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Clare Monagle Clare Monagle i(9278647 works by)
Gender: Female
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Works By

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1 [Review] The Bible in Australia : A Cultural History Clare Monagle , 2019 single work review
— Appears in: Australian Historical Studies , vol. 50 no. 3 2019; (p. 398-399)

— Review of The Bible in Australia : A Cultural History Meredith Lake , 2018 multi chapter work criticism

'The Bible in Australia does a wonderful job of revealing the ubiquity of the Christian Bible in Australian history. Meredith Lake moves dextrously between temporal and geographical interactions with the biblical text. She understands the text read and worshipped by ‘bible-bashers’, but she also notices and taxonomises the scriptural references that infuse ostensibly secular cultural products, such as a Nick Cave song or a Tim Winton novel. That Lake’s book begins with the image of Koby Abberton emerging from the surf at Maroubra with the words ‘My brother’s keeper’ tattooed across his chest, tells us much about the range and the remit of this book. This is not a history of exegesis or of religious institutions. It is the history of the uses to which the Christian Bible has been put in the making of Australia. And she argues that ‘The Bible still gets under Australian skin’ (3).' (Introduction)

1 2 y separately published work icon Small Screens : Essays on Contemporary Australian Television Michelle Arrow (editor), Jeannine Baker (editor), Clare Monagle (editor), Clayton : Monash University Publishing , 2016 9466669 2016 anthology criticism

'There has been a lot happening on Australia’s small screens. Neighbours turned 30. Struggle Street was accused of poverty porn. Pete evangelised Paleo. Gina got litigious. Netflix muscled in. The Bachelor spawned The Bachelorette. Peter Allen’s maraccas were exhumed. The Labor Party ate itself. Anzac was an anti-climax. And so much more...

'Join us as we survey the Australian televisual landscape, and try to make sense of the myriad changes transforming what and how we watch. We’ve come a long way since Bruce Gyngell welcomed us to television in 1956. We now watch on demand and wherever we want, in our lounge rooms and on our devices.

'But some things stay the same. The small screen is still a place for imagining Australia, for better or for worse. Small Screens challenges and celebrates our contemporary TV worlds.' (Publication summary)

1 Mad Monks and the Order of the Tin Ear : The Medievalism of Abbott's Australia Louise D'Arcens , Clare Monagle , 2015 single work essay
— Appears in: Meanjin , December vol. 74 no. 4 2015; (p. 106-113)
'The Middle Ages have had a lot of bad publicity lately.' (Abstract)
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