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Roger Hillman Roger Hillman i(A120057 works by)
Gender: Male
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Works By

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1 A Transnational Gallipoli? Roger Hillman , 2011 single work criticism
— Appears in: Australian Humanities Review , November no. 51 2011; 'Roger Hillman's essay adds a transnational dimension to representations of an historical event that has become the preeminent site of national memorialisation. In A Transnational Gallipoli?, Hillman contrasts the masculinist heroics and celebratory nationalism of Peter Weir's iconic film, Gallipoli, and Roger McDonald's 1915, with more recent novels and films produced outside Australia's borders that provide alternative forms of cultural memory. Louis de Bernières' Birds Without Wings and Tolga Örnek's documentary film Gallipoli: The Front Line Experience are significant as texts that 'situate the Gallipoli legend in a transnational rather than a national framework, while providing a fuller understanding of how cultural memory works in relation to the national imaginary'.' (Source: Editor's introduction)
1 Mark Henshaw's Out of the Line of Fire : Australian Text and European Context Roger Hillman , 1995 single work criticism
— Appears in: German-Australian Cultural Relations Since 1945 : Proceedings of the Conference Held at the University of Queensland, Brisbane, from September 20-23, 1994 1995; (p. 208-214)
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