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Mark Randall Mark Randall i(A151479 works by)
Gender: Male
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2 form y separately published work icon Horrie and Charlie Mark Randall , 1974 (Manuscript version)x402536 Z1938207 1974 single work film/TV crime

The script held in the Crawford Collection in the AFI Research Collection contains the following character notes (excluding regular characters):

'HORRIE ALLEN: Late 30s - mid 40s. A big, innocent, likeable, naive, dunder-pated bear of a man. Loves Nancy, feels responsible for Charlie.

'CHARLIE ALLEN: Late 30s - early 40s. Horrie's younger brother. A smooth-talking, opportunistic, manipulating conman. Not very good at it, but thinks he's smart. Uses Horrie, but cares for him in a rough sort of way. Resents Nancy's interference. A likeable rogue until he takes things too far. Short and slight build unlike his brother. Tries to be the flashy dresser.

'NANCY HOGG: Late 30s - mid 40s. Long-suffering, mothering, but with a sense of humour and quite a bit of spirit. Loves Horrie, but is deeply hurt by what transpires.

'JACK DREWSON: Late 30s - early forties. Slick, good with words, tries to be the well-groomed, erudite, man of business. Really a cheap crook. Like a snake, dangerous when roused.

'AUBREY: A short, tubby man. Thick. Drewson's "muscle".

'RACECALLER: Voice-over only.

'BARMAN:

'LADY: Late 50s. Butch, aggressive.

'DERO: No dialogue.

'TAXI DRIVER: Actual.

'SERVICE STATION ATTENDANT #1: No dialogue.

'SERVICE STATION ATTENDANT #2: Young, obnoxiously eager.'
1 1 form y separately published work icon Division 4 Howard Griffiths , Charles E. Stamp , Douglas Tainsh , Luis Bayonas , Everett de Roche , Gwenda Marsh , Ted Roberts , Roger Simpson , Sonia Borg , Colin Eggleston , Michael Harvey , Phil Freedman , John Dingwall , Jonathan Dawson , Ray Chamula , David William Boutland , Tom Mclennan , Ian Jones , Keith Hetherington , Tom Hegarty , David Stevens , Terry Stapleton , Mark Randall , John Orcsik , Don Battye , ( dir. Gary Conway et. al. )agent Melbourne : Crawford Productions , 1969 Z1814717 1969 series - publisher film/TV detective crime

Division 4, which Don Storey notes in Classic Australian Television was 'the only drama series on Australian television to rival the popularity of Homicide', was created as a vehicle for Gerard Kennedy, who had risen to popularity playing the complicated enemy agent Kragg in spy-show Hunter, after Tony Ward's departure left Hunter's future in doubt.

According to Moran, in his Guide to Australian Television Series:

The series differed from Homicide in being more oriented to the situation and milieu of a suburban police station staffed by a mixture of plainclothes detectives and uniformed policemen. This kind of situation allowed Division 4 to concentrate on a range of crimes, from major ones such as murder to minor ones such as larceny.

Though set in the fictional Melbourne suburb of Yarra Central, 'Sets were constructed that were replicas of the actual St Kilda police station charge counter and CIB room, with an attention to detail that extended to having the same picture hanging on the wall', according to Storey.

Division 4 ended in 1976. Storey adds:

Division 4's axing was a dark day for Australian television, as within months the other two Crawford cop shows on rival networks, Matlock Police and Homicide, were also axed. It was widely believed, and still is, that the cancellation of the three programs was an attempt by the three commercial networks--acting in collusion--to wipe out Crawford Productions, and consequently cripple the local production industry.
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