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y separately published work icon The Betrayal single work   novel   crime  
Issue Details: First known date: 2012... 2012 The Betrayal
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AbstractHistoryArchive Description

'Tasmania is in the grip of one of the longest, bleakest winters on record and it's particularly icy at the Hobart Police Station. Of the many golden rules in policing, one is especially sacred: what happens at work stays at work.

'So when a naive young constable, Lucy Howard, makes an allegation of sexual assault against a respected colleague, the rule is well and truly broken.

'Soon the station is divided. From Lucy's fellow rookies right up to the commissioner himself - everyone must take a side. With grudges, prejudices and hidden agendas coming into play, support arrives from the unlikeliest of corners.

'But so too does betrayal ...' (From the publisher's website.)

Notes

  • Dedication: For Sam.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Other Formats

Works about this Work

The Corporeal Female Body in Literary Rape–Revenge : Shame, Violence, and Scriptotherapy Lili Paquet , 2018 single work criticism
— Appears in: Australian Feminist Studies , vol. 33 no. 97 2018; (p. 384-399)

'This article evaluates rape–revenge narratives in literature, asking how written scenes of rape and revenge depict female bodies without relying on visual representations that replicate evidence-based investigations of the crime. It then examines how authors and readers may seek scriptotherapy through rape–revenge literature, both fiction and memoir. It takes up Elizabeth Grosz's theories of corporeal feminism, feminist criticism on rape–revenge by scholars such as Tara Roeder and criticism on scriptotherapy. Primary texts discussed include novels and memoirs by Barbara Wilson, Y. A. Erskine, Tara Moss, and Alice Sebold. The article positions the rape–revenge narrative through the prism of therapeutic reading and writing, and compares it to the current public responses to sexual assault in Australia. The article determines that rape–revenge narratives in literature are more nuanced than their filmic counterparts. Furthermore, it concludes that memoir can only act therapeutically in a one-on-one sense and has no greater public service to the treatment of rape victims, and is, therefore, no more therapeutic than rape–revenge fantasies.' (Publication abstract)

Untitled Shelley Orchard , 2012 single work review
— Appears in: The Advertiser , 26 May 2012; (p. 20)

— Review of The Betrayal Y. A. Erskine , 2012 single work novel
Across the Grim Divides Sue Turnbull , 2012 single work review
— Appears in: The Sydney Morning Herald , 23-24 June 2012; (p. 34)

— Review of Silent Valley Malla Nunn , 2012 single work novel ; The Betrayal Y. A. Erskine , 2012 single work novel
Prose, Cons and Misdeeds Scott Murray , 2012 single work review
— Appears in: The Saturday Age , 9 June 2012; (p. 30-31)

— Review of In Her Blood Annie Hauxwell , 2012 single work novel ; Silent Valley Malla Nunn , 2012 single work novel ; After the Darkness Honey Brown , 2012 single work novel ; The Betrayal Y. A. Erskine , 2012 single work novel
Prose, Cons and Misdeeds Scott Murray , 2012 single work review
— Appears in: The Saturday Age , 9 June 2012; (p. 30-31)

— Review of In Her Blood Annie Hauxwell , 2012 single work novel ; Silent Valley Malla Nunn , 2012 single work novel ; After the Darkness Honey Brown , 2012 single work novel ; The Betrayal Y. A. Erskine , 2012 single work novel
Across the Grim Divides Sue Turnbull , 2012 single work review
— Appears in: The Sydney Morning Herald , 23-24 June 2012; (p. 34)

— Review of Silent Valley Malla Nunn , 2012 single work novel ; The Betrayal Y. A. Erskine , 2012 single work novel
Untitled Shelley Orchard , 2012 single work review
— Appears in: The Advertiser , 26 May 2012; (p. 20)

— Review of The Betrayal Y. A. Erskine , 2012 single work novel
The Corporeal Female Body in Literary Rape–Revenge : Shame, Violence, and Scriptotherapy Lili Paquet , 2018 single work criticism
— Appears in: Australian Feminist Studies , vol. 33 no. 97 2018; (p. 384-399)

'This article evaluates rape–revenge narratives in literature, asking how written scenes of rape and revenge depict female bodies without relying on visual representations that replicate evidence-based investigations of the crime. It then examines how authors and readers may seek scriptotherapy through rape–revenge literature, both fiction and memoir. It takes up Elizabeth Grosz's theories of corporeal feminism, feminist criticism on rape–revenge by scholars such as Tara Roeder and criticism on scriptotherapy. Primary texts discussed include novels and memoirs by Barbara Wilson, Y. A. Erskine, Tara Moss, and Alice Sebold. The article positions the rape–revenge narrative through the prism of therapeutic reading and writing, and compares it to the current public responses to sexual assault in Australia. The article determines that rape–revenge narratives in literature are more nuanced than their filmic counterparts. Furthermore, it concludes that memoir can only act therapeutically in a one-on-one sense and has no greater public service to the treatment of rape victims, and is, therefore, no more therapeutic than rape–revenge fantasies.' (Publication abstract)

Last amended 19 Feb 2020 16:28:57
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