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Melissa Lucashenko Melissa Lucashenko i(A20994 works by)
Born: Established: 1967 Brisbane, Queensland, ;
Gender: Female
Heritage: Aboriginal ; Aboriginal Bundjalung ; Aboriginal Yugambeh / Yugumbir ; Ukrainian
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Details of Works Taught

Text Unit Name Institution Year
y separately published work icon Hard Yards Melissa Lucashenko , St Lucia : University of Queensland Press , 1999 Z509740 1999 single work novel (taught in 1 units)

'Roo Glover has two highly desirable talents - he can fight, and he can run like the clappers. In the inner-city's harsh code there are losers and survivors, and Roo's a survivor. He's made it through adoption, through juvenile detention, through poverty. He's an athlete in training, aching towards the dream of Olympic qualification. He's even coping with being white in the turbulent Aboriginal family of his girlfriend. But when cousin Stanley dies in custody, and Roo finds his father the same week, trouble starts to catch up with him.' (Source: UQP Website: www.uqp.uq.edu.au)

Writing Bodies University of New South Wales 2010 (Semester 2)
Text Unit Name Institution Year
y separately published work icon Mullumbimby Melissa Lucashenko , St Lucia : University of Queensland Press , 2013 Z1911852 2013 single work novel (taught in 8 units) 'When Jo Breen uses her divorce settlement to buy a neglected property in the Byron Bay hinterland, she is hoping for a tree change, and a blossoming connection to the land of her Aboriginal ancestors. What she discovers instead is sharp dissent from her teenage daughter, trouble brewing from unimpressed white neighbours and a looming Native Title war between the local Bundjalung families. When Jo unexpectedly finds love on one side of the Native Title divide she quickly learns that living on country is only part of the recipe for the Good Life.' (Source: TROVE) Writing Spaces Deakin University 2015 (Semester 2)
y separately published work icon Mullumbimby Melissa Lucashenko , St Lucia : University of Queensland Press , 2013 Z1911852 2013 single work novel (taught in 8 units) 'When Jo Breen uses her divorce settlement to buy a neglected property in the Byron Bay hinterland, she is hoping for a tree change, and a blossoming connection to the land of her Aboriginal ancestors. What she discovers instead is sharp dissent from her teenage daughter, trouble brewing from unimpressed white neighbours and a looming Native Title war between the local Bundjalung families. When Jo unexpectedly finds love on one side of the Native Title divide she quickly learns that living on country is only part of the recipe for the Good Life.' (Source: TROVE) Writing Australia Queensland University of Technology 2015 (Semester 2)
y separately published work icon Mullumbimby Melissa Lucashenko , St Lucia : University of Queensland Press , 2013 Z1911852 2013 single work novel (taught in 8 units) 'When Jo Breen uses her divorce settlement to buy a neglected property in the Byron Bay hinterland, she is hoping for a tree change, and a blossoming connection to the land of her Aboriginal ancestors. What she discovers instead is sharp dissent from her teenage daughter, trouble brewing from unimpressed white neighbours and a looming Native Title war between the local Bundjalung families. When Jo unexpectedly finds love on one side of the Native Title divide she quickly learns that living on country is only part of the recipe for the Good Life.' (Source: TROVE) Aboriginal Writing University of Melbourne 2013 (Semester 2)
y separately published work icon Mullumbimby Melissa Lucashenko , St Lucia : University of Queensland Press , 2013 Z1911852 2013 single work novel (taught in 8 units) 'When Jo Breen uses her divorce settlement to buy a neglected property in the Byron Bay hinterland, she is hoping for a tree change, and a blossoming connection to the land of her Aboriginal ancestors. What she discovers instead is sharp dissent from her teenage daughter, trouble brewing from unimpressed white neighbours and a looming Native Title war between the local Bundjalung families. When Jo unexpectedly finds love on one side of the Native Title divide she quickly learns that living on country is only part of the recipe for the Good Life.' (Source: TROVE) Aboriginal Writing University of Melbourne 2014 (Semester 2)
y separately published work icon Mullumbimby Melissa Lucashenko , St Lucia : University of Queensland Press , 2013 Z1911852 2013 single work novel (taught in 8 units) 'When Jo Breen uses her divorce settlement to buy a neglected property in the Byron Bay hinterland, she is hoping for a tree change, and a blossoming connection to the land of her Aboriginal ancestors. What she discovers instead is sharp dissent from her teenage daughter, trouble brewing from unimpressed white neighbours and a looming Native Title war between the local Bundjalung families. When Jo unexpectedly finds love on one side of the Native Title divide she quickly learns that living on country is only part of the recipe for the Good Life.' (Source: TROVE) Textual Revelations University of Melbourne 2016 (Semester 1)
y separately published work icon Mullumbimby Melissa Lucashenko , St Lucia : University of Queensland Press , 2013 Z1911852 2013 single work novel (taught in 8 units) 'When Jo Breen uses her divorce settlement to buy a neglected property in the Byron Bay hinterland, she is hoping for a tree change, and a blossoming connection to the land of her Aboriginal ancestors. What she discovers instead is sharp dissent from her teenage daughter, trouble brewing from unimpressed white neighbours and a looming Native Title war between the local Bundjalung families. When Jo unexpectedly finds love on one side of the Native Title divide she quickly learns that living on country is only part of the recipe for the Good Life.' (Source: TROVE) Indigenous Australia in Literature: Listenin' Up University of Newcastle 2015 (Semester 2)
y separately published work icon Mullumbimby Melissa Lucashenko , St Lucia : University of Queensland Press , 2013 Z1911852 2013 single work novel (taught in 8 units) 'When Jo Breen uses her divorce settlement to buy a neglected property in the Byron Bay hinterland, she is hoping for a tree change, and a blossoming connection to the land of her Aboriginal ancestors. What she discovers instead is sharp dissent from her teenage daughter, trouble brewing from unimpressed white neighbours and a looming Native Title war between the local Bundjalung families. When Jo unexpectedly finds love on one side of the Native Title divide she quickly learns that living on country is only part of the recipe for the Good Life.' (Source: TROVE) Current Issues in Australian Writing University of Queensland 2013 (Semester 2)
y separately published work icon Mullumbimby Melissa Lucashenko , St Lucia : University of Queensland Press , 2013 Z1911852 2013 single work novel (taught in 8 units) 'When Jo Breen uses her divorce settlement to buy a neglected property in the Byron Bay hinterland, she is hoping for a tree change, and a blossoming connection to the land of her Aboriginal ancestors. What she discovers instead is sharp dissent from her teenage daughter, trouble brewing from unimpressed white neighbours and a looming Native Title war between the local Bundjalung families. When Jo unexpectedly finds love on one side of the Native Title divide she quickly learns that living on country is only part of the recipe for the Good Life.' (Source: TROVE) Reading Aboriginal and Torres Strait Islander Writing University of the Sunshine Coast 2016 (Semester 1)
Text Unit Name Institution Year
Singing the Revolution Blues for Alice Melissa Lucashenko , 1998 single work short story (taught in 1 units)
— Appears in: Hecate , vol. 24 no. 2 1998; (p. 155-158) Hidden Desires 2006; (p. 170-174) Hibiscus and Ti-Tree : Women in Queensland 2009; (p. 272-274)
The narrator describes the inequities and abuse endured by a young Aboriginal woman in a world where whiteness and maleness predominate.
Honours Seminar A: Australian Women Writers University of Queensland 2008 (Semester 2)
Text Unit Name Institution Year
y separately published work icon Steam Pigs Melissa Lucashenko , St Lucia : University of Queensland Press , 1997 Z399534 1997 single work novel (taught in 5 units)

'I haven't got a 'boyfriend', Mum." "Fine way to be carrying on then, out all Sat'dy night with a strange fella..." "Muuum. " "Don't you marm me, my girl. When I was your age I wasn't out running around with any stray bloke with a flash car and the gift of the gab. "And when I'm your age, thought Sue maliciously, I won't be ringing up my kids to scab money and make their lives a misery into the bargain. Sue Wilson, young and Aboriginal, escapes her "too-large, too-poor family in a too-small" north Queensland town for Logan City's frontier sprawl. Entering "the mythic world of Work" she discovers that the view from behind the bar is less than glamorous, but pays the rent. When she meets Roger the good times begin to roll until she finds herself starring in a feature with medium level violence. Melissa Lucashenko's first novel makes no apologies. With direct and gutsy language, her characters live their lives in the shadows cast by indifferent affluence.' (Source: UQP website: www.uqp.uq.edu.au)

Aboriginal Writing University of Melbourne 2014 (Semester 2)
y separately published work icon Steam Pigs Melissa Lucashenko , St Lucia : University of Queensland Press , 1997 Z399534 1997 single work novel (taught in 5 units)

'I haven't got a 'boyfriend', Mum." "Fine way to be carrying on then, out all Sat'dy night with a strange fella..." "Muuum. " "Don't you marm me, my girl. When I was your age I wasn't out running around with any stray bloke with a flash car and the gift of the gab. "And when I'm your age, thought Sue maliciously, I won't be ringing up my kids to scab money and make their lives a misery into the bargain. Sue Wilson, young and Aboriginal, escapes her "too-large, too-poor family in a too-small" north Queensland town for Logan City's frontier sprawl. Entering "the mythic world of Work" she discovers that the view from behind the bar is less than glamorous, but pays the rent. When she meets Roger the good times begin to roll until she finds herself starring in a feature with medium level violence. Melissa Lucashenko's first novel makes no apologies. With direct and gutsy language, her characters live their lives in the shadows cast by indifferent affluence.' (Source: UQP website: www.uqp.uq.edu.au)

Aboriginal Writing University of Melbourne 2016 (Semester 2)
y separately published work icon Steam Pigs Melissa Lucashenko , St Lucia : University of Queensland Press , 1997 Z399534 1997 single work novel (taught in 5 units)

'I haven't got a 'boyfriend', Mum." "Fine way to be carrying on then, out all Sat'dy night with a strange fella..." "Muuum. " "Don't you marm me, my girl. When I was your age I wasn't out running around with any stray bloke with a flash car and the gift of the gab. "And when I'm your age, thought Sue maliciously, I won't be ringing up my kids to scab money and make their lives a misery into the bargain. Sue Wilson, young and Aboriginal, escapes her "too-large, too-poor family in a too-small" north Queensland town for Logan City's frontier sprawl. Entering "the mythic world of Work" she discovers that the view from behind the bar is less than glamorous, but pays the rent. When she meets Roger the good times begin to roll until she finds herself starring in a feature with medium level violence. Melissa Lucashenko's first novel makes no apologies. With direct and gutsy language, her characters live their lives in the shadows cast by indifferent affluence.' (Source: UQP website: www.uqp.uq.edu.au)

Australian Literature University of New South Wales 2015 (Semester 1)
y separately published work icon Steam Pigs Melissa Lucashenko , St Lucia : University of Queensland Press , 1997 Z399534 1997 single work novel (taught in 5 units)

'I haven't got a 'boyfriend', Mum." "Fine way to be carrying on then, out all Sat'dy night with a strange fella..." "Muuum. " "Don't you marm me, my girl. When I was your age I wasn't out running around with any stray bloke with a flash car and the gift of the gab. "And when I'm your age, thought Sue maliciously, I won't be ringing up my kids to scab money and make their lives a misery into the bargain. Sue Wilson, young and Aboriginal, escapes her "too-large, too-poor family in a too-small" north Queensland town for Logan City's frontier sprawl. Entering "the mythic world of Work" she discovers that the view from behind the bar is less than glamorous, but pays the rent. When she meets Roger the good times begin to roll until she finds herself starring in a feature with medium level violence. Melissa Lucashenko's first novel makes no apologies. With direct and gutsy language, her characters live their lives in the shadows cast by indifferent affluence.' (Source: UQP website: www.uqp.uq.edu.au)

Australian Literature Honours C: Reading Suburbia University of Sydney 2010 (Semester 2)
y separately published work icon Steam Pigs Melissa Lucashenko , St Lucia : University of Queensland Press , 1997 Z399534 1997 single work novel (taught in 5 units)

'I haven't got a 'boyfriend', Mum." "Fine way to be carrying on then, out all Sat'dy night with a strange fella..." "Muuum. " "Don't you marm me, my girl. When I was your age I wasn't out running around with any stray bloke with a flash car and the gift of the gab. "And when I'm your age, thought Sue maliciously, I won't be ringing up my kids to scab money and make their lives a misery into the bargain. Sue Wilson, young and Aboriginal, escapes her "too-large, too-poor family in a too-small" north Queensland town for Logan City's frontier sprawl. Entering "the mythic world of Work" she discovers that the view from behind the bar is less than glamorous, but pays the rent. When she meets Roger the good times begin to roll until she finds herself starring in a feature with medium level violence. Melissa Lucashenko's first novel makes no apologies. With direct and gutsy language, her characters live their lives in the shadows cast by indifferent affluence.' (Source: UQP website: www.uqp.uq.edu.au)

Working Class Writing Victoria University 2016 (Semester 1)
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