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Born: Established: London,
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England,
c
c
United Kingdom (UK),
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Western Europe, Europe,
;
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Works By

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3 16 y separately published work icon The Gift of Speed Steven Carroll , Pymble : Fourth Estate , 2004 Z1134135 2004 single work novel

'The history of his summer is written in the grass ... In 1960 the West Indies arrive in Australia, bringing with them a carnival of music, colour and possibility. Michael, who is sixteen, is enthralled. If, like his heroes, he has the gift of speed, he will move beyond his suburb into the great world ... And yet, as his summer unfolds, Michael realises that there are other ways to live. When the calypso chorus accompanying Frank Worrell and his team fades, Michael has learnt many things ... about his parents, his suburb, a girl called Kathleen Marsden, and about himself.'

Source: Publisher's blurb.

3 18 y separately published work icon The Art of the Engine Driver Steven Carroll , Pymble : HarperCollins Australia , 2001 Z900860 2001 single work novel (taught in 1 units)

'On a hot summer's night in the 1950s, the old and the new, diesel and steam, town and country all collide - and nobody will be left unaffected.

'As a passenger train leaves Spencer Street Station on its haul to Sydney, a family of three - Vic, Rita and their son Michael - are off to a party. George Bedser has invited the whole neighbourhood to celebrate the engagement of his daughter. Vic is an engine driver, with dreams of being like his hero Paddy Ryan and becoming the master of the smooth ride. As the neighbours walk to the party, we are drawn into the lives of a bully, a drunk, a restless girl and a young boy forced to grow up before he is ready. The Art of the Engine Driver is a luminous and evocative tale of ordinary suburban lives, told with an extraordinary power.'

Source: Publisher's blurb.

14 49 y separately published work icon Jasper Jones Craig Silvey , Crows Nest : Allen and Unwin , 2009 Z1571013 2009 single work novel

'Late on a hot summer night in the tail end of 1965, Charlie Bucktin, a precocious and bookish boy of thirteen, is startled by an urgent knock on the window of his sleep-out. His visitor is Jasper Jones, an outcast in the regional mining town of Corrigan. Rebellious, mixed-race and solitary, Jasper is a distant figure of danger and intrigue for Charlie. So when Jasper begs for his help, Charlie eagerly steals into the night by his side, terribly afraid but desperate to impress.

'Jasper takes him through town and to his secret glade in the bush, and it's here that Charlie bears witness to Jasper's horrible discovery. With his secret like a brick in his belly, Charlie is pushed and pulled by a town closing in on itself in fear and suspicion as he locks horns with his tempestuous mother; falls nervously in love and battles to keep a lid on his zealous best friend, Jeffrey Lu.

'And in vainly attempting to restore the parts that have been shaken loose, Charlie learns to discern the truth from the myth, and why white lies creep like a curse. In the simmering summer where everything changes, Charlie learns why the truth of things is so hard to know, and even harder to hold in his heart.' (Publisher's blurb)

3 33 y separately published work icon The Time We Have Taken Steven Carroll , Pymble : Fourth Estate , 2007 Z1344340 2007 single work novel (taught in 3 units)

'One suburban morning in Summer 1970, Peter van Rijn, proprietor of the television and wireless shop, realises that his suburb is 100 years old. He contacts the Mayor, who assembles a Committee, and celebrations are eagerly planned. That same morning, just a few streets way, Rita is awakened by a dream of her husband's snores. It is years since Vic moved north, and left their house of empty silences, yet his life remains bound up with hers. Their son, too, has moved on - Michael is at university, exploring new ideas and the heady world of grown-up love. Yet Rita still stubbornly stays in the old street, unable to imagine leaving the house she has tended so lovingly for so long. Instead she has taken on the care of another house as well - that of the widowed Mrs Webster, owner of the suburb's landmark factory, now in decline. As these lives entwine, and the Committee commissions its centenary mural and prepares to commemorate Progress, History - in the shape of the new, post-war generation represented by Michael and his friends - is heading straight for them...'

(Source: Publisher's blurb)

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