AustLit logo

AustLit

Tony Moore Tony Moore i(A24694 works by)
Gender: Male
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 Fringe to Famous : Bohemians, Entrepreneurs, Audiences and the Enabling State Tony Moore , Mark Gibson , 2015 single work criticism
— Appears in: Australian Studies – Proceedings of the 14th International Conference of Australian Studies in China 2015; (p. 20-34)
'Since the 1980s, there has been an increasingly fertile cross-over between 'alternative' arts practice and popular culture industries. Yet this cross-over between what Pierre Bourdieu called the market of limited and extensive production is not new, and a recent historical study of Australian bohemia by this article's co-author, identified a long tradition stretching back to the nineteenth century of creative practitioners circulating between small scale experimental initiatives in art and culture and the mainstream publishing, design, cinema, broadcasting and other cultural industries. The paper considers how this circulation between markets has been important for Australia's creative economy as an 'innovation system' and its contributed to the 'national dreaming' and other diverse forms of identity. In the context of the Federal Government's 2013 Creative Australia national cultural policy, the paper outlines a larger research project of identifying the institutional relationships and policy settings, which favour or inhibit translations for the margins to the mainstream, from fringe to famous.' (20)
1 The Economy Turned Upside Down : Bourdieu and Australian Bohemia Tony Moore , 2015 single work criticism
— Appears in: Continuum : Journal of Media & Cultural Studies , vol. 29 no. 1 2015; (p. 45-56)
'This article engages Bourdieu's work on the cultural field to ask how the bohemian identity helped an aspiring artist make sense of the opportunities and problems encountered in the Australian cultural market, and how competition between established and new cultural players over several generations constituted a bohemian tradition in denial. Bourdieu's concept of ‘the economy turned upside down’ does not merely critique the romantic claims of autonomy from the market explicit in the bohemian identity, but reveals how the performance of autonomy through transgression made cultural producers as diverse as Tom Roberts, Henry Lawson, the Angry Penguins modernists or the Oz satirists attractive to the bourgeois consumer. There are, nevertheless, significant ways that the Australian bohemian tradition differs from the Western European experience theorized by Bourdieu, namely in the areas of politics, popular culture and post-colonial national assertion.' (Publication abstract)
1 Clarke, Marcus Andrew Hislop (1846-81) Tony Moore , 2014 single work companion entry
— Appears in: A Companion to the Australian Media : C 2014; (p. 95)
1 ‘What Route Are You Taking?’ The Transnational Experience of the Barry McKenzie Movies Tony Moore , 2014 single work criticism
— Appears in: Continuum : Journal of Media & Cultural Studies , vol. 28 no. 5 2014; (p. 629-639)
'In this article I focus on the offshore life of The Adventures of Barry McKenzie and its big budget sequel to demonstrate the value of Australian cultural history to the field of screen studies and researchers interested in the transnationality of Australian cinema. The concept of historical mobilities and ‘routes’ helps us move beyond discourses of the Australian film revival, home-grown types and tropes and colony versus mother country to consider the creative influence of cosmopolitan bohemian and avant-garde movements in which the film-makers honed their craft and aesthetics, the offshore creative context, notably British satire, and the experience of cross-border travelling itself – and obstructions to that act – which is the central thematic and narrative concern of both films...'
1 Offshore Processes: International Perspectives on Australian Film and Television Therese Davis , Mark Gibson , Tony Moore , 2014 single work criticism
— Appears in: Continuum : Journal of Media & Cultural Studies , vol. 28 no. 5 2014; (p. 571-573)
'The focus of this special issue of Continuum is on the international or 'offshore' life of Australian film and television, shifting attention away from questions of national self-interactions of its production, both past and present...'
1 First Read the Book Tony Moore , 2012 single work correspondence
— Appears in: The Age , 5 November 2012; (p. 10)
1 13 y separately published work icon Dancing with Empty Pockets : Australia's Bohemians since 1860 Tony Moore , Millers Point : Pier 9 , 2012 Z1871273 2012 single work criticism 'In the nineteenth century, the word "bohemians" initially conjured the primitive, exotic and mysterious power of gypsies, but in a few short years it would be used to describe any nomadic or vagabond character - with strong overtones of poverty and even criminality. In Australia, bohemians have been associated with subcultures and movements across most creative arts and media for more than 150 years. Cities spawned networks of poets, painters, novelists, journalists, philosophers, actors, filmmakers, comedians and hackers famous for their controversial, eccentric lifestyles and for the work they produced. Dancing with Empty Pockets is an exploration, and a celebration, of Australia's most creative figures - our bohemians, from Marcus Clarke through to the twenty-first century - and is a must-read for everyone interested in our counterculture' (Publisher website).
1 1 y separately published work icon Bohemian Nation: A History of Australian Counter-Cultures and Avant-Gardes from Clarke to Cave Tony Moore , Sydney : Pier 9 , 2012 Z1754395 2012 single work criticism
1 Larrikin Streak Tony Moore , 2008 single work criticism
— Appears in: The Weekend Australian , 16-17 August 2008; (p. 6-7)
1 Tony Moore on Leftie Laughter Tony Moore , 2007 single work column
— Appears in: The Weekend Australian , 30 June - 1 July 2007; (p. 2)
1 True Blue Tony Moore , 2006 single work criticism
— Appears in: The Weekend Australian , 30 September - 1 October 2006; (p. 6-7)
Moore argues that some of the classic films of the Australian cinema are overlooked by critics. He nominates comedies such as The Adventures of Barry McKenzie and Alvin Purple in his cinematic canon.
1 4 y separately published work icon The Barry McKenzie Movies Tony Moore , Strawberry Hills : Currency Press , 2005 Z1229014 2005 single work criticism (taught in 1 units)

'Bruce Beresford's a colourful film about an 'innocent abroad' as he blunders his way through the London of the 1970s was panned by the critics but a huge success with audiences. The film became the first Australian movie to make a million dollars, thereby playing a crucial part in the resurgence of the Australian film industry in the early 1970s by demonstrating the commercial viability of local production. It also did very well commercially in London, where it established a record for any Australian film released there.

'Based on Barry Humphries comic-strip character, which appeared in the British satirical magazine Private Eye in the 1960s, the screenplay was written by Humphries and Beresford, the story line deriving from the culture clash between the Australian innocent 'Bazza' McKenzie and the English - from a taxi driver who takes Barry from Heathrow to Earls Court by way of Stonehenge, to the decadent upper classes with their public school fetishes, the swinging scene of pop music promoters and Jesus freaks, and eventually the hallowed halls of BBC television. ' (Publication summary)

1 Urban Iconoclast Tony Moore , 2005 single work criticism
— Appears in: Meanjin , vol. 64 no. 1-2 2005; (p. 204-213) The Best Australian Essays 2005 2005; (p. 96-106)
Examining the literary career of Marcus Clarke, Tony Moore concludes that 'Clarke was Australia's first celebrity writer, adopting the pose of the inner-city slacker, an alternative to the prissy middle class and the grin-and-bear-it bushie. More the sceptical satirist than the true believer, he offered the promise of a different way of being a cultured rebel.'
1 When Bazza Spray Had Its Day Tony Moore , 2003 single work criticism
— Appears in: The Sydney Morning Herald , 9-10 August 2003; (p. 10-11)
1 Romancing the City -- Australia's Bohemian Tradition: Take One Tony Moore , 1998 single work criticism
— Appears in: Journal of Australian Studies , no. 57 1998; (p. 172-183) The Australian Legend and Its Discontents 2000; (p. 269-285)
1 Romancing the City -- Australia's Bohemian Tradition: Take Two Tony Moore , 1998 single work criticism
— Appears in: Journal of Australian Studies , no. 58 1998; (p. 56-65)
1 Untitled Tony Moore , 1993 single work review
— Appears in: The Australian English Teacher , October 1993; (p. 43)

— Review of Buried Secrets Christine Harris , 1993 selected work short story
X