AustLit

'My real name, no one remembers.
The truth about that summer, no one else knows.

'In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor in rural Oxfordshire. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe's life is in ruins.

'Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist's sketchbook containing the drawing of a twin-gabled house on the bend of a river.

'Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets?

'Told by multiple voices across time, The Clockmaker's Daughter is a story of murder, mystery and thievery, of art, love and loss. And flowing through its pages like a river, is the voice of a woman who stands outside time, whose name has been forgotten by history, but who has watched it all unfold: Birdie Bell, the clockmaker's daughter.' (Source: Publisher's blurb)

'The most enchanting debut novel of 2018, this is an irresistible, deeply moving and romantic story of a young girl, daughter of an abusive father, who has to learn the hard way that she can break the patterns of the past, live on her own terms and find her own strength.

'An enchanting and captivating novel, about how our untold stories haunt us - and the stories we tell ourselves in order to survive.

'After her family suffers a tragedy, nine-year-old Alice Hart is forced to leave her idyllic seaside home. She is taken in by her grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak.

'Under the watchful eye of June and the women who run the farm, Alice settles, but grows up increasingly frustrated by how little she knows of her family's story. In her early twenties, Alice's life is thrown into upheaval again when she suffers devastating betrayal and loss. Desperate to outrun grief, Alice flees to the dramatically beautiful central Australian desert. In this otherworldly landscape Alice thinks she has found solace, until she meets a charismatic and ultimately dangerous man.

'Spanning two decades, set between sugar cane fields by the sea, a native Australian flower farm, and a celestial crater in the central desert, The Lost Flowers of Alice Hart follows Alice's unforgettable journey, as she learns that the most powerful story she will ever possess is her own.'

Source: Publisher's blurb.

'An abandoned house…

'After a particularly troubling case, Sadie Sparrow is sent on an enforced break from her job with the Metropolitan Police and retreats to her beloved grandfather’s cottage in Cornwall. There she finds herself at a loose end, until one day she stumbles upon an abandoned house surrounded by overgrown gardens and dense woods, and learns the story of a baby boy who disappeared without a trace.

'A missing child…

'June 1933, and the Edevane family’s country house, Loeanneth, is polished and gleaming, ready for the much-anticipated Midsummer Eve party. For Eleanor, the annual party has always been one of her treasured traditions, but her middle daughter, Alice, sixteen years old and with literary ambitions, is especially excited. Not only has Alice worked out the perfect twist for her novel, she’s also fallen helplessly in love with someone she shouldn’t. But by the time midnight strikes and fireworks light up the night sky, the Edevane family will have suffered a loss so great they leave Loeanneth and never return.

'An unsolved mystery…

'Seventy years later, in the attic writing room of her elegant Hampstead home, the formidable Alice Edevane, leads a life as neatly plotted as the bestselling detective novels she writes. Until a young police detective starts asking questions about her family’s past and seeking to resurrect the complex tangle of secrets Alice has spent her life trying to escape…'

Source: Publisher's blurb.

'Edie Burchill and her mother have never been close, but when a long-lost letter arrives one Sunday afternoon with the return address of Milderhurst Castle, Kent, printed on its envelope, Edie begins to suspect that her mother's emotional distance masks an old secret. Evacuated from London as a thirteen-year-old girl, Edie's mother is chosen by the mysterious Juniper Blythe, and taken to live at Milderhurst Castle with the Blythe family: Juniper, her twin sisters and their father, Raymond, author of the 1918 children's classic The True History of the Mud Man. In the grand and glorious Milderhurst Castle, a new world opens up for Edie's mother. She discovers the joys of books and fantasy and writing, but also, ultimately, the dangers.

Fifty years later, as Edie chases the answers to her mother's riddle, she, too, is drawn to Milderhurst Castle and the eccentric Sisters Blythe. Old ladies now, the three still live together, the twins nursing Juniper, whose abandonment by her fiance in 1941 plunged her into madness. Inside the decaying castle, Edie begins to unravel her mother's past. But there are other secrets hidden in the stones of Milderhurst Castle, and Edie is about to learn more than she expected. The truth of what happened in the distant hours has been waiting a long time for someone to find it.' Source: www.allenandunwin.com/ (Sighted 03/11/2010).

'In Let the Dead Lie, Cooper is a changed man. Forced to resign from his position of Detective Sergeant and re-classified as mixed race, he winds up powerless and alone in the tough coastal city of Durban, mixing labouring with a bit of surveillance work for his old boss, Major van Niekerk.

'Patrolling the freight yards one night, Cooper stumbles upon the body of a young white boy and, the detective in him can not, or will not, walk away. When two more bodies - this time black women - are discovered at his boarding house, he unwittingly becomes the prime suspect in a triple murder case.

'At van Niekerk's behest, Cooper's given 48 hours to clear his name and - unofficially - solve the three murders. And so, temporarily back to being a European Detective Sergeant, he launches headlong into Durban's seedy underworld, a viper's nest of prostitution, drug running and violence run by a colourful cast of characters including wannabe Indian gangsters; a mysterious figure who drives a white De Soto convertible; a Zion Gospel preacher, and the exquisite yet streetwise Lana, who also happens to be van Niekerk's mistress...'