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Madison Griffiths Madison Griffiths i(12230851 works by)
Gender: Female
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Works By

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1 It Goes, I Had a Dream I Was Your Hero i "Call her dude, pass dude the spiff,", Madison Griffiths , 2020 single work poetry
— Appears in: Going Down Swinging Online 2020;
1 Find a Homophobe, Ask Her How It Tastes i "This love has no name, but it:", Madison Griffiths , 2020 single work poetry
— Appears in: Going Down Swinging Online 2020;
1 Elena Gomez, Admit the Joyous Passion of Revolt Madison Griffiths , 2020 single work review
— Appears in: The Saturday Paper , 12-18 December 2020;

— Review of Admit the Joyous Passion of Revolt Elena Gomez , 2020 selected work poetry

'What does collective action look like at the end of the world? Who will prepare the meals for those hungry for sustenance and liberation? In Admit the Joyous Passion of Revolt, her second full-length collection, Elena Gomez demands her readers consider what the body needs as it resists its own oppression. A glorious retort to late-stage capitalism and all the ways it distracts us, this collection spins together a bleak map of what it means to exist today, while forcing us to consider all the parts of ourselves we have already offered to a system that yearns for our surrender.' (Publication summary)

1 What I’m Reading Madison Griffiths , 2019 single work column
— Appears in: Meanjin Online 2019;
1 Piercing Holes in Women : Reclaiming My Own Flesh and Blood in Shopping Mall Chemists Madison Griffiths , 2018 single work essay
— Appears in: Voiceworks , Winter no. 112 2018; (p. 101-105)

'The first time I altered my body was in 2006, when my mother smeared hot wax onto my brow ridge. In retrospect, the two of us didn't know enough about the liquid fabric, the way it would fasten itself to skin, clinging desperately to every last strand of hair. I was 12, and - embarrassingly enough - could hardly tell the time, let alone understand the mechanics of hot wax. My mother was born with no eyebrows or eyelashes, which practically rendered her useless when it came to hair removal practices. Naturally, the wax-strip poked fun at our naivety and took my entire eyebrow hostage, damning me to a three-month eyebrow-less sentence. I was an insecure preteen enjoying the tail end of primary school with half of her face stripped bare.'  (Publication abstract)

1 Open Persons Madison Griffiths , 2018 single work autobiography
— Appears in: Kill Your Darlings [Online] , January 2018;

'Nicole politely offered me a swig. Her friends were as handsome as I imagined.

'Afterwards, she quivered beside me outside until my bus arrived. Our breath danced in front of us in the dark, in the cold – just trying to keep up.

'‘You’ll be fine. We’re in Denmark!’ she laughed, waving goodbye as I staggered up the burnished stairs of the empty bus. No WiFi, no SIM card; just a fleeting woman in a pair of laced-up dress shoes, gazing out a window at not much at all. Female, tan, early twenties, slender-build. Travelling alone in a time zone eight hours behind her mother’s. Last seen in a vacant bus after midnight, somewhere just north of Copenhagen.' (Introduction)

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