'Quicksilver begins on a quiet day in contemplation of a lizard deep in the heart of the outback but quickly moves to the Russia of Tolstoy and Gorky, and on to other lands and times, bringing into play universal questions about the essential nature of the human condition.'
'Rothwell’s chief subject is always the inland: the mystic Kurangara cult that flourished in the Kimberley; the story of the Western Desert artists, their works and their eventual fate; the tracks across the wilderness of Colonel Warburton and George Grey; the bush dreams and intuitions of D. H. Lawrence and the landscape word-portraits by the great biographer of nature Eric Rolls.'
'In Quicksilver Rothwell masterfully takes us in search of the sacred through place and time, in an enchanting reverie of calm wondering.' (Source: Text Publishing website)
'Meticulously using contemporary newspaper reports, court records, published memoirs, private letters and diaries, Michael Wilding tells the story of three troubled geniuses of Australian writing and their world of poetry and poverty, alcohol and opiates, horse-racing and theatre, journalism and publishing. Gordon shot himself, unable to pay the printer of his poems; Kendall ended up in a mental hospital after forging a cheque, and Clarke died bankrupt for a second time.' (Publication summary)
'This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.
'Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?
'This biography follows that journey - through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain - and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati thanda-Lake Eyre.
'From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant - whose life has been defined by an absolute need to paint.' (Publication summary)
'Two literary lives defined by storytelling and secrets
'As her mother Joan lies dying, Gabrielle Carey writes a letter to Joan’s childhood friend, the reclusive novelist Randolph Stow. This letter sets in motion a literary pilgrimage that reveals long-buried family secrets. Like her mother, Stow had grown up in Western Australia. After early literary success and a Miles Franklin Award win in 1958 for his novel To the Islands, he left for England and a life of self-imposed exile.
'Living most of her life on the east coast, Gabrielle was also estranged from her family’s west Australian roots, but never questioned why. A devoted fan of Stow’s writing, she becomes fascinated by his connection with her extended family, but before she can meet him he dies. With only a few pieces of correspondence to guide her, Gabrielle embarks on a journey from the red-dirt landscape of Western Australia to the English seaside town of Harwich in a quest to understand her family’s past and Stow’s place in it.
'Moving Among Strangers is a celebration of one of Australia’s most enigmatic and visionary writers.'With Helen Trinca's Madeleine: A Life of Madeleine St John.
'Two years after artist Rod Moss arrived in Alice Springs to teach painting, he met an Indigenous couple who had set up camp in the gully beside his flat. Over the next twenty-five years, his friendship with Xavier and Petrina Neil and the friendships that grew from it with the families of Whitegate, an Arrernte camp on the outskirts of town, would nourish and challenge Moss beyond his imagining.
'The Hard Light of Day offers a rare insight into the reality of life in the Centre, from the contours of the MacDonnell Ranges and the textures and sounds of Arrernte culture, to the endemic violence, alcoholism and ill-health that continue to devastate Aboriginal lives. In recalling the relationships and experiences that have shaped his life and work in Alice Springs, Moss reveals the human face behind the statistics and celebrates the enriching, transformative power of friendship.
'Illustrated with Moss's evocative paintings and photographs, The Hard Light of Day is an incredible journey into a world never shown in the mainstream media, and an artist's chronicle of the moments that have inspired him.' (From the publisher's website.)
'[This] is a pioneering account of the transnational production of whiteness in the late nineteenth and early twentieth centuries. A work remarkable both for its international breadth and for its sensitivity to local particularity, it is a model for the new global history.
Marilyn Lake and Henry Reynolds expertly and imaginatively reconstruct how leading white intellectuals and politicians in Australia, South Africa, the United States, and Great Britain fought demands for racial equality and jointly invented new doctrines of racial superiority to justify the maintenance and, in some cases, the reinvigoration of white privilege in every part of the world that Britain either controlled or in which it had once deposited its settlers.
A powerful and sobering history, incisively and elegantly told.' Gary Gerstle, author of American Crucible: Race and Nation in the Twentieth Century
We are happy... see this page