AustLit logo

AustLit

Joel Bray Joel Bray i(15463285 works by)
Gender: Male
Heritage: Aboriginal ; Aboriginal Wiradjuri ; Scottish ; English
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 2 Daddy Joel Bray , 2019 single work drama

'Joel Bray has made quite a name for himself inviting strangers into his hotel room for Biladurang. A solo dance cabaret drawing on the creation story of the platypus and his own complicated identity – Blak, white, queer – Joel’s hilarious and bittersweet show won Melbourne Fringe’s Best Performance Award. Since then, he’s been busy performing at major festivals across the country.

'In this YIRRAMBOI World Premiere, Joel is back, and he’s got ‘daddy’ issues. His cravings for father figures and paternal connection – from candy-coated childhood innocence to saccharine queer adulthood – leave him consumed with desire and wanting more. The sugar fixes leave cavities, gnawing away at him. Featuring Joel’s trademarks of disarming humour, dance and unexpected audience participation, Daddy is a confessional laced with lollipop-psychology and the sugar crash of post-colonisation.' (Production summary)

1 1 Biladurang Joel Bray , 2017 single work drama

'A dark, funny and intimate solo work by dancer, choreographer and proud Wiradjuri man Joel Bray, performed for an up-close, bathrobe-clad audience in a hotel room.

'Inspired by a period of upheaval in his life, and loosely based on the Dreamtime story of the Biladurang – the platypus – the winner of Best Performance at the 2017 Melbourne Fringe is a sexy, tender and affectingly autobiographical piece of dance-theatre about heritage, identity and yearning for home.

'As a gay man meeting middle-age, a dancer toiling at the peak of his powers and a Wiradjuri man with ties to Israel and country Australia, Bray took a long look at his life and wondered, “Who am I?” In Biladurang, he chases his demons and goes soul-searching in the neutral space of the hotel room, inspiring audience members to chat, drink and dance together as he weaves his story across every part of the room.'   (Production summary)

X