrial slaughterhouses and dairies that don’t advertise themselves, to animals that we keep in scrupulous anonymity.' (Publication summary)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Braille.
- Sound recording.
Works about this Work
-
The “Unimaginable Border” and Bare Life in Eva Hornung’s Dog Boy
2019
single work
criticism
— Appears in: The Journal of Commonwealth Literature , June vol. 54 no. 2 2019; (p. 243–256) 'This article offers a consideration of the figure of the feral child in Australian writer Eva Hornung’s Dog Boy(2009), a novel based on stories circulating in the media about children raised by dogs in post-perestroika Russia. The book was praised for its exploration of the liminal space occupied by its protagonist, Romochka, the ecocritical potential in the idea of ferality, and its grimly realistic portrayal of both Romochka’s privations and the comfort offered by the company and loyalty of dogs. I read the novel less optimistically, through Giorgio Agamben’s conception of “bare life” and the metaphorical instrument of its production, the anthropological machine as described in The Open: Man and Animal. Romochka is excluded from political life and from legal protection, yet is subject to state intervention. Further, I argue that the novel is engaged in Australian and international debates about people excluded from political life and from the protection of the law, such as the homeless and refugees, who are nonetheless exposed to state power and surveillance.'(Publication abstract)
-
What I’m Reading
2018
single work
column
— Appears in: Meanjin Online 2018; -
Introduction
2016
essay
— Appears in: Dog Boy 2016;'We are a lonely species, dwelling on an isolated ridge; aspiring to be with gods, resigned to living with animals.
'We live with animals in many ways, in a blend of fact and fiction. A number of them, livestock, the chickens and cows of the world, we exploit mercilessly in their millions, milking them, killing them, stealing their eggs. This happens furtively, in industrial slaughterhouses and dairies that don’t advertise themselves, to animals that we keep in scrupulous anonymity.' (Publication summary)
-
The Silver Age of Fiction
2011
single work
criticism
— Appears in: Meanjin , Summer vol. 70 no. 4 2011; (p. 110-115)‘In human reckoning, Golden Ages are always already in the past. The Greek poet Hesiod, in Works and Days, posited Five Ages of Mankind: Golden, Silver, Bronze, Heroic and Iron (Ovid made do with four). Writing in the Romantic period, Thomas Love Peacock (author of such now almost forgotten novels as Nightmare Abbey, 1818) defined The Four Ages of Poetry (1820) in which their order was Iron, Gold, Silver and Bronze. To the Golden Age, in their archaic greatness, belonged Homer and Aeschylus. The Silver Age, following it, was less original, but nevertheless 'the age of civilised life'. The main issue of Peacock's thesis was the famous response that he elicited from his friend Shelley - Defence of Poetry (1821).’ (Publication abstract)
-
Fully Formed
2011
single work
criticism
— Appears in: The Weekend Australian , 23 - 24 April 2011; (p. 506) To mark the thirtieth anniversary of The Australian / Vogel award, Rosemary Neill surveys the highs and lows of a prize that has launched the careers of many leading writers.
-
Animal Instinct and a Boy's Best Friend
2009
single work
review
— Appears in: The Weekend Australian , 14-15 March 2009; (p. 11)
— Review of Dog Boy 2009 single work novel -
A Wild Child's Beauty as a Beast
2009
single work
review
— Appears in: The Age , 14 March 2009; (p. 23)
— Review of Dog Boy 2009 single work novel -
It's a Dog-Eat-Dog World
2009
single work
review
— Appears in: Herald Sun , 14 March 2009; (p. 24)
— Review of Dog Boy 2009 single work novel -
In Search of Society
2009
single work
review
— Appears in: The Courier-Mail , 14 - 15 March 2009; (p. 23)
— Review of Dog Boy 2009 single work novel -
Well Read
2009
single work
review
— Appears in: The Advertiser , 14 March 2009; (p. 24)
— Review of Dog Boy 2009 single work novel -
Child of the Pack
2009
single work
column
— Appears in: The Canberra Times , 28 February 2009; (p. 11,16) -
The Comfort of Creatures
2009
single work
column
— Appears in: The Age , 28 February 2009; (p. 20-21) The Sydney Morning Herald , 28 February - 1 March 2009; (p. 30-31) -
Twists on a Classic Theme
2009
single work
column
— Appears in: The Advertiser , 7 March 2009; (p. 29) -
My Family and Other Animals
2009
single work
column
— Appears in: The Advertiser , 28 March 2009; (p. 15-17) -
Dog's Eye View : Sophie Cunningham Talks to Eva Hornung about Her Latest Novel, Dog Boy
Sophie Cunningham
(interviewer),
2009
single work
interview
— Appears in: Meanjin , Summer vol. 68 no. 4 2009; (p. 170-179)
Awards
- 2010 winner Prime Minister's Literary Awards — Fiction
- 2010 shortlisted Australian Book Industry Awards (ABIA) — Australian Literary Fiction Book of the Year
- 2010 shortlisted ASAL Awards — ALS Gold Medal
- 2009 shortlisted Victorian Premier's Literary Awards — The Vance Palmer Prize for Fiction