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Gazebo Books Gazebo Books i(14733113 works by) (Organisation) assertion
Born: Established: 2016 Sydney, New South Wales, ;
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1 y separately published work icon The Village is Quiet Patrick Hartigan , Elizabeth Bay : Gazebo Books , 2021 23061623 2021 single work autobiography

'Patrick Hartigan’s tableaux of a Slovak village, where his wife Lenka was born, draw us into the simple and sensory lives of a grandpa, grandma, Linda the dog and the villagers who go about their business. Hartigan chronicles the family relationships and rituals from the viewpoint of an outsider and yet the care he brings to these observations makes them feel like cherished heirlooms. The Village is Quiet is an exquisite collection of stories where strangeness and intimacy transport us into another world.'

Source : publisher's blurb

1 y separately published work icon Love Marriage in Kabul : A Memoir Sanaz Fotouhi , Elizabeth Bay : Gazebo Books , 2020 21065885 2020 single work autobiography

'In 2006, Sanaz Fotouhi, a young woman in her twenties, travels to Afghanistan with her partner to make a film.

'Seven years and four trips later their feature documentary Love Marriage in Kabul wins awards and the hearts of audiences in Australia and around the world.

'Love Marriage in Kabul: A Memoir is the behind-the-scenes account of the hardships and heartaches, tears and joys of the seemingly impossible project of making a film in Afghanistan. It is the story of a young woman’s determination to confront her fears to provide an insight into the hidden world of Afghanistan’s widows and orphans.

'With rare compassion and lucidity, Sanaz Fotouhi chronicles her inner struggles and external events and leads us to interrogate our own notion of humanity.'

Source: Publisher's blurb.

1 y separately published work icon Offcuts Patrick Hartigan , Sydney : Gazebo Books , 2019 16673944 2019 single work autobiography

'Artist Patrick Hartigan recalls the weeks leading to his father’s death and his daughter’s birth. The people he meets, the places he visits, even the objects he touches for a moment, take on a radiance usually seen in artworks we admire. Part visual memoir, part meditation on the colours and contours of life’s events, Offcuts reveals the substance of seemingly mundane moments. With stylistic precision and unreserved sincerity, Hartigan has created a work of art akin to Knausgaard’s My Struggle, with the difference that he has distilled his raw material.'

Source: Publisher's blurb.

1 y separately published work icon Lost Words Xavier Hennekinne , Sydney : Gazebo Books , 2019 16673647 2019 selected work short story

'In the micro stories of Lost Words, Xavier Hennekinne’s narrator takes us on a reflective journey from his entranced yet perplexed youth in France to sleepless nights as a contemporary parent. This compelling voyage through time and mood is accompanied by images by Phil Day. Just as the prose entwines us in its subtle recurring rhythms, the prints and drawings are never literal, taking ordinary objects but revealing their sinuous shapes out of dark and suggestive structures.'

Source: Publisher's blurb.

2 8 y separately published work icon Screw Loose : Uncalled-For Memoirs Peter Blazey , Sydney : Picador , 1997 Z146977 1997 single work autobiography
1 y separately published work icon The Lovers Catherine Rey , Elizabeth Bay : Gazebo Books , 2018 14733394 2018 single work novel

'The Lovers is an arresting tale, a mystery with a slow burn tension, which revolves around the disappearance of Lucie Bruyère. The novel unveils the truth about her charismatic yet subtly controlling partner, the world-famous artist Ernest Renfield. The suspenseful story, both police investigation and multi-voiced Rashomon, ends in a dramatic and powerful illumination.'

Source: Publisher's blurb.

1 2 y separately published work icon Jungle Without Water and Other Stories Sreedhevi Iyer , United Kingdom (UK) : Jetstone Publishers , 2017 14733285 2017 selected work short story

'This debut short story collection from an Australian author delves into the shifting boundaries and human displacement of our era. Of Indian-Malaysian background, Sreedhevi Iyer is adept at locating tensions within her own diaspora while also casting a forensic eye on Australian social and cultural attitudes. A teacher of creative writing at RMIT and the University of Melbourne, Iyer has a gift for radiant prose, but also an astonishing range of voices, from simple riffs on backyard suburbia to the magic realism of a narrative told by a “divine” coconut. Her sharp wit and sense of irony keep stories of refugees, inter-racial tension and human prejudice profoundly in our sights.'

Source: Publisher's blurb (Gazebo Books).

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