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Children's Fiction
Subcategory of Prime Minister's Literary Awards
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Notes

  • The Prime Minister's Award for Children's Fiction was first offered in 2010.

Latest Winners / Recipients

Year: 2020

winner y separately published work icon Cooee Mittigar : A Story on Darug Songlines Jasmine Seymour , Leanne Mulgo Watson (illustrator), Broome : Magabala Books , 2019 17278352 2019 single work picture book

'Cooee Mittigar, meaning Come Here Friend, is an invitation to yana (walk), on Darug Country.  In this stunning picture book, Darug creators Jasmine Seymour and Leanne Mulgo Watson tell a story on Darug Songlines, introducing children and adults-alike to Darug Nura (Country) and language.

'Greeted by Mulgo, the black swan, readers are welcomed to Nura. Journeying through the seasons, Mulgo describes the land, skyscape, birds, animals and totems. It is a gentle guide to how Darug people read the seasons, knowing when it is time to hunt and time to rest. It is also an appeal to remember, off ering new ways of seeing and reading the lands of the surrounding Sydney region.   

'With Darug language interspersed with English and an extensive glossary throughout, Cooee Mittigar presents an important tool for learning, told as a tender story with exquisite illustrations. It is Jasmine and Leanne’s wish that with this book, everyone will know that the Darug mob are still here and still strong.'

Source: Publisher's blurb.

Year: 2019

winner y separately published work icon His Name Was Walter Emily Rodda , Sydney South : HarperCollins Australia , 2018 13534394 2018 single work children's fiction children's

'While on a history excursion, an ill-assorted group of four kids and their teacher are left on a country road when their minibus breaks down. At the suggestion of a friendly tow-truck driver, the five take shelter in a nearby old, deserted mansion. There they find a little old desk with a secret drawer. Inside the drawer is a book containing a handwritten story and a series of vivid, strangely lifelike paintings. The book is called His Name Was Walter.

'The story begins: 'Once upon a time, in a dark city far away, there lived a boy called Walter, who had nothing but his name to call his own.' And so begins the tale of Walter - his lonely childhood, his flight from the haunted streets of the city, his discovery of Magda the witch, his quest to find Magda's lost daughter, and his meeting with the love of his life, the mysterious, tragic girl he calls Sparrow.

'As the night closes in around them and the story of Walter and Sparrow unfolds, the kids read it avidly.. Slowly the outer and inner stories begin to mesh. Slowly the story of Walter draws the five members of the group together. And in the end every one of the five plays a vital role in the uncovering of the truth.'

Source: Publilsher's blurb.

Year: 2018

winner y separately published work icon Pea Pod Lullaby Glenda Millard , Stephen Michael King (illustrator), Crows Nest : Allen and Unwin , 2017 11535325 2017 single work picture book children's

'Words sing over the pictures in this evocative story: a beautiful lullaby about what we can be for each other. A mother and baby, a boy and a dog run for their lives. A little boat carries them across the sea. A polar bear, too, has come adrift. When will they find land? Who will welcome them in? An inspiring and timely story of courage, endurance and hope . . . for a world in which we can reach out and embrace one another.'

Source: Publisher's burb.

Year: 2017

joint winner y separately published work icon Home in the Rain Bob Graham , Bob Graham (illustrator), London : Walker Books [London] , 2016 10216550 2016 single work picture book children's

'From multi-award winning author-illustrator Bob Graham comes a tender, touching story of family life, perfect for sharing when a new baby is on the way. Francie and her mum, who is expecting a baby girl, are driving home from Grandma's in the heavy rain. When they're still far from home, they stop for a picnic. And as the car steams up, Francie presses her little finger on the window, spelling out "Daddy" and "Mummy" and leaving one space free, ready and waiting for the name of her soon-to-be sister... A beautifully observed celebration of the way inspiration can, and often does happen in the most ordinary and unlikely of places. ' (Publication summary)

joint winner y separately published work icon Dragonfly Song Wendy Orr , Crows Nest : Allen and Unwin , 2016 9510660 2016 single work children's fiction children's

'Abandoned by the priestess of the island at birth, Aissa is an outcast, surviving by her wits - until she joins the acrobatic bull dancers who are sent away to compete on the island of the Bull King. A gripping and powerful adventure by acclaimed author Wendy Orr.

'There are two ways of looking at Aissa's story. She's the miracle girl who escaped the raiders. Or she's the cursed child who called the Bull King's ship to the island.

'The firstborn daughter of a priestess is cast out as a baby, and after raiders kill her adopted family, she is abandoned at the gates of the Great Hall, anonymous and mute. Called No-Name, the cursed child, she is raised a slave, and not until she is twelve does she learn her name is Aissa: the dragonfly.

'Now every year the Bull King takes a tribute from the island: two thirteen-year-old children to brave the bloody bull dances in his royal court. None have ever returned - but for Aissa it is the only escape.

'Aissa is resilient, resourceful, and fast - but to survive the bull ring, she will have to learn the mystery of her true nature.

'A riveting, mythic Bronze Age adventure from award-winning author Wendy Orr.' (Publication summary)

Year: 2016

winner y separately published work icon Sister Heart Sally Morgan , Fremantle : Fremantle Press , 2015 8818427 2015 single work children's fiction (taught in 1 units)

'A young Aboriginal girl is taken from the north of Australia and sent to an institution in the distant south. There, she slowly makes a new life for herself and, in the face of tragedy, finds strength in new friendships. Poignantly told from the child’s perspective, Sister Heart affirms the power of family and kinship.' (Publication summary)

Works About this Award

y separately published work icon The Hanging Garden by Patrick White : Notes Kay Perry , Victoria : Centre for Adult Education , 2013 Z1933348 2013 single work criticism
Into the Woods Kath Dolan , 2013-2012 single work column
— Appears in: The Sydney Morning Herald , 23-24 March 2013; (p. 6-7) The Saturday Age , 23 March 2013; (p. 14)
'Children have always relished gruesome tales, from the Brothers Grimm to Roald Dahl. Leading authors tell Kath Dolan what terrifies them – and why scary stories hold lessons for us all.'
Pascoe's Book Takes PM's Award 2013 single work column
— Appears in: Koori Mail , 28 August no. 558 2013; (p. 12)
Deciphering Nature's Message Stick Max Whitten , 2012 single work criticism
— Appears in: Meanjin , Winter vol. 71 no. 2 2012; (p. 30-38)
The gum-tree stands by the spring
I peeled its splitting bark
And found the written track
Of a life I could not read.

- Judith Wright

'Judith Wright was inspired to pen these words, intrigued by Nature's enigmatic graffiti on our smooth-barked gum trees. These scribbles have puzzled biologists and bush walkers up and down Australia's south-eastern seaboard for generations.' (Author's introduction)
Animating Child Activism : Environmentalism and Class Politics in Ghibli's Princess Mononoke (1997) and Fox's Fern Gully (1992) Michael J. Smith , Elizabeth Parsons , 2012 single work criticism
— Appears in: Continuum : Journal of Media & Cultural Studies , vol. 26 no. 1 2012; (p. 25-37)
'Informed by ecocriticism, this article conducts a comparative examination of two contemporary animated children's films, Princess Mononoke (1997) and Fern Gully (1992). While both films advocate for the prevention of deforestation, they are, to varying degrees, antithetical to environmentalism. Both films reject the principles of deep ecology in displacing responsibility for environmental destruction on to 'supernatural' forces and exhibit anthropocentric concern for the survival of humans. We argue that these films constitute divergent methodological approaches for environmental consciousness-raising in children's entertainment. The western world production demonstrates marked conservatism in its depiction of identity politics and 'cute' feminization of nature, while Hayao Miyazaki's film renders nature sublime and invokes complex socio-cultural differences. Against FernGully's 'othering' of working-class and queer characters, we posit that Princess Mononoke is decidedly queer, anti-binary and ideologically bi-partisan and, in accord with the underlying principle of environmental justice, asks child audiences to consider compassion for the poor in association with care for nature.' (Author's abstract)
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