AustLit logo

AustLit

Irish and Australian Historical Fiction single work   criticism  
Issue Details: First known date: 2012... 2012 Irish and Australian Historical Fiction
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'In recent years, in both Australia and Ireland, prominent authors have offered fictional reconsiderations of periods crucial to national consciousness and definition. In Australia, for example, Kate Grenville's work has generated considerable debate about the use of history in fiction, and about the responsibility of the fiction writer to accurately or authentically represent historical events, persons and periods. The project of recovering history and thereby uncovering the nation's past sins can also be identified in other contemporary novels by authors such as Gail Jones and Larissa Behrendt. In Ireland, Roddy Doyle, Joseph O'Connor and Sebastian Barry have been at the forefront of this historical analysis and deployment...' (From author's introduction, 187)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Exhuming Passions : The Pressure of the Past in Ireland and Australia Katie Holmes (editor), Stuart Ward (editor), Dublin : Irish Academic Press , 2011 Z1841728 2011 anthology criticism

    Exhuming Passions is a collection of essays by leading Australian and Irish scholars about how the past is remembered and contested in these two countries that are often singled out because of their bitterly disputed remembrance.

    Each chapter addresses a different topical issue such as how war is commemorated - particularly the changing national myths surrounding Anzac Day and the Easter Rising; government apologies for harms done by previous generations - to the Stolen Generations and state apologies for institutional and religious child sexual abuse.

    The book also discusses how the past is constructed in film and literature - Irish and Australian historical fiction, the changing cinematic representations of Irish religions, how the colonial past is represented in Australian cinema, as well as the changing urban culture of Canberra and Dublin. [From the publisher's website]

    Nedlands : UWA Publishing , 2012
    pg. 187-206
Last amended 31 May 2012 14:43:33
187-206 Irish and Australian Historical Fictionsmall AustLit logo
Subjects:
Newspapers:
    Powered by Trove
    X