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y separately published work icon Northern Territory Literary Awards 2011 selected work   poetry   prose  
Issue Details: First known date: 2011... 2011 Northern Territory Literary Awards 2011
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Contents

* Contents derived from the Northern Territory,:Northern Territory Government , 2011 version. Please note that other versions/publications may contain different contents. See the Publication Details.
It's Not Black and White : Who Should Be Practically and Affectively Implicated in Reconciliation and Its Textual Discourses, Adelle Barry , single work essay

'Fiction writing is a proliferating vocation in the Northern Territory (NT) and the increasing number of publications by Territory authors is testament to the work of The NT Writers’ Centre to encourage, guide and inspire Territorians to imagine and write. The NT Writers’ Festival, ‘Word Storm’, was held by the NT Writers’ Centre in 2010 and proved to be a highly commendable success which attracted renowned authors such as Arnold Zabel, Germaine Greer and Lionel Fogarty to promote literature, critical debate and cultural production through the Arts. According to audience surveys, however, Northern Territory author, Marie Munkara was voted as the most popular guest writer at the festival for her work, Every Secret Thing (2009). ...'

(p. 93-99) Section: Charles Darwin University Essay Award
A Change of Heart : An Exploration of My Changing Occupational Identity in Central Australia, Jane Leonard , single work essay
'On my daughter’s birth certificate eleven years ago, I noted my occupation as ‘writer’. We were living in inner city Melbourne at the time. Now, as I fill out forms to register her for high school in Alice Springs, where we have lived for over ten years, I write ‘adult educator’ in response to the same question about what I do. While only a simple change of words, this shift in the label I give myself encompasses a much a deeper process of adaptation, development and transition in my personal, educational and career trajectories. ...'
(p. 100-106)
wadjita, John Bodey , single work prose

'The hot desert wind swirled around the group of men sitting in what little shade the acacia bush growing on top of a lofty sandhill afforded, which was precious little. But it wasn’t the shade, nor the tree, that was of consequence; rather, it was a ‘man’s’ site ... Women had their areas, men theirs ... Gullal pointed with his face, his chin, ...'

(p. 107-115) Section: Dymocks Aboriginal and Torres Strait Islander Writers' Award
Poor Phella Countryman We Mob, Joey Flynn , single work prose

'We mob keep wandering around all the time, restless. All the time, nothing much to

do asking everyone for grog money, cigarette money and never mind about tucker.

Sometimes, someone been bring along wallaby or beef. We get full binji (stomach)

then. ...'

(p. 116-117) Section: ymocks Aboriginal and Torres Strait Islander Writers' Award
Visiting the Loved One of My Pasti"I can smell crisp morning dew,", Nicole Gardiner , single work information book (p. 118-119) Section: Dymocks Aboriginal and Torres Strait Islander Writers Award
With Stars in His Eyes, Kierra-Jay Power , single work short story

'Opportunities cling to people like fireflies. '

'Or stars. Or little stringed fairy lights. '

'They are little bright lights that sometimes hover above heads, rest on shoulders or appear like quicksilver sunspots on skin and clothes. He finds that stars and fireflies and spotlights look like opportunities, to him.'

(p. 121-125) Section: Kath Manzie Youth Literary Award
Darkness, laila Bennett , single work short story
'It was impossible to see. Stephanie was unsure whether her eyes were open or closed. All was darkness. Unable to open her mouth to scream, or to speak, she could not move. There was no escape. She tried to pull her arms up; move her legs. No good. ...'
(p. 126) Section: Kath Manzie Youth Literary Award
A Letter for Peace, Stevie Cosentino , single work prose

'Dear Abus of God’s great country, '

'Darling Khalid awoke at seven that fateful day, fifteen minutes later than he usually would. He ran out the door, his teeth not yet brushed, his shoes not yet tied, and breakfast still in his hand. He ran. He made it. He sat in his favourite seat and pressed his face against the bus window as he waved goodbye. Seeing as the school bus is often late to arrive at school, I imagine that day was no different. He would have had to run to his first class to avoid being yelled at by his Miss Jahdeed, as he had done on countless occasions before. ...'

(p. 127-128) Section: Kath Manzie Youth Literary Award
Side Effects of Lovei"'I love you' emailed across the room.", Shannon Nendick , single work poetry (p. 129-130) Section: Kath Manzie Youth Literary Award
The Very Last Picture Show, Sophie Philip , single work short story
'When I died, all of the sound and light of the world that I had lived in, prior to the soft pop of the trigger at my temple, was sucked away like an unplugged bath. For a moment there was silence and no colour, not even black, and I thought to myself Oh. Shit. But then suddenly the sounds and light that make up things raced back into the world, a new one now, and I found myself watching them like a film. God, or Whoever, shows me little snippets of the people on Earth’s lives, that all come together to make one huge puzzle. I’ve seen a million things, all different. I’ve watched men stalk down dark alleyways and I’ve watched women whittle off their thighs on pretend bicycles. The film flickers from one person to the next and, with nothing left to move, all I do is watch. ...'
(p. 131-136) Section: Kath Manzie Youth Literary Award
Her Fingernails Are Claws, Kierra-Jay Power , single work short story
'She paints her nails funny colours – some days a thin black, some days speckled with blue, some days red and thickly coated. She doesn’t say why those particular colours or patterns take her fancy, why sometimes she rides the bus with the varnish still drying. He talks to her in the halls at school, comments, but never asks whatever craze or fad or whim has left her fingernails striped white-black-white or dipped in orange. ...'
(p. 137-138) Section: Kath Manzie Youth Literary Award
I Cannot Have a Lion as a Pet, Kierra-Jay Power , single work short story
'You call my bullshit, test my limits, and scream when I’m wrong. You wield your opinions with unapologetic bluntness, cover yourself in deflection tactics and have the act of kissing and changing the subject down to a fine art. ...'
(p. 139-141) Section: Kath Manzie Youth Literary Award
New Perspective, Kierra-Jay Power , single work information book
'She walks barefoot everywhere, no matter if they are crossing mud or twigs or hot pavement. The heat doesn’t seem to bother her – in fact she basks in it, stretching like a well-fed, lazy cat. The only time he’s ever seen her complain is when they stood in the freezer aisle at the local supermarket, wiggling numb toes against the cold tiles and hissing like the icy gush of air from the freezer was a personal insult. ...'
(p. 142-145) Section: Kath Manzie Youth Literary Award
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