AustLit

'James Bradley’s Ghost Species arrives at a time when fiction seems outpaced by the speed with which we humans are changing the planet. Alarmingly, such writerly speculation has been realised during Australia’s tragic summer, when the future finally bore down on us. And there are few writers of climate fiction – or ‘cli-fi’, the term coined by activist blogger Dan Bloom and popularised in a tweet by Margaret Atwood – who so delicately straddle the conceptual divide between present and future as Bradley.' (Introduction)

'The paper argues that contemporary climate fiction is a subgenre of sf rather than a distinct and separate genre for two main reasons: first, because its texts and practitioners relate primarily to the sf “selective tradition”; and, second, because its texts and practitioners articulate a “structure of feeling” that accords centrality to science and technology, in this case normally climate science. Not only is “cli-fi” best understood as sf, it also has a much longer history than is commonly allowed, one that arguably stretches back to antiquity. The paper distinguishes between texts in which extreme climate change is represented as anthropogenic and those where it is represented as theogenic, geogenic, or xenogenic;it also provides a brief sketch of the (pre-)history of stories of anthropogenic, xenogenic, and geogenic extreme climate change.'

Source: Abstract.