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Best Australian TV Drama Series
Subcategory of Logie Awards
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History

First awarded in 1962, after Australian began producing its own television dramas.

Latest Winners / Recipients

Year: 1965

winner form y separately published work icon Homicide Sonia Borg , Vince Moran , Phil Freedman , Luis Bayonas , Everett de Roche , Peter A. Kinloch , Ted Roberts , Roger Simpson , Charles E. Stamp , Margaret Kelly , Colin Eggleston , James Wulf Simmonds , Keith Hetherington , Michael Harvey , Cliff Green , Patrick Edgeworth , James East , John Drew , John Dingwall , Alan Cram , Ian Cameron , John Bragg , David William Boutland , Jock Blair , Don Battye , Fred Parsons , David Minter , Monte Miller , Ron McLean , George Mallaby , Ian Jones , Maurice Hurst , Barry Hill , Max Sims , Keith Thompson , David Stevens , Amanda Spry , Peter Schreck , Martin Robbins , Della Foss Pascoe , Bruce Wishart , ( dir. Bruce Ross-Smith et. al. )agent Melbourne : Crawford Productions , 1964-1975 Z1813076 1964 series - publisher film/TV crime detective

Running for twelve years and a total of 510 episodes, Homicide was a seminal Australian police-procedural program, set in the homicide squad of the Victoria Police. According to Don Storey in his Classic Australian Television, it represented a turning point for Australian television, prompting the development of local productions over the purchase of relatively inexpensive American dramas. Indeed, Storey quotes Hector Crawford as saying that his production company intended three outcomes from Homicide: demonstrating that it was possible to make a high-quality local drama series, counteracting criticism of local performers, and showing that Australian audiences would watch Australian-made dramas.

As Moran notes in his Guide to Australian TV Series, the program adopted a narrative structure focusing on crime, detection, and capture, rather than on character studies of the lead detectives. The early episodes were produced by a small crew (Storey notes that the crew was frequently limited to four people: cameraman, grip, director, and assistant director), requiring some degree of ingenuity to achieve a polished result (including, in some cases, the actors performing their own stunts). However, the program received extensive support from the Victoria Police (who recognised, in its positive portrayal of police officers, a valuable public-relations exercise) and, as its popularity grew, from the public.

The program's cast changed extensively over its twelve years on the air, though it remained focused on a small group of male detectives, with the inclusion of irregular characters such as Policewoman Helen Hopgood (played by Derani Scarr), written on an as-required basis to reflect the involvement of women in the police force. In Moran's words, 'The other star of Homicide was the location film work. These ordinary, everyday familiar urban locations were what gave the series a gritty realism and familiarised audiences with the shock of recognition at seeing themselves and their milieus on air'.

Year: 1962

winner form y separately published work icon Consider Your Verdict Douglas Tainsh , Enid Johns , Sonia Borg , Phil Freedman , John Ormiston Reid , Terry Stapleton , Rosalie Stephenson , Osmar E. White , Edward Wright , Graeme Richard Wicks , Mary Underhill , ( dir. John Dixon ) Melbourne : Crawford Productions , 1961 Z1813000 1961 series - publisher film/TV crime

Consider Your Verdict was a television adaptation of Crawford Productions' radio programme of the same name, which (according to Storey at Classic Australian Television) ran from 18 August 1958 to 1960, for a total of 312 episodes. Soon after the radio program ceased, Crawfords began developing Consider Your Verdict as a television program.

As they had with the radio version, Crawfords made a number of production decisions aimed at increasing the apparent authenticity of the program. According to Storey, these included consulting legal professionals (including the Crown Law Department, Victoria Police, and Melbourne University's Department of Law), limiting the actors playing witnesses to a brief overview of the script and requiring them to ad-lib their lines (resulting in an authentically hesitant delivery style), and occasionally casting actual legal professionals in roles (notably homicide detective Gordon Timmins and Eugene Gorman QC). The intention was to suggest that audiences were watching a broadcast of an actual trial; in keeping with this illusion, as Moran notes in his Guide to Australian TV Series, the program carried no production credits.

The majority of the cases were criminal cases (primarily murder), though the program did present some civil cases. Inexpensive to produce, the program occasionally suffered from the suggestion that it adhered rather too closely to legal process, rendering episodes slower and less dramatic than they might otherwise have been.

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