The National Biography Award was established in 1996 to encourage the highest standards of writing biography and autobiography and to promote public interest in these genres.
The award is administered and presented by the State Library of New South Wales on behalf of the award's benefactors, Dr Geoffrey Cains and Mr Michael Crouch AO.
The winner of the National Biography Award receives prize money for a published work of biographical or autobiographical writing. Shortlisted authors also receive a sum of money.
Source: http://www.sl.nsw.gov.au/about/awards/national_biography/ Sighted: 29/11/2013.
'Following the News of the World phone-hacking scandal, Rupert Murdoch said his greatest regret was that he had let his father down. Popular history views Sir Keith Murdoch (1885–1952) as a fearless war correspondent – author of the famous letter that led to the evacuation of the Anzac force from Gallipoli – and a principled journalist and dedicated family man who, on his death, left a single provincial newspaper to Rupert. This benign reputation is unsurprising: the two previously published biographies of Keith were Murdoch family commissions.
But is there another side to the story of Keith’s success and the origins of News Corporation?
With controversial revelations – of forgotten fiancées, First World War propaganda operations, the promotion of eugenics, and the sensationalising of a schoolgirl’s murder leading to the execution of an innocent man – Before Rupert is an unflinching prequel to the saga of the Murdoch family’s rise to power, and details how Keith Murdoch ruthlessly exploited his influence and networks to gain control over Australia’s media and political landscape. (Publication summary)
'Daniel Mannix, Archbishop of Melbourne from 1917 until his death, aged ninety-nine, in 1963, was a towering figure in Melbourne's Catholic community. But his political interventions had a profound effect on the wider Australian nation too.
'Award-winning biographer Brenda Niall has made some unexpected discoveries in Irish and Australian archives which overturn some widely held views. She also draws on her own memories of meeting and interviewing Mannix to get to the essence of this man of contradictions, controversies and mystery.
'Mannix is not only an astonishing new look at a remarkable life, but a fascinating depiction of Melbourne in the first half last century.' (Publication summary)
'The Sentimental Bloke and Doreen are famous characters in Australian popular culture, but their creator deserves to be better known. C.J. Dennis transformed the larrikin from a street thug into a respectable image of Australian identity, and helped shape the Anzac legend.
Many people regarded Dennis himself as a sentimental bloke, but this book shows he was a much more complex and sometimes darker personality - not only examining his humorous and lovable side, but also his struggles with alcohol and depression, his political activism, his marriage and his financial dealings.
An Unsentimental Bloke traces Dennis's early years in rural South Australia, his work on a bohemian newspaper in Adelaide and move to Melbourne as a freelancer for the Bulletin, his period of political involvement, followed by enormous successes (he was more popular than Banjo Paterson or Henry Lawson ever were), spectacular fall, and re-emergence as an elder statesman of Australian letters.' (Publisher's website)
'They shared a name, of course, and their physical resemblance was startling. And both Frank Thrings were huge figures in the landscape of twentieth-century Australian theatre and film.
'But in many ways they could hardly have been more different. Frank Thring the father (1882-1936) began his career as a sideshow conjuror, and he wheeled, dealed and occasionally married his way into becoming the legendary "F.T." — impresario, speculator and owner of Efftee Films, Australia's first 'talkies' studio. He built for himself an image of grand patriarchal respectability, a sizeable fortune, and all the makings of a dynasty.
'Frank Thring the son (1926-1994) squandered the fortune and derailed the dynasty in the course of creating his own persona — a unique presence that could make most stages and foyers seem small. He won fame playing tyrants in togas in Hollywood blockbusters, then, suddenly, came home to Melbourne to play perhaps his finest role — that of Frank Thring, actor and personality extraordinaire. Central to this role was that Frank the son was unapologetically and outrageously gay.
'Peter Fitzpatrick's compelling dual biography tells the story of two remarkable characters. It's a kind of detective story, following the lives of two men who did all they could to cover their tracks, and to conceal "the self": Frank the father used secrecy and sleight-of-hand as strategies for self-protection; Frank the son masked a thoroughly reclusive personality with flamboyant self-parody. It's also the tale of a lost relationship — and of the power a father may have had, even over a son who hardly knew him.' (From the publisher's website.)
'The Many Worlds of R.H. Mathews is about the life and work of the renowned 19th century surveyor turned ethnologist, R. H. Mathews, whose studies of Aboriginal Australia were path-breaking and quite controversial. His childhood in Goulburn meant that he grew up with Aboriginal children as playmates, so when he began his obsession with documenting Aboriginal life, he came to his subject with fond familiarity, not the freakshow interest that spurred many of the English anthropologists of the time, especially Baldwin Spencer, who went out of his way to discredit Mathews' work, especially after his death.
'Largely due to this conspiracy, Mathews has been a reasonably unknown figure in early anthropology, but his legacy and work have been reassessed and he is emerging as one of our most important documentors of Aboriginal language, legends and mythology. So important, in fact, that it is his legacy of papers, interpretations and documents, held largely in the National Library of Australia, that is being used by contemporary Aboriginal people to rejuvenate their culture.
'Martin's approach to his subject is not conventional biography, but something more ambitious and unusual, and one perfectly tuned to the revelations it contains.' (From the publisher's website.)
'On 23 May 1912, American Walter Burley Griffin was announced to the world as the winner of the international design competition for the new Australian capital to be built on a sheep paddock they called Canberra. Almost a century later, Griffin's design - but most of all its implementation - is still hotly debated. Who was this man and what was his vision? How did he come to Canberra, what happened once the Australian establishment tore him to shreds, and what was the role of his wife, helpmate, fellow architect and equal creative partner, Marion Mahony Griffin?
'In this definitive new biography of Griffin husband and wife, Alasdair McGregor delineates the role each played in the production of their greatest works - Canberra, Castlecrag, Newman College and the rest - and charts their lives, from their childhoods and meeting in Chicago in the employ of the larger than life Frank Lloyd Wright, to their battles in Canberra, Melbourne and Sydney, and their swansong in India.
'This is a tale of many parts. It traces the lives of two individuals of great talent and vision and their fight against mediocrity. It is the story of the birth of Canberra, one that tells us as much about the Griffins as it does about ourselves and the troubled birth of the Australian national identity. It is a portrait of a pioneering woman who achieved extraordinary things but was rarely credited with that achievement. And it is an examination of the nature of fame in a young country uncertain of its position in the world.
'The Griffins' story resonates through the years, and their fight to see their idealistic vision realised is one that goes on in Australia today.' (From the publisher's website.)
'Manning Clark was one of the most influential Australian intellectuals of the last half century. His political pronouncements were often highly provocative and his sweeping judgements, dire denunciations and oracular prophecies infuriated conservatives and made him a controversial figure.
'His most enduring legacy, however, was his magisterial six-volume History of Australia. In it he reshaped the now familiar story of our nation's modern evolution; from the First Fleet's arrival, the convicts, the rum rebellion, gold, the sheep's back, Federation, and the glorious defeat at Gallipoli, up to the nation emerging from the Great Depression and on the threshold of a new world war. Within the dramatic narrative, which he envisaged as an epic, are highly original and insightful portraits of its great men with their tragic flaws: Phillip, Macquarie, Burke and Wills, Bligh, Wentworth, and above all Henry Lawson.
'But behind this ambitious work - with its more than a million words and twenty-five, long slogging years of research and scholarship - was a man as flawed as the historical figures he was presenting, figures in whose personalities and life events he often saw himself dauntingly mirrored. He was wracked with self-doubt, and dogged by fears of failure and personal weakness, he craved forgiveness for the betrayals that stalked and threatened his marriage to Dymphna, and wrestled with an elusive Christ in whom he longed to have a secure faith. Behind the signature broad hat and the stern unsmiling visage was a tortured man.
'That is the complex, enigmatic and thoroughly enthralling Clark who emerges in this remarkable biography by Brian Matthews, whose previous acclaimed memoir of Louise [sic] Lawson was judged to be both ground breaking and revolutionary. Manning Clark: A Life draws a compelling portrait of the great historian, who attracted both critics and acolytes alike in equal number. Both sides can expect to be astounded and captivated.' (Publisher's blurb)
'Melba: the story of an Australian girl who defied convention and became the most famous singer of her era.
'Growing up in Melbourne, Nellie Mitchell dreamed of fame, but her devout father disapproved. As a young wife and mother on the Queensland cane-fields, her longing for an exciting life intensified. Travelling to London and Paris, she trusted in her musical talent and hoped for a lucky break.
'Within a few years, reborn as Nellie Melba, she was performing to overflowing concert halls, hobnobbing with European royalty and collaborating with some of the most renowned composers of the age. Audiences swooned over the "heavenly pleasures" of her voice, while the public showed an insatiable appetite for news of her sometimes passionate private life. Feted and chastised by critics, pursued by the press and mobbed by fans, Dame Nellie Melba was Australia's first international superstar.
'In this important biography, enhanced by new research, Ann Blainey captures the exuberance, controversy and pathos of Melba's remarkable career.' (Publisher's blurb)
'A group of men…chanting with the enthusiasm that made them forget age & weakness & becoming young again in spirit…the rising and falling of the chant melody, like the breathing that gives us life – what an unforgettable scene!’ Thus wrote T. G. H. Strehlow in 1935, as he began his life work, Songs of Central Australia, acclaimed as one of the great books of world literature. Prize-winning poet and historian, Barry Hill, with exclusive access to Strehlow’s diaries, has written a major work about the troubled man who grew up on the Hermannsburg mission, became the first Patrol Officer of Central Australia, called himself the ‘last of the Aranda’, and compulsively collected secret-sacred objects and images. Broken Song straddles a century of Australian history, from the race wars on the frontier to the modern era of Aboriginal land rights, tracking Strehlow’s creative and tragic life in translation.' (Source: Reading Australia website)
A bold, fresh biography of the world's first modern painter As presented with "blood and bone and sinew" (Times Literary Supplement) by Peter Robb, Caravaggio's wild and tempestuous life was a provocation to a culture in a state of siege. The of the sixteenth century was marked by the Inquisition and Counter-Reformation, a background of ideological cold war against which, despite all odds and at great cost to their creators, brilliant feats of art and science were achieved. No artist captured the dark, violent spirit of the time better than Caravaggio, variously known as Marisi, Moriggia, Merigi, and sometimes, simply M. As art critic Robert Hughes has said, "There was art before him and art after him, and they were not the same."Caravaggio threw out Renaissance dogma to paint with dazzling originality and fierce vitality, qualities that are echoed in Robb's prose. As with Caravaggio's art, M arrests and susps time to reveal what the author calls "the theater of the partly seen." Caravaggio's wild persona leaps through these pages like quicksilver; in Robb's skilled hands, he is an immensely attractive character with an astonishing connection to the glories and brutalities of life. (Library of Congress/Publisher link)
'Snake Cradle is the first volume of Roberta Sykes's three volume autobiography, Snake Dreaming. Snake Cradle chronicles the early years of one of Australia's best known activists for Aboriginal rights, from the time of her birth in Townsville in the 1940s through to the birth of her son when she was 17, and the trial of the men who raped her.
Roberta's voice is strong and true as she describes far north Queensland of the time, her battles with a series of childhood illnesses, and her growing awareness that hers was not an ordinary Australian childhood. Born to a white mother and a father whose identity she did not know, her passion and commitment to the struggles of the Aboriginal people was shaped by the racism her dark skin invoked. A powerful and moving autobiography about a history that must never be forgotten.' (Allen and Unwin)
The autobiography of the author who survived the ghetto in Lodz, Poland, the death camp Auschwitz-Birkenau where his parents died, and also of surviving the camps of Althammer, Dora and Bergen-Belsen. This book is the memorial to his parents and to his brother who also did not survive, and to the other victims of the Holocaust.
We are happy... see this page