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'Alex Miller began publishing his novels in 1988 at the end of a period of
intense debate in literary circles about the ethics of representation, a debate
informed by feminism, multiculturalism and postcolonialism. Put crudely, the
debate was about whether white, male writers from first-world countries, the
dominant literary players up to this point, should continue to have open
slather in writing about their others, i.e. those who were not white or male,
now that these others were at last finding their voices and writing back.
In Australia, the debate was particularly focused on the question of white writers' representation of Aboriginals. Indeed, in 1979 I was told, after giving a conference paper on colonial poems about Aboriginals, that I was lucky there were no Aboriginals in the audience. But in feminist circles male appropriation of female voices was also a major issue. Although a total ban on representations of others would clearly have meant the end of fiction as we know it, these debates did draw attention to the stereotyped representations of women, Aboriginals, Chinese and other 'others' found in much earlier Australian writing.
When I first read Alex Miller, soon after The Ancestor Game was published in 1992, I was struck by the unusual empathy shown here for his female characters and their predicaments, as well as by his insightful depictions of people from other cultures. These have continued to be hallmarks of his fiction, with representations of 'otherness' also extending to animals, especially in The Tivington Nott and Landscape of Farewell. My paper, however, will have as its focus The Ancestor Game, Conditions of Faith and Lovesong.' (Author's abstract)
In Australia, the debate was particularly focused on the question of white writers' representation of Aboriginals. Indeed, in 1979 I was told, after giving a conference paper on colonial poems about Aboriginals, that I was lucky there were no Aboriginals in the audience. But in feminist circles male appropriation of female voices was also a major issue. Although a total ban on representations of others would clearly have meant the end of fiction as we know it, these debates did draw attention to the stereotyped representations of women, Aboriginals, Chinese and other 'others' found in much earlier Australian writing.
When I first read Alex Miller, soon after The Ancestor Game was published in 1992, I was struck by the unusual empathy shown here for his female characters and their predicaments, as well as by his insightful depictions of people from other cultures. These have continued to be hallmarks of his fiction, with representations of 'otherness' also extending to animals, especially in The Tivington Nott and Landscape of Farewell. My paper, however, will have as its focus The Ancestor Game, Conditions of Faith and Lovesong.' (Author's abstract)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 11 Jul 2012 13:15:59
114-124
Representing ‘the Other’ in the Fiction of Alex Miller
Subjects:
- The Ancestor Game 1992 single work novel
- The Tivington Nott 1989 single work novel
- Conditions of Faith 2000 single work novel
- Lovesong 2009 single work novel
- The Yellow Lady : Australian Impressions of Asia 1992 single work criticism
- Chasing My Tale 1993 single work criticism
- The Solitariness of Alex Miller 2004 single work criticism
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