AustLit

'What is it about English language poetry that has proved so resistant to the lure of the prose poem? The French, it appears, held no such qualms, finding themselves besotted with the form ever since Aloysius Bertrand and Charles Baudelaire began dispensing with line breaks and stanzas. Of course, the very existence of English-language works like Gertrude Stein’s Tender Buttons (1914) or William Carlos Williams’s Kora in Hell (1920) could be used to argue otherwise, but such endeavours were considered too eccentric at the time to impart a lasting legacy. Perhaps if T.S. Eliot, whose antipathy towards the prose poem is well known, had given us a major cycle along the lines of Saint-John Perse’s Anabasis (1924), a work he admired and translated, things might have turned out differently.' (Introduction)

'In 2002, journalist Guy Rundle published a piece devoted to the little-known visit by Argentinian writer Jorge Luis Borges to Melbourne in May 1938. During his ten-day stay, Borges spent time in the domed reading room of the State Library, a place he found ‘awe-inspiring, even overwhelming’. As a long-term reader of Borges, and having spent much of my working life at the Library, I felt elated by this connection. Alas, the story turned out to be a hoax, though not before it circulated widely on the internet. With hindsight, I realise that I – and others – believed it because we wanted to believe that this writer who composed such eloquent stories about books and libraries, and who later held the position as director of the National Library in Buenos Aires, had been awestruck by our library.' (Introduction)