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Jan Alber (International) assertion Jan Alber i(7250336 works by)
Gender: Male
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Works By

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1 Towards Resilience and Playfulness : The Negotiation of Indigenous Australian Identities in Twentieth-century Aboriginal Narratives Jan Alber , 2016 single work criticism
— Appears in: European Journal of English Studies , vol. 20 no. 3 2016; (p. 292-309)

'This article looks at the ideological ramifications of the narrative strategies that twentieth-century Aboriginal prose texts use to negotiate indigenous Australian identities. The central thesis is that after a period during which narratives by Aboriginal authors by necessity followed the form of the life histories to detail the actual experiences of oppression under the British settlers and past Australian governments, more recent indigenous Australian narratives are expressive of a regained confidence in playfully asserting Aboriginal identities. One can observe three developments in indigenous Australian narratives of the late twentieth century. First, the mode of fiction gradually increases its prevalence. Second, there has been a movement away from reports of what the colonisers did to indigenous Australians towards the foregrounding of more rebellious Aboriginal characters. Third, one can detect a significant increase in playfulness in narratives by indigenous Australian authors.' (Publication abstract)

1 y separately published work icon A Poetics of Unnatural Narrative Jan Alber (editor), Henrik Skov Nielsen (editor), Brian Richardson (editor), Columbus : Ohio University Press , 2013 7250364 2013 anthology criticism

'This text offers a collection of foundational essays introducing the reader to the full scope of unnatural narrative theory: its meaning, its goals, its extent, its paradoxes. This book brings together a distinguished group of international critics, scholars, and historians that includes several of the world's leading narrative theorists. Together, they survey many basic areas of narrative studies from an unnatural perspective: story, time, space, voice, minds, narrative levels, realism, nonfiction, hyperfiction, and narrative poetry. Rarely have these fundamental concepts been subjected to such an original and thoroughgoing reconceptualization. Much of the book is directed toward an investigation of experimental and antirealist work. Each essay focuses on texts and episodes that narrative theory has tended to neglect, and each provides theoretical formulations that are commensurate with such exceptional, albeit neglected, works. This book articulates and delineates the newest and most radical movement in narrative studies. ' (Publication summary)

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