AustLit logo

AustLit

Hannah Ianniello Hannah Ianniello i(10422909 works by)
Gender: Female
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 Justine Ettler, Bohemia Beach Hannah Ianniello , 2018 single work review
— Appears in: Long Paddock , December vol. 78 no. 3 2018;
— Review of Bohemia Beach Justine Ettler , 2018 single work novel 'Justine Ettler’s Bohemia Beach negotiates the mind of Catherine Bell, an acclaimed concert pianist, as she comes to terms with her alcoholism, trauma and obsessive nature. Written entirely in first person, we shift time and place as the narrative reveals not only posttraumatic stress disorder (PTSD), but inherited trauma and self-inflicted trauma within the character. Along the way Ettler taps into her previously established reputation for gritty, urgent and impulsive writing, leaving the reader writhing in discomfort as Catherine falls again and again.'  (Introduction)
1 Of Michael Sala, The Restorer Hannah Ianniello , 2018 single work review
— Appears in: Long Paddock , vol. 77 no. 3 2018;
— Review of The Restorer Michael Sala , 2017 single work novel

'Michael Sala’s The Restorer weaves together the experiences of a family attempting to restore its balance following a year of separation from Roy: the husband, father, and threatening patriarch of the household. The novel is full of doublings – layers of attempted restorations and new beginnings, patterns of relationships and the potential for repeated violence and tremors.'  (Introduction)
1 An Isolated Incident by Emily Maguire Hannah Ianniello , 2016 single work review
— Appears in: Long Paddock , vol. 76 no. 1 2016;
— Review of An Isolated Incident Emily Maguire , 2016 single work novel
1 Swing Hannah Ianniello , 2016 single work
— Appears in: Southerly , August vol. 76 no. 1 2016; (p. 39-50) 'Chester cried when Sue left, slow burning tears. He clung to her shoulders but she lifted his arms from where they weighed heavily on her. With a nervous breath, she let go of his wrists, letting them fall to his sides, limp. A shadow around her eyes told him she was afraid.' (Publication abstract)
X