'To win, you just need to believe in the rules. And Tessa loves to win, even when defending clients accused of sexual assault. Her court-ordained duty trumps her feminism. But when she finds herself on the other side of the bar, Tessa is forced into the shadows of doubt she’s so ruthlessly cast over other women.
'Winner of the 2018 Griffin Award, Prima Facie is an indictment of the Australian legal system’s failure to provide reliable pathways to justice for women in rape, sexual assault or harassment cases. It’s a work of fiction, but one that could have been ripped from the headlines of any paper, any day of the week, so common you could cry.
'Turning Sydney’s courts of law into a different kind of stage, Suzie Miller’s (Sunset Strip, Caress/Ache) taut, rapid-fire and gripping one-woman show exposes the shortcomings of a patriarchal justice system where it’s her word against his.
'Maybe we need a new system.'
Source: Griffin Theatre Company.
'The spirits you carry, they carry you too.
'Twelve-year-old Celeste arrives in China to scatter Mother’s ashes, but in no time flat is thrust into a world of magic and adventure. Celeste’s grandmother has carried on the family tradition of ghost catching, and it turns out Celeste has a knack for the hairraising pursuit too.' (Production summary)
'Early evening. Autumn 1954. In a house beside the Nepean River a young woman is crying. Iris is chopping onions while Leo cooks the wild mushrooms he picked that morning. Iris is growing up at the foot of the Blue Mountains. Leo is making a new life for himself after fleeing war-ravaged Europe.
'Yellow Yellow Sometimes Blue is the story of Iris and Leo. They’re two outsiders peeking in at a world of money, power and gossip as they prepare canapés and cocktails for a debaucherous gathering of Sydney’s cultural elite. Tracing the roots of Sydney’s early Modernist thinking, it is performed by Adam Booth and Kate Worsley, designed by Katja Handt and features the live music of cellist Me-Lee Hay. It’s a 60ish minute story of surviving and thriving as an outsider looking in.'
Source: Joan Sutherland Performing Arts Centre.
'A great Australian novel. A landmark theatre event. A portrait of Sydney as it once was.
'The world premieres of The Harp in the South: Part One and The Harp in the South: Part Two are designed to be enjoyed as one unforgettable, epic theatrical experience.
'This major new work is one of the most ambitious productions STC has ever created. Celebrated playwright Kate Mulvany has adapted novelist Ruth Park’s revered Australian trilogy – Missus, The Harp in the South and Poor Man’s Orange – and spread these beloved stories across two equally ambitious plays.
'The two parts stand alone, but together they offer over five hours of monumental, exuberant theatre. It’s a moving family saga and a celebration of Sydney in all its funny, gritty glory.'
Source: Publisher's blurb.
'In Angela Betzien's play The Hum, a photojournalist sits in an airport toilet cubicle and contemplates taking her life with a pair of shoelaces. As the final boarding call is announced for Flight 404 to Singapore, she leaves the cubicle, shoelaces in hand, and rushes to gate Number 24. She settles in her seat but there is trouble on board, and take-off is delayed. Finally, the plane is in the air and the journey begins. Or does it? For soon it becomes clear that this is not an ordinary journey. Is it real or is it a dream? Are we seeing the last visions of a woman soon to be dead?'
Source: University of Wollogong (https://lha.uow.edu.au/taem/performances/UOW231684.html). (Sighted: 29/06/2018)