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Lauren is a beautiful Indigenous Australian fashion designer whose label, Jindalee Lady, is an elite fashion house. Her philandering husband David neglects her constantly, however. His constant absence mixed with suave flirtation trap her in their one-sided, painful relationship until she walks in on him cheating with one of her star models. Disgusted, disillusioned and angry, she flies into the arms of a handsome, steadfast lover of Aboriginal decent and decides to start her life anew. As she manages her business with a new lover beside her, Lauren finds herself questioning whether she can find happiness in her new life without David or whether she might be lured again to his destructive charms? With numerous references to Lauren's ancestral heritage, Jindalee Lady paints a story of Aboriginal men and women fighting for respect and success in modern society.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Penny Smallacombe : It’s 2018 and It’s OUR TIME
2018
single work
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— Appears in: FilmInk , 10 August 2018; - y Media Ethics, An Aboriginal Film and the Australian Film Commission New York (City) : Writers Club Press , 2002 Z1636961 2002 single work criticism 'Media Ethics, An Aboriginal Film and the Australian Film Commission details the development, pre production and marketing of aboriginal director Brian Syron's feature film, Jindalee Lady , the first Australian feature film to be directed by an Aboriginal and, according to Russell Mulvaney, Coordinator 1992 Dreamspeakers International Dilm Festival of First Nations, the first feature film ever to be directed by a First Nations director.' Source: Publisher's blurb
- y Media Ethics, An Aboriginal Film and the Australian Film Commission New York (City) : Writers Club Press , 2002 Z1636961 2002 single work criticism 'Media Ethics, An Aboriginal Film and the Australian Film Commission details the development, pre production and marketing of aboriginal director Brian Syron's feature film, Jindalee Lady , the first Australian feature film to be directed by an Aboriginal and, according to Russell Mulvaney, Coordinator 1992 Dreamspeakers International Dilm Festival of First Nations, the first feature film ever to be directed by a First Nations director.' Source: Publisher's blurb
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Penny Smallacombe : It’s 2018 and It’s OUR TIME
2018
single work
column
— Appears in: FilmInk , 10 August 2018;