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Simone Murray Simone Murray i(A109758 works by)
Gender: Female
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Works By

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1 y separately published work icon The Digital Literary Sphere : Reading, Writing, and Selling Books in the Internet Era Simone Murray , Baltimore : Johns Hopkins University Press , 2018 14756193 2018 multi chapter work criticism

'Reports of the book's death have been greatly exaggerated. Books are flourishing in the Internet era-widely discussed and reviewed in online readers' forums and publicized through book trailers and author blog tours. But over the past twenty-five years, digital media platforms have undeniably transformed book culture. Since Amazon's founding in 1994, the whole way in which books are created, marketed, publicized, sold, reviewed, showcased, consumed, and commented upon has changed dramatically. The digital literary sphere is no mere appendage to the world of print-it is where literary reputations are made, movements are born, and readers passionately engage with their favorite works and authors.

'In The Digital Literary Sphere, Simone Murray considers the contemporary book world from multiple viewpoints. By examining reader engagement with the online personas of Margaret Atwood, John Green, Gary Shteyngart, David Foster Wallace, Karl Ove Knausgaard, and even Jonathan Franzen, among others, Murray reveals the dynamic interrelationship of print and digital technologies.

'Drawing on approaches from literary studies, media and cultural studies, book history, cultural policy, and the digital humanities, this book asks: What is the significance of authors communicating directly to readers via social media? How does digital media reframe the "live" author-reader encounter? And does the growing army of reader-reviewers signal an overdue democratizing of literary culture or the atomizing of cultural authority? In exploring these questions, The Digital Literary Sphere takes stock of epochal changes in the book industry while probing books' and digital media's complex contemporary coexistence.'  (Publication summary)

1 Untitled Simone Murray , 2012 single work review
— Appears in: Reviews in Australian Studies , vol. 6 no. 1 2012; (p. 1-2)

— Review of Resourceful Reading : The New Empiricism, eResearch and Australian Literary Culture 2009 anthology criticism
1 Generating Content: Book Publishing as a Component Media Industry Simone Murray , 2007 single work criticism
— Appears in: Making Books : Contemporary Australian Publishing 2007; (p. 51-67)
1 Case-study : Content Streaming Simone Murray , 2006 single work criticism
— Appears in: Paper Empires : A History of the Book in Australia 1946-2005 2006; (p. 126-131)
'Book publishing increasingly functions as a component of the larger media economy. Multinational media conglomerates with holdings in publishing look to their book divisions as providers of media ‘content'. Digitised content may arise out of a book property and be adapted for use in other, screen-based media such as film, television or computer games. Conversely, content may be incubated in screen formats and repackaged in book versions such as novelisations, film companion titles and tie-in editions. Occasionally the process works in both directions, sometimes simultaneously. In their enthusiasm for acquiring publishing houses, media multinationals are primarily in search of intellectual property in the form of copyright- and trademark-protected content. Once converted into the digital media industries' common binary language, such content becomes repurposable in any of the diverse media plat- forms controlled by the conglomerate.' (Introduction 126)
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