AustLit

Grigor Taylor's first role after leaving the highly rated Matlock Police, Silent Number focuses on Dr Steve Hamilton, a doctor working for the New South Wales Health Department. Hamilton has chosen this path because he couldn't afford to start his own practice, and thought, even before he is seconded to the NSW Police as a police doctor, that this would be more rewarding than work as a GP. This situation causes some tension with his wife, who would rather he worked shorter hours for higher pay in private practice.

According to Don Storey in his Classic Australian Television, Silent Number suffered somewhat from the close attention of censors after early episodes were deemed too violent, which led to the Australian Broadcasting Control Board decreeing that all episodes must be submitted to them for assessment prior to screening. Storey also notes that Silent Number was screened in Melbourne opposite Matlock Police, which seriously damaged its ratings.

Nevertheless, Storey concludes that 'Silent Number was quite a good series. If you allow a certain suspension of disbelief for the premise - real police doctors rarely, if ever, get involved with criminal detection the way Steve Hamilton does - the only valid criticism that could be levelled against it is the "cheap" look that using videotape gives to the interior scenes.'

Moran, in his Guide to Australian TV Series, concurs with this assessment, noting that 'producer Roger Mirams and writer Ron McLean put their heads together to come up with a successful formula for the crime variation. They reasoned that because both medical and police series were popular, a series about a police doctor had to very popular. It wasn't. Again, though, the series is very watchable. Never profound, it does succeed as entertainment.'

Filmed in Australia, Colour Me Dead is a colour re-make of a 1950 American film noir production, D.O.A. (also written by Russell Rouse and Clarence Green, and starring Edmond O'Brien). This re-make had American actors in the lead roles (particularly Tom Tryon as Frank Bigelow), but an Australian supporting cast.

According to Eric Reade,

It centres around a young lawyer (Tom Tryon) who has been mysteriously poisoned and has only two days to discover who adminstered the fatal dose. Australian Tony Ward (now a current affairs commentator) played an excellent role as the villain who figured prominently in a savage fight scene in the hold of a ship, in which he kicked Tryon in the head after he fell. This sequence had been described as excessively violent, and had to be cut. It was this tangle with the censor that had delayed the release of the picture for four months.

(Source: History and Heartburn: The Saga of Australian Film, 1896-1978, Fairleigh Dickinson University Press, 1979, p.167).

New Zealand-born producer Roger Mirams followed his earlier children's television programs The Terrific Adventures of the Terrible Ten and The Magic Boomerang with this ship-based adventure series, which, as Don Storey points out in his Classic Australian Television, was one of 'three Australian half-hour adventure series [that] were set on boats' during the first twenty years of Australian television.

Adventures of the Seaspray followed the adventurers of a widowed journalist who is raising his three children on a schooner in the South Pacific (aided by a Fijian crew member, Willyum).

According to Moran, in his Guide to Australian TV Series, 'The 26 half-hour stories have all the adventure material that children love - haunted islands, rescues, shipwrecked sailors, hidden treasure, smugglers and primitive tribes all filmed in exotic Pacific locations.'

Storey concurs with this analysis, and adds

Seaspray was notable for several achievements, apart from a high standard of production. It was filmed on location in an international setting; it was the first Australian television show to be filmed in colour since the 1955 series The Adventures of Long John Silver (made before Australia had television); it was the first co-production with an overseas company; and it had a Fijian native in a lead role, the first Australian series to give such prominence to a non-white person.