'In Apocrypha, Peter Boyle retrieves the luminous classical landscape that is the birthplace of Western civilisation and the Western psyche. Setting out to find the discarded or forbidden parts of this landscape, his search brings to light a forgotten but distinctly classical undercurrent of animism, of a piece, in its intellectual lucidity and precision, with classical science and philosophy. In the retrieved fragments of William O'Shaunessy's "translations", the outer world of poplars, ibis, windmills, commerce and political vagary interflows seamlessly with inner worlds of sorrow, anguish, love and loss to create a sparkling wholeness of meaning and matter that seems utterly lost to the West today. In a way that perhaps only a poet can, however, Boyle shows that this wholeness can be now, as it always was, our own.' - Freya Matthews
Source: Vagabond Press website, http://www.vagabondpress.net/
'David Malouf's brilliant collection of poems begins with a memory of new love - with 'grace unasked for, urgencies that boom under the pocket of a shirt' - and ends in the intimate territory of the long-familiar where there is no need for words. This volume is marked by an astonishing breadth of intelligence and erudition, yet steps lightly among the objects of our lives and the wonder of everyday replenishments. Everywhere the poems affirm the mystical delights of music, angels and fields where 'first to gather are the starlings in unquiet flocks. Then quietly, the stars'.'
Source: Publisher's blurb.
'Anything the Landlord Touches was Emma Lew's second collection to be published in Australia, where it was published by Giramondo of Newcastle, NSW, in 2002. The book won the C.J. Dennis Prize for Poetry (the Victorian State Premier's award for poetry), and the Judith Wright Calanthe Award (the Queensland Premier's Prize for Poetry), two of the main literary prizes in the country, and was also short-listed for The Age award and the NSW and South Australian Premier’s Literary Prizes. Her first collection, The Wild Reply (Black Pepper Press, 1997) won The Age award. Emma Lew's poetry is marked by the pungency of her language and the dramatic intensity of her poems, often couched in the form of estranged monologues. Her lines can sometimes seem disconnected, but the pile-up of effects works like a montage, and the skewed observations circle their subject, searching for the core reality at the heart of the poem. This book is published in the UK and the USA by arrangement with Giramondo Publishing.' (Publication summary)
'Centred on Australian suburbia in the 60s, 70s and 80s The Lovemakers explores the inner and outer tensions of families, friendships and society whilst charting the sleaze, mayhem and humanity that go to make a nation's life. Taking the triangle of Barb, her husband Roger and her lover Neil for its emotional heart the work then explodes into the lives of Kevin the heroin czar, Stubbsy the entrepreneur, Gibbo the comedian and Sophie, Hannah and Carrie, three women each set on making her way in the world. Meanwhile, through a life and times consumed by melodrama and farce, money and nothing, ambles Kim Lacey — drug importer, merchant banker, a two-faced charmer forever on the approximate make.'
Source: Publisher's blurb.
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