AustLit

'Victorian settler fiction produced in colonial Australia and New Zealand increasingly expressed a search for settler identity, and yet it partly remained targeted at readers “at home,” at the centre of the British Empire. Nineteenth-century novels of daily life in the colonial settlements, therefore, also functioned as fictional maps for readers in Victorian Britain and elsewhere in the expanding empire. While some of these publications explicitly addressed potential emigrants, others endeavoured to reshape Britain’s antipodes in the popular imagination more generally. Australian and New Zealand women writers dismantled clichés involving bush-rangers, gold-diggers, as well as escaped convicts and resented returnees. By drawing on a variety of settler novels by female authors, I aim to track how their fictional maps for readers overseas worked and how these maps shifted in the course of the century. In particular, I focus on the motif of the homecoming and how its reworking in nineteenth-century settler fiction reveals shifting attitudes towards emigration and empire, homemaking and homecoming, old and new homes.'

Source: Abstract.

'This essay analyses Lilian Turner's Three New Chum Girls (1910) to show how settler authors played with colonial clichés as part of a critical reaction to shifting imperialist and nationalist ideologies at the turn of the century. In particular, Turner redefines the derogatory colonial term “new chum”—commonly used to describe a recent emigrant in the settler colonies—to suggest what the welcome of new arrivals ought to be like. Yet if her deliberate reworking of stereotypes consequently contains an element of wish-fulfilment, the narrative also offers a startlingly stark portrayal of settler life. Emigration, Turner contends in the novel, is neither easy nor a solution to problems at home. Nor does settler Australia provide a convenient space for fortune-seeking sojourns. Turner thus dismantles two clusters of common clichés: emigration as a pat ending in fiction and settlers' return to the homeland as an equally expedient plot twist. The self-irony that runs through much of her intertextual rewriting of both metropolitan fiction and male-coded settler writing reveals how emigration and return were being imagined and written about differently in the settler colonies and how Turner was utilising the exposure of false expectations to promote her vision of a welcoming settler community.'

Source: Abstract.

'Colonial domestic literature has been largely overlooked and is due for a reassessment. This essay collection explores attitudes to colonialism, imperialism and race, as well as important developments in girlhood and the concept of the New Woman.'

Source: Publisher's blurb.