AustLit

'Rachel isn’t the last woman in the world, but she might as well be. Cloistered in her bushland home on Yuin country, in New South Wales, Rachel’s days consist of birdsong, simple meals prepared from a pantry stocked with home-made preserves, and glass-blowing in her private studio – a craft that is both her livelihood and her religion. It’s a peaceful yet precarious existence. The land is scarred by bushfires. Rachel’s senses are attuned to the absence of wallabies and small birds. For all her proficiency with sourdough starter, Rachel isn’t self-sufficient. Her older sister, Monique, provides an emotional tether to the world, while townswoman Mia delivers supplies and transports Rachel’s glassworks to a gallery. When Mia fails to show, Rachel rues the lack of a back-up plan. When Hannah, a young mother, raving about a nation-wide outbreak of death, arrives on her doorstep with a sick infant, luddite Rachel must choose between taking Hannah’s word for it or rejecting her.' (Introduction)

'In a hotel room on a sleepy Pacific island, Judy Novak waits. And worries.

'It isn’t the first time 29-year-old problem child Paulina has kept her mother waiting. But Judy can’t ignore the island’s jagged cliffs and towering pines — or the dread that Paulina has finally acted on her threats to take her own life.

'When Paulina’s body is discovered, Judy’s worst fears seem confirmed. Only, Paulina didn’t kill herself. She was murdered.

'So begins a thorny investigation, wherein every man on the island is a suspect yet none are as maligned as Paulina: the captivating newcomer known for her hard drinking, disastrous relationships, and habit of walking alone.

'But, above all, Paulina is her mother’s daughter. And death won’t stop Judy Novak from fighting for Paulina’s life.'

Source : publisher's blurb

'When William Blake wrote of seeing ‘a World in a Grain of Sand’, he meant the details: their ability to evoke entire universes. So did Aldous Huxley when, experimenting with mescaline, he discovered ‘the miracle … of naked existence’ in a vase of flowers. More recently, Jenny Odell’s bestseller How To Do Nothing: Resisting the attention economy (2019) made a case for rejecting productivity in favour of active attention to the world around us.' (Introduction)

'The morning I may win a life-changing amount of money, I try to look worthy of it. My new dress hangs, tags intact, as I watch the clock in my Park Hyatt bathrobe. Ten minutes pass. I send a Facebook message. No reply. I’ve already deposited $100. If I’m being ghosted, I only have myself to blame. Starving artists shouldn’t waste money on professional hair-and-makeup. Twentynine-year-old women should know how to apply foundation.' (Introduction)

'In an unnamed land under the thrall of a mysterious coup, mountain-dweller Ren wants only to live off the grid, undisturbed by human contact. Ren’s familiarity with the natural world becomes a liability when a band of soldiers comes seeking information that only she can provide: the whereabouts of a fabled bird with the ability to make it rain.' (Introduction)

'In this multi-perspective novel, Mirandi Riwoe trains her piercing postcolonial gaze on Gold Rush-era Australia, lending richness to the lives of the Chinese settlers who are often mere footnotes in our history. Ying and Lai Yue are outsiders before their arrival in Far North Queensland, where they have gone to find their fortunes after their younger siblings are sold into slavery. While Ying struggles with hiding her gender in the male-dominated goldfields, Lai Yue is haunted by his betrothed, Shan – killed in a landslide back in China – and by his failure to protect the family from penury. Meanwhile, in nearby Maytown, a white woman, Meriem, grapples with her exile from respectable society while working as a maid to local sex worker Sophie.' (Introduction)

 (Introduction)

'It’s the summer of 1968, and Evelyn Lynden is a woman at war with herself. Minister’s daughter. Atheist. Independent woman. Frustrated wife. Bitch with a bleeding heart.

'Following her conscientious-objector husband Lenny to the rural Eden of Evergreen Valley, California, Evelyn wants to be happy with their new life. Yet as the world is rocked by warfare and political assassinations, by racial discrimination and social upheaval, she finds herself disillusioned with Lenny’s passive ways — and anxious for a saviour.

'Enter the Reverend Jim Jones, the dynamic leader of a revolutionary church called Peoples Temple. As Evelyn grows closer to Jones, her marriage is just the first casualty of his rise to power.

'Meticulously researched, elegantly written, and utterly engrossing, Beautiful Revolutionary explores the allure of the real-life charismatic leader who would destroy so many. In masterful prose, Woollett painstakingly examines what happens when Evelyn is pulled into Jones’s orbit — an orbit it would prove impossible for her to leave.'

Source: Publisher's blurb.

'A schoolgirl catches the eye of the future leader of Nazi Germany. An aspiring playwright writes to a convicted serial killer, seeking inspiration. A pair of childhood sweethearts reunite to commit rape and murder. A devoted Mormon wife follows her husband into the wilderness after he declares himself a prophet.

'The twelve stories in The Love of a Bad Man imagine the lives of real women, all of whom were the lovers, wives, or mistresses of various ‘bad’ men in history. Beautifully observed, fascinating, and at times horrifying, the stories interrogate power, the nature of obsession, and the lengths some women will go to for the men they love.'

Source: Publisher's blurb.

 (Introduction)